Unknown

Portrait of Jesus Christ as "Ecce Homo " Italian School of The XVII Century

after 1600

Elaborately framed, isolated in black modern frame this painting represent a typically piece of grand tour of the 19th century and show the arch of Trajan is an ancient and very important Roman triumphal arch erected outside the city of Rome in the southern of Italy in Benevento. Erected in honour of the Emperor Trajan across the Via Appia, at the point where it enters the city and incorporated into the southern sector of the city walls and became known as Porta Aurea ("Golden Gate"). The arch was studied by Sebastiano Serlio in Renaissance times and drawn by Giovanni Battista Piranesi in the 18th century. It was restored several times due to aging and earthquakes: under Pope Urban VIII, then in 1661, 1713 (after the marble architrave crumbled) and 1792. In 1850, on the occasion of Pope Pius IX...

The painting is typical genre scene of Rome of the 17th century, a daily life along the Tiber river. with the river Tiber, Castel Sant'Angelo. Fishermen and characters are on the bank of the river, while several boats travel along it. In the background, perfectly portrayed with a clever play of perspective, Castel Sant'Angelo appears in all its splendor. The work refers to the tradition of Roman painters of the 18th century and in particular is inspired by and takes up the style of Giovanni Battista Busiri a famous and important roman painter of vedute and landscape active in Rome in the 18th century. One of his famous and important artwork a watercolor painting view of the Castel Sant' Angelo, sold at Sothebys previously property of the Dukes of Newcastle under Lyne, and was exposed at Clumber Park...

an interesting view oil on board view of the arch of Constantine, portrayed from the Via Sacra with the ruins of the Meta Sudans, an ancient roman fountain...

Elaborately framed, isolated in black modern frames this painting represent a typically daily scene of Rome at the end of the 19th century in a perfect grand tour style present a vi...

The painting is typical genre scene of Rome of the 17th century, a daily life along the Tiber river. with the river Tiber, Castel Sant'Angelo. Fishermen and characters are on the b...

an important and large painting 220x208 cm of a dutch village with building characters and animals. The painting present a group of farmers in a convi...

Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old. Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career. As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618. The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, un...

Joseph Badger (c. 1707–1765) was a portrait artist in Boston, Massachusetts, in the 18th century. This amazing painting depicting a young boy with a bird. oil on canvas cm 93 x73...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subject of the painting depicts th...