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Boris Deutsch'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, Hollywood1926
1926
$2,850
£2,160.14
€2,500.57
CA$4,023.46
A$4,480.44
CHF 2,339.34
MX$54,288.87
NOK 29,501.57
SEK 27,837.05
DKK 18,666.46
About the Item
'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood
Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926.
Deutsch began drawing at the age of five and and later attended the Bloom Academy of Art in Riga and at the Kunstgewerbe Schule in Berlin. In 1916, he immigrated to Seattle, settling in Los Angeles by 1919. He initially supported himself as a commercial artist but rapidly established himself as a successful Hollywood set designer. During the late 1930s, Deutsch undertook numerous commissions for the Works Project Association (WPA) including murals for post offices in Hot Springs, New Mexico, and Reedley, California as well as a total of 11 murals for the Los Angeles Post Office. A committed modernist, he specialized in genre and figural works and, during the last ten years of his life, experimented with a variety of graphic styles including monotypes.
Over the course of a long career, Boris Deutsch exhibited widely and with success including at LACMA, 1926, 1929, 1941; USC, 1926; Calif. Art Club, 1929; Mills College (Oakland), 1929; Zeitlin Gallery (LA), 1929; Seattle Museum, 1930; San Diego Fine Arts Society, 1930; Denver Museum, 1931; CPLH, 1931; Portland (OR) Museum, 1931; Dallas Museum, 1932; Oakland Art Gallery, 1931, 1932, 1936, 1940; Stockton Museum, 1940; UCLA, 1942; Biltmore Salon (LA), 1945; California Watercolor Society, 1945; Scripps College, 1946. In: LACMA; MM; Orange Co. (CA) Museum; Carnegie Institute; NMAA; CPLH; and Mills College.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, page 900-901; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, page 521; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 1, page 555; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, page 302; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 110; Publications in Southern California Art 3, Nancy Dustin Wall Moure, Dustin Publications 1984, page 68; et al.
- Creator:Boris Deutsch (1892-1978, American)
- Creation Year:1926
- Dimensions:Height: 16 in (40.64 cm)Width: 19.75 in (50.17 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:canvas laid down on masonite; minor canvas irregularities original to the piece, minor restoration; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34416840032
Boris Deutsch
Boris Deutsch (1892-1978) was a 20th century modernist figurative painter and printmaker. He was born in Krasnagorka, Lithuania on June 4, 1892. Deutsch began drawing at age five and remained a self-taught artist, except for brief intervals at the Bloom Academy of Art in Riga, Latvia and the Kunstgewerbe Schule in Berlin. He moved to Seattle, WA in 1916 and then to Los Angeles in 2019. He began his career as a commercial art and set designer for movies. In the late 1930's he was recruited to paint murals for the New Deal, WPA, receiving numerous mural commissions to paint murals for the treasury department and several post office buildings. In 1941 he won the large competition to decorate the Terminal Annex Post Office in Los Angeles with eleven large murals. During the last decade of his life he experimented with monotypes and other printmaking techniques. Deutsch died in Los Angeles on Jan. 16, 1978. Boris Deutsch's art has been the focus of many exhibitions, including: The University of California, Los Angeles in 1926, The Palace of the Legion of Honor in San Francisco in 1930, Oakland Art Gallery in 1937, The University of Southern California (USC) in 1939, The Whitney Museum in New York in 1946 and a centennial exhibition by the Judah l. Magnes Museum in Berkeley California in 1992. In 1955, Marc Chagall called him the greatest Jewish artist of our time. Deutch's works are held by several institutions and museums, including the Smithsonian American Art Museum, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the San Diego Museum of Art, the Scribal Museum, the Judah L. Magnes Museum Berkeley, California, and the Pomona College Museum of Art.
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