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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 33 in. x W 38 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 33 in. x W 38 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 33 in. x W 38 in.
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Thomas Hudson
Portrait of an Aristocratic Gentleman in Crimson Velvet Jacket Oil Painting

c. 1750's

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    "The Return from School" English School, circa 1820 after the painting by William Redmore Bigg, RA, British 1755-1828 condition: excellent restored condition Provenance: Christie’s, 1988; Private Collection, UK A very fine Georgian painting capturing this wonderful image from the social history of England. We see a school boy returning home for the holidays, his trunk and belongings being handed over, whilst his mother and siblings watch on, on the steps and entrance to their large country home (the gate lodge stands in the distance). It is a superbly painted work and presented in excellent condition. The image is after the original painting by William Redmore Bigg, RA, British 1755-1828. Chiefly known from their many engraved versions, the original oils...
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  • Huge Antique English Aristocratic Portrait of Baronet, Fine Ancestral Portrait
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    English School, 18th/ 19th century Portrait of Sir Wolstan Dixie, 4th Baronet *see notes below on sitter oil painting on canvas, unframed 50 x 40 inches condition: the painting is in very satisfactory condition without any damage, tears or punctures to the canvas. It is very original and would benefit from a clean ideally, slight scuffing to the edges of canvas. provenance: private collection, Leicestershire, England * The sitter is Sir Wolstan Dixie (4th Baronet, born 1700). Although the family came from a yeoman family of Huntingdonshire, his ancestor, also Sir Wolstan, made a fortune in the City as a merchant, and served as Lord Mayor of London in 1585-6, Sir Wolstan (the 1st Baronet) acquired the manor of Market Bosworth in west Leicestershire and in 1592, having no children...
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    Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old. Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career. As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618. The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...
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