Fabric Still-life Paintings

Wonderful french impressionist still life of summer fruits plums and peaches with cup of tea, circa 1990. Unsigned. This is a study in classic Paul Cezanne style whom was known for his fruit still lifes showing folds of fabrics and drapes. The marble topped bureau...

Signed lower right "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A fine early twentieth-century oil still-life of white and yellow daisies ...

flowers ,window ,violet,violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for t...

Traditional Interior Still Life Oil Painting with Fruit & Candle by 20th Century British Artist, Howard Shingler. This original has a lovely w...

This original modernist still life oil painting by John E. Thompson (1882-1945) beautifully captures an interior scene, featuring a table draped in a rich red cloth with a vibrant ar...

Close-up still life of yellow, orange and white gladiolas in bloom by B. Isbill (American, 20th century), 1974. Signed and dated lower left: "B. Isbill '74". Presented in a rustic pa...

Signed verso, on stretcher bar, 'Janice Haefner' (American, 1919-2002) and painted circa 1960. A substantial mid-century, Expressionist figural abstraction showing two women seated ...

Pink peonies in vase. 1983, canvas, oil, 60x70 cm Light pink peonies bouquet in day light in brown vase on the table

Floral Still Life French Impressionist, circa 1930's by Lucien Martial, signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very ...

This stunning original Post-Impressionist oil painting features a vibrant vase of pink and blue wallflowers. Jean Dulac was born on Bourgoin but from the age of 5 became a lifelong...

A contemporary cubist still life painting of vases and flowers in bright oranges and yellows by Brazilian Menelaw Sete from 1999. Framed in cherry wood frame. Artist: Menelaw Sete, Brazilian (1964 - ) Title: Flower Arrangement...

Bieruma Oosting Jeanne Leeuwarden 1898 – 1994 Almen Dutch Painter 'Spring Flowers in a Vase' Signature: Signed lower right and dated 1939 Medium: Oil on canvas Dimensions: Image size 101 x 81 cm, frame size 116 x 97 cm Biography: Adriana Johanna Wilhelmina Bieruma Oosting, better known as Jeanne Bieruma...

Large oil painting of chrysanthemums by one of the most well-known 19th-century French flower painters. Signed and dated lower right

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965...

Vivid mid-century floral still-life with anemones and statue by Marguerite Stuber Pearson (American, 1898-1978), circa 1940s. Signed lower right corner. Presented in rustic gilt-toned bamboo and wood frame. Image size: 20"H x 24"W. Framed size: 24"H x 28"W. Born in Philadelphia August 1, 1899, Marguerite Stuber Pearson was the daughter of confectioner, Arthur G...

Very finely painted realist still life oil painting. Oil on canvas. Signed. Framed. Image size, 20H by 23L.

Beautiful mid century still life of grapes with leaves and vines by Henry Jackson (American, 20th Century). Signed "H. Jackson" center right margin. Unfr...

This stunning floral still life by A.D. Greer features a bouquet of vibrant red and white roses, purple lilacs, and red and orange zinnia flowers. Measuring a sizable 36 x 48 inches,...

Wonderful small still life painting by John T. Axton III done circa 1980. Oil on canvas and signed with the artist's monogram lower left. Unframed. Axton was born in Fort Leavenwo...

Very impressive mid 20th century cubist abstract still life. Oil on canvas. Framed. Signed. Great color.

Signed lower left, 'Clifford Holmes' (American, 1876-1963) and created circa 1955. Titled, verso, 'Mixed Bouquet' and inscribed with artist's Hayward, California address. The descendant of a pioneer California family, Clifford Holmes first studied at the University of Redlands and, subsequently, at San Francisco State. He later traveled and studied in Europe. Holmes painted in a wide variety of media including oil, watercolor and pastel and his favored subjects included portraits, landscapes and still-lives. Over the course of a long career, he exhibited widely and with success including at the Society of Western Artists, the American Artist's Professional League, the De Young...

Serra (French, 20th Century) Homage au violin Oil on canvas laid down on board Signed ‘SERRA’ (lower right) 16.7/8 x 20.7/8 in. (43 x 53 cm.)

Blue, light blue, reading, flowers Olga BOGAEVSKAJA (St. Petersburg 1915 – 2000) She is regarded as one of the leading representatives of the Leningrad School of painting. She was ...

XI Crocus Hyridus Hort Lowell Blair Nesbitt, American (1933–1993) Date: 1976 Oil on Canvas, signed, titled, and dated verso Size: 50 x 36 in. (127 x 91.44 cm)

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

Starkly simple yet compelling mid century still life by listed artist Jon Blanchette (American, 1908-1987), circa 1965. Signed "Jon Blanchette" lower left and verso. Letter of Authen...

Here for your consideration is a beautiful oil on canvas painting laid down on board by the well known Scottish artist, David Foggie. This still life of poppies in a ceramic pitcher...

Still Life with Mask and Books is an artwork realized by Antonio Sciacca (Catania, 1957) Oil painting on canvas 60x80 cm. Hand signed on the lower and rear Original inscription ...

Impressive early American modernist flower still life painting by Henrietta Elizabeth Dodd Hoopes (1904 - 1996). Oil on board. Framed. Signed. Image size, 22 by 15 inches.

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

Signed lower left, 'Karl Goldschmidt' (Anglo-German, 1912-1995) and painted circa 1930. Photo of Karl Goldschmidt (Kenneth Gay) with Robert Graves courte...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

Gorgeous cask and copper pot still life by Susan Lyons (American, 20th Century). Presented in a wooden frame. Signed "Lyons" and dated "95" lower righ...

Signed pointillist landscape oil on canvas circa 1920 by French neo-impressionist painter Jeanne Selmersheim-Desgrange. The piece depicts a table on a balcony and a view red roofs of...

Le Jardin by Gaston ANDRE (1884-1970) titled verso signed oil on canvas, framed framed: 26 x 32 inches canvas: 20 x 26 inches Provenance: private collection, Loire Valley, France Co...

Peonies. 1994, oil on canvas, 63x48,5 cm Still life with pink and white peonies in brown vase Olgerts Jaunarajs (1907-2003) He was so-called legend...

This acrylic painting was created in a photorealistic style by American artist Charles Wildbank. It measures 48 x 60 inches and is signed in the lower left hand corner. It is in exce...

A substantial, Post-Impressionist oil still-life showing a view of various objects including fruit, a glass bottle and a sea-shell assembled on a draped table-top. A dynamic and vibr...

A lovely vintage portrait of a woman in a floral dress by Patricia Emrich Gillfillan (American, 1924-2016). From a collection of her works. Unsigned. Unframed. Image, 16"H x 20"W. P...

A substantial, mid-century Post Impressionist oil still-life comprising a fish on a platter with four lemons, a raffia-wrapped bottle of Italian chianti...

James Tormey (American, 1938-2017) "Candyland (Mixed Bowl)" on table with white tablecloth cover. Oil Painting on Canvas. Hand signed lower right. Measures approx. - 32" high x 37" wide, total with frame - 37 1/2" high x 42 1/2" wide. James J Tormey, NYC artist, He was born in Brooklyn in 1938. As a young man he moved to Manhattan where he lived and worked for more than 60 years. James Tormey studied at the Pratt Institute, in Brooklyn, and at Columbia University and worked in advertising for several years while he painted part time. In the 1960s he supported himself as a photographer, covering openings and events for the Museum of Modern Art, in New York City. For many years he was represented by the Madison Avenue Gallery, in New York City, where he had numerous one-man shows. He has also exhibited in Japan and Germany. The artist makes his home in Manhattan and is represented by the Uptown Gallery, also in New York City. James Tormey paints still lifes of traditional subject matter: fruit, vegetables, or eggs appear in bowls or on surfaces illuminated by powerful directional light. Tormey builds stronger and more precise meaning into his work by exploring how the backgrounds and settings for his still lifes can convey particular ideas. In his recent work, for instance, he painted a series of images in which fruit—a traditional still-life subject—is placed in architectural settings or frames that we usually associate with religious imagery. In Icon, for instance, the artist painted a red cabbage and placed it inside a Renaissance-style frame that he built and decorated himself. Instead of being presented with a saint or a Madonna within such a context, we are given a fully realized, but quite ordinary, vegetable. Tormey’s painting technique involves great care from the beginning. He works in his apartment in Manhattan’s Upper West Side in a meticulously clean space equipped with a very solid easel and a large glass palette on a painting table. For reference he uses photographs he has taken of still-life setups in conjunction with pictures of architectural or other settings he has collected over the years. “I start with a careful graphite drawing right on the canvas,” he explains. These days he uses lightweight cotton duck, although much of his earlier work was done on smoother surfaces. Once the graphite line is established, the artist makes a thin monochrome version of the image with a dull green. “I don’t add anything to the paint other than turpentine,” he explains. “I don’t use oil or glazing mediums because I don’t like shine. The turpentine dulls the paint, which suits what I’m doing.” Once the green layer has dried, the artist applies a second thin layer in a warm brown using burnt sienna or burnt umber. “In all these stages I’m working from dark to light,” he says, “so that I’m always getting a rendered, three-dimensional image.” Tormey works on two or three paintings at a time to allow for sufficient drying time between layers. “I also like the way one painting seems to talk to another,” he says. “It makes for a richer process.” Once he starts working in full color on the image, he continues slowly, applying many thin layers and gradually achieving subtle tonal and color shifts until his forms burst with three-dimensional life. “I work with a very dry brush,” explains the artist. Many of Tormey’s paintings contain dark backgrounds, some of which are pure black—something that can present its own technical problems. “I don’t want those backgrounds to feel present,” he says. “I want them to simply drop out.” Because he doesn’t want any shine on his work he doesn’t use varnish. It’s not surprising that Tormey’s work, with its heavy contrasts and smooth tonal transitions, is strongly influenced by photography. Tormey worked as a photographer for some years, and when he began doing still lifes he often photographed them against black backgrounds. His work was also published as fine art cards, posters, and fine art Giclee prints. He pioneered the "larger-than-life" still-life with his work combining traditional subject matter with a contemporary interpretation that produces startling images of heroic proportions. Light reflected and transmitted lends the natural objects, which are the subjects, a quality which may evoke in the viewer clarity of vision and a delight in the forms of the natural world around them. His work conveys a powerful positive philosophy and he once said "I believe the only way we can come to terms with the world is if we look at it as it really is." He believed that artists should take responsibility for the meaning their works carry and stated that "there are definite ideas behind my paintings". He studied at Pratt Institute and Columbia University and worked in advertising and as a photographer before turning to full-time painting. His paintings were exhibited in dozens of galleries around the country, in Germany and Japan and are now seen in numerous public and private collections. While he was not officially part of the Photorealism art...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

Signed upper left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A vibrant Post-Impressionist still-life showing a view of a farmhouse interior with a...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

"Livres, Boutielle Et Fruits", circa 1900 Large circa 1900 French Post Impressionist still life of Books, Bottles and Fruits, oil...

Signed: ACW (Lower, Left) " Christmas Ornaments ", c. 1970s Oil on Canvas 36" x 24" Housed in a 3" Frame Overall Size: 41 3/4" x 29 1/2" In very good condition overall. A nice...

Impressive early American modernist abstract still life oil painting. Framed. Oil on canvas board. Signed. Image size, 24H by 18L.

Still life of an interior with lemons and draped cloth by James Pollock (American, 20th Century). Signed and dated "Jim Pollock 7/87" on verso. Unframed. Image size: 18"H x 24"W.

Flowers,Red,Pink,white,Jasmine ,Russian post Impressionism GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in...

Witches Pot, c. 1947, oil on canvas, signed lower right, 30 x 28 inches, exhibited: Emerging Women, Creative Arts Group, Sierra Madre, CA, March 18 - April 26, 2017 (label verso), li...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

Coastal Farm Landscape. Oil on canvas painting, created in 1972 by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint intaglio etchings. Torla...

Post Impressionist oil on canvas still life painting by the New York artist, Frances Joan Kruszewski. Initialed bottom right and dated 1942. In very good original condition; no restorations. Original gesso over wood gold leaf frame in fine condition. Overall 21.25 by 17.25 inches. Provenance: Port Jervis, New York estate. A painter of post-impressionist landscapes and still lifes, Kruszewski was born on August 30, 1921 in New York City and died in Locust Valley, New York on July 18, 1971. Education: Studied under Edgar Whitney, AWS; Marion B. Brown, AWS; Paul Puzinas, Anthony Toney...

Antique American modernist flower still life oil painting. Oil on canvas, circa 1910. Signed on verso. Image size, 18L x 23H. Housed in a period frame.

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

An original modern abstract by American artist James Koenig. This work created in 1954 is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Vintage signed American school guitar still life oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 22L x 18H.