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Unknown
'Still Life with Songbird', American Modernist, Blue Interior

Circa 1950

$3,600List Price

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'Still Life', Paris, Académie Julian, Salon des Indépendants, Salon d'Automne
By Albert Bertalan
Located in Santa Cruz, CA
Signed lower right, 'Bertalan' for Albert Bertalan (Hungarian, 1899-1956) and dated 1929. Displayed in a period, birds-eye maple frame; frame size: 26 x 30 inches An elegant, oil st...
Category

1920s Modern Still-life Paintings

Materials

Canvas, Oil

'Still Life of Tulips', Paris, Academie de la Palette, Benezit, Cubist
Located in Santa Cruz, CA
Signed with monogram, lower left, 'AN' for Albert Naur (Danish, 1889-1973) and dated 1919. Albert Naur first studied Philosophy and Law in Copenhagen (1908-1911) while painting in a...
Category

1910s Modern Still-life Paintings

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Canvas, Oil

'Still Life of Tulips', Post-Impressionist, Royal Academy of Art, Copenhagen
By Poul Nielsen
Located in Santa Cruz, CA
Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) and dated 1954. A vibrant and light-filled still-life by this well-listed Danish Modernist and disciple o...
Category

1950s Modern Still-life Paintings

Materials

Canvas, Oil

'Flowers and Golden Apples', National Art Museum Denmark, Charlottenborg, Paris
By Harald Leth
Located in Santa Cruz, CA
Signed lower right with initials 'H.L.' for Harald Leth (Danish, 1899-1986) and painted circa 1935. Leth commenced his art studies with Johannes Larsen (1921) before attending Harald Giersing...
Category

1930s Modern Still-life Paintings

Materials

Canvas, Oil

'Apples on a Peacock Tablecloth', Royal Academy, São Paulo & Venice Biennales
Located in Santa Cruz, CA
Signed lower right, 'Agger' for Knud Agger (Danish, 1895-1973) and painted circa 1940. Born in Holstebro, Denmark, Knud Agger was exposed at a young age to theories of art and paint...
Category

1940s Modern Still-life Paintings

Materials

Canvas, Oil

'In the Artist's Studio', Danish Expressionist Woman Artist
By Grethe Norgard
Located in Santa Cruz, CA
A Post-Impressionist-style oil interior scene showing a view of an artist's working studio with a paintbox and tools in the foreground and an Expressionist style figurative oil paint...
Category

1970s Impressionist Interior Paintings

Materials

Canvas, Oil

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"Untitled" Albert Heckman, Modernist Saturated Blue and Yellow Still Life
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Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
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