Sandra Cohen

"when we arrive in the middle of nowhere", abstract, flowers, acrylic painting

2022

Anne Sargent Walker’s oil, acrylic and collage painting "Out of Synch" is one of many to explore the beauty, complexity and fragility of the natural world and our complicated relatio...

Anne Sargent Walker’s "Space Between" is a 24 x 18 x 1 inch oil and acrylic on wood panel done in misty grays and deep blues. Two Lushly painted evergreens stand together in silhouet...

“Dancing in the rain” is a landscape painting by Frantz Lexy that captures a moment in time where nature’s power meets beauty. A rocky mountain stands in front of a dark and stormy s...

“Day 3” by Frantz Lexy is a mixed media painting of a tropical landscape from a bird’s eye view perspective. Meticulously detailed green and brown mountain...

"Spirit Trees 2" by C. Clinton is 16 x 16 inch acrylic painting of abstracted trees and spaces between the branches. The acrylic painting on panel is unframed and signed on the back ...

“Fall Changing” by C. Clinton is from an ongoing series of paintings inspired by the shifting colors and changing contours of summer’s transition to autumn and autumn to winter. This...

This is a very soft semi abstract landscape painting of a wooded scene. The artist uses the woods as a vehicle to allow color itself to sing in this soft glory. The piece is layere...

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...

Acrylic & ink on wooden panel

Acrylic on wooden panel

Acrylic & oil on wooden panel

Acrylic & oil on wooden panel