Gastone Breddo

Still Life - Oil on canvas by Gastone Breddo - Mid-20th Century

Mid-20th Century

Sea urchins is an original artwork realized in the mid-20th Century by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Original Colored oil on canvas. Includes frame Hand-signed on the lower right corner Includes frame Giovanni Omiccioli (February 25, 1901 – March 1, 1975), was an Italian painter belonging to the modern movement of the Scuola romana...

Still Life with Vase of Flowers is an original modern artwork realized by Giuseppe Bertolini in 1970. Mixed colored oil on canvas Hand signed and dated on the back and on the lowe...

Still Life with Apples and Bottle is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-written notes on the ba...

Cherries on Table is an original oil painting realized by Zhang Wei Guang (Mirror) in 2007 Mixed colored oil on canvas Includes frame Hand-signed and dated on the back Zhang Wei ...

Oil paint and mixed technique on canvas, hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual...

Kate Brinkworth (b.1977) MGM Grand 2010 oil on canvas 163 x 224 cm Price: £21,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University...

Kate Brinkworth (b.1977) London Binion's 2017 oil on canvas 100 x 150 cm Price: £10,200 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: London Binion's, Kate Brinkworth, photorealist, dice, gambling, casino...

'Sea Foam 2', 2022 is 47.25 x 35.5 inches, oil on linen painted by French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's ...