Carolyn Miller

'Still Life of Orchids', Art Students League, Denver, Colorado

Signed lower right, 'Esther Lyne' (American, 20th century) and painted circa 1955. A sensitively painted Post-Impressionist oil still-life showing a view of a hand-painted creamware jug...

Signed lower right with initials 'H.L.' for Harald Leth (Danish, 1899-1986) and painted circa 1935. Leth commenced his art studies with Johannes Larsen (1921) before attending Harald Giersing...

A substantial, mid-century oil still-life comprising various items arranged on a platter set on a table beside a red bird in a cage. Unsigned and painted circa 1950. The anonymous h...

Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) and dated 1954. A vibrant and light-filled still-life by this well-listed Danish Modernist and disciple o...

Signed lower center, 'Widman' for Harry Widman, Jr (American, 1929-2014) and painted circa 1956. Exhibited: Artists of Oregon, Painting and Sculpture Sho...

Signed lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pacific Art League lived in Los Altos...

Flowers in a Vase, oil on canvas on cardboard, 71.5x55.5 cm Fridrihs Milts (1906.21.XII – 1993.5.XI) Fridrihs Milts graduated studio of Figurative painting (under the guidance of G. Eliass) in Latvia Art academy (1932). He took part in exhibitions of association “Zala varna” (since 1929). Artist also took part in exhibitions of Culture Foundation. Self-exhibition was made in Riga (1943) and the rest ten exhibitions were made when artist lived in exile. In 1950 – 60th F. Milts took part in exhibitions of group “Cetru grupa”. In 1960 he got prize from Culture Foundation of North American Latvians. Artist was a leader of New York Latvian...

Hand signed lower right: Pisis 41 On left, centered, the initials “V.R.”, indicating the artist’s Studio in Milan, via Rugabella. Filippo De Pisis was an Italian painter-poet who wa...

Georgina Klitgaard Apples and Pears Still Life Signed lower right Oil on canvas 8 x 10 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to membership in one school or another. Unfortunately for her posthumous reputation, Klitgaard defied easy characterization. She was a U.S. modernist, working in both oil and watercolors, but never abandoned figurative painting. She made her reputation in landscape but also excelled in portraits, flower studies, and even cityscapes. Yet despite Klitgaard’s ambiguous status in art history, her paintings continue to fascinate viewers attracted to the unsteady ground between twentieth-century realism and expressionism. Georgina Klitgaard (née Berrian) was born in Spuyten Duyvil, New York (now part of the Bronx); the Berrians had lived in the area since at least the U.S. Revolution. After graduating from Barnard College, she studied art at the National Academy of Design. In 1919 she married Kay Klitgaard, a Danish artist and writer. The next year, her life took a decisive turn when the couple visited friends in Woodstock, NY—about 120 miles north of New York City--and fell in love with the area. In 1906, L. Birge Harrison helped found the Art Students League Summer School in Woodstock and the area became a magnet for landscape painters. The Klitgaards bought a house in 1922 on a steep ledge at the end of Cricket Ridge, high above Bearsville, which provided panoramic vistas overlooking the Catskill Mountains and the Hudson Valley. Klitgaard joined the artists’ colony in the area, which at the time included artists Ernest Fiene and Katherine Schmidt. Klitgaard exhibited widely and her career slowly developed momentum. She was a regular contributor at Whitney Museum shows from 1927 to 1944. In 1929, she exhibited a painting entitled “Carousel” in the Whitney Studio Club’s famous exhibition “Circus in Paint.” Gertrude Vanderbilt Whitney acquired five paintings by Klitgaard in the early 1930s and served as a significant patron for the artist. Klitgaard s New York dealer, Frank Rehn...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...