Roman Rembovsky

Textile scenery 2, Painting, Oil on Canvas

2004

My still life paintings vary from lively decorative colorful compositions to thoughtful studies of reality. I rip objects out of their context and put them to new context. Here they ...

My still life paintings vary from lively decorative colorful compositions to thoughtful studies of reality. I rip objects out of their context and put them to new context. Here they ...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

'Restoration' from visual artist Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness and mystery. A light and elegant floral wonder in blush, cream, ivorie and pale green, reflecting flora in still life. Peek has floated tulips, roses and other flowers from 17th century still life paintings through the dark smoky atmosphere of her paintings of night...