Richard Britell

71 Clinton (Photo-Realist Oil Painting of NYC Light Beige Brick Building)

2017

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

Photo-realist oil painting of a red brick building on Madison Street in Manhattan's Lower East Side. oil on wood in artist made dark wood frame 10 x 8 inches This contemporary, rea...

Photo-realist oil painting of a classic red brick building exterior in New York City Oil on linen mounted on panel in a handmade walnut frame 10 x 27 x 2 inches framed Wire backing ...

30 x 40 inches horizontal photo realist oil painting on canvas of neo-classical architecture Mr. Britell's subject matter is drawn from the world of pre-modernist architecture. Wha...

contemporary hyper realist painting of industrial white pulley against a bright sky blue background still life painting, oil on canvas Neve...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Carol O’Malia’s paintings depict ordinary objects, people, and places, and the ephemeral moments that are often overlooked in the rush of our everyday lives. These instants, like heartbeats of time, are anchored and safeguarded with paint onto the canvas. Carol was born in Boston and is a native New Englander. She earned a BFA from the Rhode Island School...

Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is images of food. Johnson actually describes herself as a ‘Precision Realist’ whose primary subject is food - cheesecakes, PB & J sandwiches, parfaits, pancakes, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles, sushi, etc.. These brilliantly painted works capture every nuance and are rendered with amazing precision. Stunningly beautiful and incomparably 'real,' her paintings are a delight in terms of subject matter, color, perfect composition, and whimsy, with an approachable quality that elevates them far beyond expertly executed mechanical renderings. "Berries and Cream" 2015 Oil on Wood Panel 20 x 24 x 1 Inches Note: This painting is framed in white wood. Unequaled for their brilliance and dramatic depictions of mundane subjects with their connotations of nostalgia, comfort and tradition, it is also her scale, cropping and extraordinary technical skill that render these works so overwhelmingly appealing. Johnson's paintings are acknowledged by the leading collectors in the country to represent the very best of the Photorealist tradition: “I make the panels large to give a monumental feeling to the painting when viewed. These large images not only confront the viewer with their size but with their tremendous sense of extravagance. My work explores the deep connection that food has with humanity.” Mary Ellen Johnson Included among the many accolades received for Johnson's work is a commission by the Canadian Government to paint 5 of Canada's favorite foods, images which were then translated into stamps, as well as a commission from The Cheesecake Factory's chain of restaurants for a "Strawberry Cheesecake with Whipped Cream" for their corporate headquarters in California. MARY ELLEN JOHNSON Born: 1967, West Long Branch, NJ. Education: Ringling School of Art and Design, Sarasota, FL, 1989. Exhibitions: ONE PERSON EXHIBITIONS: Beth Urdang...

Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is images of food. Johnson actually describes herself as a ‘Precision Realist’ whose primary subject is food - cheesecakes, PB & J sandwiches, parfaits, pancakes, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles, sushi, etc.. These brilliantly painted works capture every nuance and are rendered with amazing precision. Stunningly beautiful and incomparably 'real,' her paintings are a delight in terms of subject matter, color, perfect composition, and whimsy, with an approachable quality that elevates them far beyond expertly executed mechanical renderings. Mary Ellen Johnson "Big Cherry Pie...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

'Trio of Apples' by Barbara Vanhove is an exceptional still-life painting. You can almost pick up the apples to eat them, such is the detail with which they have been painted. Barbar...