Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Portrait of Andrew Farmer

C1820

Price:$5,000
$7,553.01List Price

More From This Seller

View All
18th Century portrait oil painting of a lady in an ermine trimmed cloak
By Sir Godfrey Kneller
Located in Nr Broadway, Worcestershire
Circle of Sir Godfrey Kneller Dutch, (1646-1723) Portrait of a Lady in an Ermine Trimmed Cloak Oil on canvas Image size: 26.5 inches x 22.5 inches Size including frame: 33.5 inches x 29.5 inches A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter. The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

17th Century portrait oil painting of a gentleman
By John Riley
Located in Nr Broadway, Worcestershire
Circle of John Riley British, (1646-1691) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inch...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th Century portrait oil painting of a girl with an orange
By Robert Byng
Located in Nr Broadway, Worcestershire
Circle of Robert Byng British, (1666-1720) Girl with Orange Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inc...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th Century portrait oil painting of a gentleman
Located in Nr Broadway, Worcestershire
Follower of Enoch Seeman the Younger German, (1694-1744) Portrait of Gilbert Sympkin Oil on canvas Image size: 29.25 inches x 24.5 inches Size including frame: 38 inches x 33.25 inches A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger. Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice. Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th Century large scale portrait oil painting of a lady with a lamb
By Arthur Pond
Located in Nr Broadway, Worcestershire
Attributed to Arthur Pond British, (1701-1758) Portrait of a Lady Oil on canvas Image size: 50.75 inches x 41.5 inches Size including frame: 58.5 inches x...
Category

18th Century Portrait Paintings

Materials

Canvas, Oil

17th Century portrait oil painting of a gentleman
By Willem Wissing
Located in Nr Broadway, Worcestershire
Circle of Willem Wissing Dutch, (1656-1687) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24.5 inches Size including frame: 35 inches x...
Category

17th Century Portrait Paintings

Materials

Canvas, Oil

You May Also Like

COUNTRY GIRL- W.A.Bouguereau- Italian Portarit of young peasant Oil on canvas
By Pietro Colonna
Located in Napoli, IT
Country girl - Pietro Colonna Italia 2006 - Oil on canvas cm. 45x25 Gold gilded wooden frame available on request The painting by Pietro Colonna is a free interpretation of the paint...
Category

Early 2000s Old Masters Portrait Paintings

Materials

Canvas, Oil

CHERUBIM WITH FLOWERS- Italian School - Italian Figurative Oil painting
By Giulio Di Sotto
Located in Napoli, IT
Cherubim with flowers - Oil on canvas cm.80x100 by Giulio Di Sotto, Italy, 2002. Gold leaf gilded wooden frame available on request This wonderful oil on canvas represents two putti...
Category

Early 2000s Old Masters Portrait Paintings

Materials

Canvas, Oil

PORTRAIT OF UGO FOSCOLO - Antonio Jannone - Italian Oil On Canvas Painting
By ANTONIO JANNONE
Located in Napoli, IT
PORTRAIT OF UGO FOSCOLO - Oil on canvas cm.50x40, Antonio Jannone, Italy, 2002. this beautiful portrait of the Italian poet Ugo Foscolo is the painter's pe...
Category

Early 2000s Old Masters Portrait Paintings

Materials

Canvas, Oil

ALLEGORICAL SCENE - Giovanni Faliero - Italy Oil on Canvas Painting
By Giovanni Faliero
Located in Napoli, IT
Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110. Gold leaf gilded wooden frame available on request This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...
Category

Early 2000s Old Masters Portrait Paintings

Materials

Canvas, Oil

PORTRAIT OF A GENTLMEN - French School -Portrait Italian Oil on Canvas Painting
By Eugenio De Blasi
Located in Napoli, IT
Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi Wooden frame available on request The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...
Category

Early 2000s Old Masters Portrait Paintings

Materials

Canvas, Oil

18th century painting of the Dalbiac family in the gardens of a country house
By Charles Philips
Located in Bath, Somerset
The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Recently Viewed

View All