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Jered SprecherDWELL - Expressionistic Oil on Canvas Painting of Flowers in a Vase on a Table2021
2021
$3,000
£2,272.49
€2,621.82
CA$4,206.35
A$4,688.97
CHF 2,467.97
MX$56,843.39
NOK 31,421.88
SEK 29,214.74
DKK 19,568.69
About the Item
DWELL is a multi-layered oil on linen painting by Jered Sprecher. The piece presents a floral composition, modeled on a bouquet arrangement created by the artist’s wife. Starting from a static and realistic depiction of the flowers, Sprecher later smudges the colors and lines, creating a shifting, shattered glass-like illusion of motion.
- Creator:Jered Sprecher (1976, American)
- Creation Year:2021
- Dimensions:Height: 18 in (45.72 cm)Width: 14 in (35.56 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU985111252312
Jered Sprecher
"As an artist I make paintings that exist in the sliver of space between abstraction and representation. I look to the lived daily experience of the present coupled with the artifacts of the past. My work compresses time into the surface of painting, that old technology. Increasingly flora, fauna, and natural phenomena hold my attention, as I wrestle with this imagery that we daily experience through our technology. Birds, plants, flowers, stones, and fires dissolve into the light of the screen, the digital lens, and the glowing tablet. There is something elegant and tragic about the evanescent light of the screen pressing the image of a delicate flower into one’s memory. Light, flower, and technology are here and also fade away."
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Located in Signal Mountain, TN
A companion painting to this piece, TECHNOLOGY OF DIRT is owned by the Knoxville Museum of Art.
The painting "TECHNOLOGY OF DIRT & AIR" was inspired by an image glanced as I passed by a florist shop window. Inside the florist show was a vibrant floral arrangement overflowing with roses and foliage.
On the surface of the window were reflections of architecture behind me and abstracted slivers of light and distorted shapes of things reflected though hardly recognizable. I snapped a few photographs at the time.
Several months later, I returned to those images and was intrigued at how the flowers in the image seemed to be made out of crystal and how the reflections on the window "interrupted" the ability to easily make out the forms in the photograph. I was intrigued by the complexity of the image and how recognizable elements emerged and then faded into abstraction. As I worked on this painting, I wanted it to be as if it was coming into crisp focus, while also becoming a complicated tapestry of shapes and colors. I have made six paintings in this series thus far.
Jered Sprecher is a visual artist who was born in Lincoln, Nebraska (1976). He received his M.F.A. from the University of Iowa and his B.A. from Concordia University in Nebraska. He has taught at Princeton University and Cornell University. Mr. Sprecher currently lives and works in Knoxville, Tennessee, where he is an assistant professor at the University of Tennessee.
Jered Sprecher’s studio practice explores the “handwriting” of humankind. The vocabulary that he draws from is focused on the vast array of marks and images in one’s surroundings. From this vocabulary he samples visual motifs and imports them into his paintings and drawings. These works continually focus on remnants and fragments that are captured in the midst of change, then edited and fused together in the space of painting. These images are pregnant with a longing to communicate. The success and failure of these “messages in a bottle” are the basis of his work.
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