Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Neapolitan Still Life "Flowers in a Glass Jug" Oil on Canvas in Frame

unfamiliar

$14,826.44
£11,053.78
€12,500
CA$20,361.90
A$22,788.98
CHF 11,899.41
MX$278,026.95
NOK 151,047.36
SEK 143,334.64
DKK 95,210.97
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Attributed to Giacomo Recco (1603-1653), still life "Glass jug with flowers," oil on canvas in gilt frame. This fine canvas depicts a glass pitcher filled with flowers resting on a stone base. The rigorous simplicity of this painting takes us to the first half of the 17th century and to the name of Giacomo Recco Giacomo Recco is considered by critics to be among the initiators of still life in Naples and the progenitor of a dynasty of painters specializing in still life, still sensitive to Mannerist taste and Flemish precedents, but capable of warming and animating his compositions, with an imaginative "Neapolitan" style. It is important to consider that in recent years, confirming once again the confusion that reigns in the field of attribution, numerous works have been sold at auction, more or less forcibly ceded to Giacomo Recco, who has thus become a painter without paintings, the artist of reference for a host of anonymous authors of the most varied floral paintings, and whose coveted florist container goes in and out of the most disparate canvases. The canvases attributed to Giacomo Recco by leading experts reveal not only an artist of great skill and profound culture, but also an expert in heraldry and a connoisseur of symbolic meanings, as well as a great connoisseur of Flemish figurative experiences. He, too, was probably in the position of an established painter, able to get himself mentioned in the circles that matter, such as this receiving commissions from important cardinals and noble families. The works grouped under the name of Giacomo Recco display a number of quite distinctive features that are an expression of an artistic personality still attracted to the sixteenth-century repertoire little or not at all affected by the results of luministic investigations and at the same time strongly influenced by the affectation and artificiality of Flemish development. In Recco's painting, the vase becomes the focal point of the composition and has the same dignity as the flowers, which are always symmetrically arranged and unnaturally lit, though minutely defined in their optical truth. The flowers are all colorful expressions of early spring bloom: daffodils, hyacinths, marigolds, anemones, tulips. They are detached from each other with some corollas facing downward and are studied separately even when they overlap, crowding into the dark background. The slightly calligraphic execution betrays an ancient air that reminds us of earlier examples. The treatment of light is classic proto-Caravaggesque with punctilious attention to enhancing the color values of the flowers, which are schematically arranged and materialize toward the viewer of the painting. Giacomo Recco's artistic and cultural matrices are difficult to define, although one must consider the presence in Naples around 1590 of Jan Brueghel and the persistence in the city, as Tecce points out, of a refined handful of late Mannerists, active until the middle of the third decade of the seventeenth century. A considerable influence undoubtedly derived from the growing fame in Europe of the Nordic florists, linked to a decoratism still in 16th-century taste, and soon from the lesson of Caravaggesque luminism that was beginning to shape genre painting in Rome. . The pictorial production that comes closest to the evidence of ours is that of Osias Beert the Elder, as repeatedly pointed out in his essays Veca. Giacomo Recco's fame is linked to his skill as a florist, almost as a specialist in the specialty. The painting is close to the earliest Recco paintings, the restraint, the symmetry, the centrality of these canvases. It can be compared with the canvas "Still Life with Vase of Flowers," 1626, Rivet collection in Paris, catalog La natura morta italiana, 1964, p. 39. Although the painting is in excellent condition, it was restored to remove an old lining and bring back the original canvas, replacing it with a simple trace on the edges. The original frame had already been replaced at the time of lining. In a 17th-century Salvator Rosa gilded wood frame. Canvas 79 x 64 cm With frame 90 x 73 cm
  • Attributed to:
    Giacomo Recco (Naples 1603 - before 1653) (1630 - 1680)
  • Creation Year:
    unfamiliar
  • Dimensions:
    Height: 35.44 in (90 cm)Width: 28.75 in (73 cm)
  • More Editions & Sizes:
    tela cm 79 x 64Price: $14,826
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Pistoia, IT
  • Reference Number:
    1stDibs: LU2746215404612

More From This Seller

View All
Still Life Flower Vase Contemporary French School
Located in Pistoia, IT
Michel No (French, 1939) Still life Vase of flowers Oil painting on canvas signed lower right. Michel No's painting is full of sunshine and color; it is a kind of echo of nature alw...
Category

20th Century Contemporary Still-life Paintings

Materials

Oil

Flowers in a Vase Still Life Floral Expressionist French School in Frame
By Eller (Lucien Roudier)
Located in Pistoia, IT
Bright and sophisticated, this "Flower Vase with Anemones" signed work by French painter expressionist Lucien Roudier known as Eller (1894-1940). Fine Arts export certificate avail...
Category

1920s Expressionist Still-life Paintings

Materials

Canvas, Oil

Scuola di Anversa XVII secolo Lo studio del Medico Olio su Tela Gerard Thomas
Located in Pistoia, IT
Scuola di Anversa Attribuito a Gerard Thomas (Anversa 1663-1720) Lo studio del medico Gerard Thomas è un pittore fiammingo di epoca tardo barocca. Apprendista nel 1688, due volte ...
Category

1690s Old Masters Interior Paintings

Materials

Canvas, Oil

Pair of Views on Scagliola Panels in Original 18th Century Frame
Located in Pistoia, IT
Henry Hugford (1695-1771), ascribed. Rare pair of scagliola panels, landscape views with ruins, Italy, half of the 18th Century. With their original carved wood frames, lacquered a...
Category

Mid-18th Century Italian School Landscape Paintings

Materials

Paint

Grande Dipinto Italiano Mitologico in Grisaglia Tritoni e Nereidi XVIII secolo
Located in Pistoia, IT
Grande e bel dipinto a grisaglia italiano a tema mitologico di gusto rinascimentale, seconda metà del XVIII secolo. Il dipinto non è firmato. Dipinto a olio su tela, tono su tono con...
Category

Late 18th Century Renaissance Figurative Paintings

Materials

Canvas, Oil

Venetian School 18th century Preparatory sketch "Martyrdom of St. Lawrence"
Located in Pistoia, IT
Fascinating preparatory sketch, oil on walnut wood, depicting "The Martyrdom of St. Lawrence," Venetian school, 18th century. Very good condition. Measurements 13 x 11 cm
Category

18th Century Baroque Figurative Paintings

Materials

Oil

You May Also Like

Still Life Painting with Flowers and Parrot 19th century
Located in Milan, IT
Oil on Canvas. Lively nature composition of multicolored flowers in blue ceramic vases, echoing the sky color of the upper part of the background, which then fades to an earthy col...
Category

19th Century Other Art Style Still-life Paintings

Materials

Oil

Still life with flowers, fruits, historiated vases, a parrot and a monkey
Located in Como, IT
NORTHERN ARTIST ACTIVE IN ROME IN THE LAST QUARTER OF THE XVII CENTURY Still life with flowers, fruits, historiated vases, a parrot and a monkey The painting is part of a pair: th...
Category

17th Century Still-life Paintings

Materials

Canvas, Oil

Natura morta con frutti, verdure e vaso con fiori su un ripiano in pietra
Located in Como, IT
Artista attivo in ambito lombardo nel primo quarto del XVII secolo Natura morta con frutti, verdure e vaso con fiori su un ripiano in pietra Olio su tela cm. 115 x 170 Studio del ...
Category

Early 17th Century Still-life Paintings

Materials

Canvas, Oil

Flowers Paint Oil on canvas Old master 17th Century Italy Still-life Art
Located in Riva del Garda, IT
Master of the Grotesque Vase (active in Rome and Naples in the first quarter of the 17th century) Still life of flowers in a classic vase oil on canvas 66 x 51 cm, In frame cm. 82 x...
Category

17th Century Old Masters Paintings

Materials

Oil

Still-Life Flower Landscape Castelli Paint Oil on canvas Old master Italian art
By Giovanni Paolo Castelli detto Spadino
Located in Riva del Garda, IT
Still life in a landscape with fruit and game Work of the late Roman Baroque of the late seventeenth / eaarly eighteenth century attributable to Giovanni Paolo Castelli, known as Spadino (Rome, 1659 - 1730) oil on canvas 62 x 76 cm., Framed 90 x 109 cm. An open-air setting, with a hilly landscape gash that opens into the distance in the central part, surrounds our beautiful canvas, which showcases a rich selection of game and fruit, arranged in the foreground near the point of view of the observer, occupying a large part of the visual field with their bright and festive colors. The style and quality of the work, like the pictorial technique of this still life, characterized by subtle luminous vibrations and a lively chroma, make it attributable to the Roman Giovanni Paolo Castelli, known as Lo Spadino (Rome, 1659 - 1730), one of the most important specialists of this pictorial genre of late Baroque Rome, which had a very successful career between the 17th and 18th centuries. Analyzing the rich and heterogeneous catalog of the Roman master, in fact, our canvas can be included among his rare works which, alongside a selection of fruit - among which stand out large melons, ripe figs, dark grapes and plums - we see a game advert, presumably as requested by a patron who loves hunting. Next to various birds, spoils of a profitable hunting trip, there is also a small green woodpecker, with the characteristic red spot on the head, and a nice rodent that terminates from behind the trunk. The painter abandons himself to a skilful and brilliant chromatic texture of the surfaces, through a pictorial material rendered with exceptional vibration in its luminous and 'tactile' body, fully respecting the taste of the full Roman Baroque. The quality appears excellent, distinguished by a skilful and brilliant chromatic texture of the surfaces, which appear almost vibrant thanks to a skilful drafting of the pictorial material. Inevitable and evident are the Flemish suggestions, which had influenced the Roman Baroque still life, in particular the work of Abraham Brueghel...
Category

Late 17th Century Old Masters Paintings

Materials

Oil

Flowers Still-life Volo 17th Century Paint Oil on canvas Old master Italt
Located in Riva del Garda, IT
Francesca Volò Smiller, called Vincenzina (Milan, 1657 - 1700) attributed Floral composition overflowing from an embossed vase (LINK) Oil on canvas 79 x 61 cm. Framed 89 x 70 cm. T...
Category

17th Century Old Masters Paintings

Materials

Oil