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Saint Agatha Of Sicily, 17th/18th Century

PORTRAIT OF COURT MUSICIAN JOSEF LEMBERGER (1667-1740) Hungarian School Large 18th Century Hungarian Portrait of court musician Josef Lemberger, oil on canvas. Superb quality and early important...

An Allegory Of Motherhood & Charity, 17th Century Huge Italian Old Master Huge circa 1600 Italian Old Master scene of a mother and infants as an al...

Napoleons Retreat From Russia, 19th Century French School Large Napoleonic Wars Scene Large 19th Century French School Napoleonic Wars Scene of Napoleon retreating following the in...

On Wimbledon Common, dated 1861 by Sidney Richard Percy (1821-1886) Large 19th Century landscape view overlooking Wimbledon Common, oil on canvas by Sidney Richard Percy. Excellent quality and condition example of the artists work and a rare early view of his of Wimbledon Common. Signed, inscribed and framed. "signed and dated 'SRPercy.1861' (lower left); further signed verso before reline: titled and inscribed 'No2 On Wimbledon Common/Sidney R Percy...

Diptych Françoise Nielly has explored the different facets of image all her life, through painting, photography, roughs, illustrations and virtual computer generated animated graphi...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...