Panel Still-life Paintings

Elizabeth Zanzinger's (US based) "Cowboy Kettle" is an oil painting that depicts a whimsical still life featuring a copper kettle with artichokes. Elizabeth Zanzinger is an award-w...

Provenance Acquired by the gallery directly from the artist FRAMED: 28.625" x 24.625" x 1.5" UNFRAMED: 28.625" x 24.625" x 1.5" Artist Statement “As an artist, I am fascinated with...

Light Diversions 3, 2019

Daffodils in Blue Bottle floral still life is a study on the joys of life’s simple pleasures. Cheerful yellows and crisp whites in thick and thin descriptive brushwork show up agains...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Artist: Ian Hornak (1944-2002) Title: Homage to Redon Year: 1997 Medium: Oil on panel Size: 20 x 16 inches Condition: Good Inscription: Signed by artist, recto. Provenance: Estate o...

Covington, 2020

Provenance Acquired by the gallery directly from the artist FRAMED: 24.375" x 20.375" x 1.375" UNFRAMED: 18" x 14" Artist Statement “The three elements featured in this work, rhodod...

Sheri Farabaugh's "Portabellas" is an original, handmade oil painting that depicts a still life of two portabella mushrooms on a wood grain surface.

Sheri Farabaugh's "Floating" is an original, handmade oil painting that depicts a still life of a conch seashell with blue and yellow light reflecting along its curves and porous ou...

Mop Room, 2020

Arose, 2019

Rat Flower, 2020

Jodi Gerbi's (US based) "Keeping the Secret" is an original, handmade oil painting that depicts a pile of rubbish and brightly colored refuse. Currently r...

'January Light' depicts an historic San Francisco home with warm sunlight and shadows cascading across the window pane. The subtle and brilliant work of art is meticulously hand pain...

"Morning Light on Yellow Hibiscus," is a contemporary floral painting of the delicate beauty of a single yellow hibiscus flower. This painting delivers a lush impressionistic style, ...

This painting by Marc Dalessio conveys the beautiful chaos of New York on a snowy day with salt on the ground. Somehow Dalessio is able to make even New York look serene, conveying m...

'Freeway No. 12' oil painting on wood panel by artist Ryan Reynolds whose paintings are a response to the world as he experiences it. The places he inhabits and passes through serve ...

"Above the Junction, Canyon de Chelly" (2023) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. Artist Biography and Statement: "I am focused on the vis...

"Lonely" is a realistic oil painting on panel of a single orange seated on a blue table, surrounded by the same blue background. The long stem of the orange branch is still attached,...

Two Pears Realism oil painting on panel 12" x 12" David Harrison, is a master in the style of Realism painting. Two Pears shows the simple beauty of Realism paintings. Harrison, a...

Acquired by the gallery directly from the artist Artist Statement "White poppies and magenta wisteria against a rustic white wall panel set the stage f...

The original painting by Adrienne Sherman in oil on panel with a lacquer-like luster. depicting the endangered Western Crowned Pigeon from New Guinea, is 8 x 8 inches and is professi...

'Shero' is a bright and brilliant painting with commentary on modern daily life. The artist uses her own image for this "Icon" painting that reflects feminism today (as well as histo...

Still Life with bottles and books is an artwork with frame, realized by an unknown artist of mid-20th Century. Oil on panel. 36 x 51 cm ; 56 x 70 cm with framed. Good condtions

An oil painting of a vase of flowers atop a windowsill. An antique radiator takes space beneath the windowsil. The window is flanked by pink patterned drapes. The paned window gives ...

'Reflections II' depicts eucalyptus leaves in warm, natural tones. An abstract oil painting on panel from established artist, Stephanie Peek, who is known for works of art that conve...

The blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame. Michael Van Zeyl Peonies in White Light oil and 12K gold leaf on linen wrapped panel 24h x 36w in 60.96h x 91.44w cm EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

Oracle 2016 Oil on Panel 9" x 12" unframed 16 1/2" x 19 1/4" framed Taxidermy monkey head sits atop a brick wrapped in plastic. Many of the artist's ...

Contemporary Orange Still Life Painting 'Halloween Pumpkin' by Barbara Vanhove. Inspired by the Dutch Masters. Perfect for this years Halloween inter...

Andrzej Michael Karwacki’s acrylic paint and resin on birch panel work called: ‘EQ redefined series 1700-EU101-3’ is wonderfully colourful and a creative abstract piece of artwork. D...

Labyrinth by McKenzie West is a striking oil painting that explores the interplay between history, identity, and reflection. Rendered with meticulous realism, the work depicts an ornate vintage hand mirror...

A CLOSER LOOK: OBSERVATIONS NOT FAR FROM HOME I have always addressed the details of physical reality in the subjects I choose in order to convey the spirit and feelings that were fi...

"A Family of Four On Cross Highway" is a contemporary impressionist view of a tree scene on the East End of Long Island, New York. The impasto style of this painting brings the leaves and bark of these trees to life. A classic Hamptons style house can be seen in the back right corner behind more trees and shrubbery, and the pale blue sky contrasting with the natural color of the house. The bright and deep greens in this piece make this a joyful and charming impasto painting by the artist Emily Persson. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel, Nina Provan, Lauren Li and has had her work displayed in some of Australia’s biggest lifestyle magazines including Belle and Country Style. Influenced by master artists such as Frederick McCubbin and Arthur Streeton and by the contemporaries such as Prudence Flint and Rick Amor...

"Canyon de Chelly Shade" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 17.5 x 21.5 inches framed and is ready to hang. ...

Richness, elegance, creative diversity, and emotional characterization are the hallmarks of this Texas artist born in 1966. When combined with his dramatic use of lighting, shadow, a...

Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by technology. Most artists have given up “eyeballing” a subject as a drawing technique and have come to rely on photographs instead. Turnaround time for photographs is now virtually instant because of digital cameras...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Provenance Acquired by the gallery directly from the artist Artist Statement "Painted from life under the skylight in my studio. The varied textures and colors in this composition p...

An incredibly elegant oil painting of a variety of purple flowers arranged in a glass vase. The hues are heightened against a black backdrop. A cl...

Heavenly Anemones by Emma Forrester. To create this artwork, Emma Forrester uses ”layers of carefully built up texture, juxtaposed with delicate washes of colour”, creating great de...

"Covered Bridge" is contemporary realist plein air painting of a snow scene in Vermont. The water is frozen over, and there are no people. A path leads from the bridge, away from the viewer, and continues off the canvas, letting us imagine... where does this path lead? A hint of fantasy to this realistic portrayal in Jeffersonville, Vermont. Medium: Oil on Aluminum Framed dimensions: 23.5 x 29.5 inches Artist Bio: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy...

David Cheifetz's "While You Weren't Looking" (2025) is an original, handmade oil painting on aluminum panel that depicts a lush still-life featuring a bright yellow pitcher, red onio...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

"Kings Leap, Canyon de Chelly" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 17.5 x 21.5 inches framed and is ready to h...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

An oil painting, painted en plein air in Soho, NYC. The painting depicts a street lined with cars. The Freedom Tower can be seen in the distance. The painting is framed in a handmade...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Mia Bergeron's (US based) "Compelling" is an original, handmade oil painting that depicts a birthday cake with white and blue frosting on a white table surrounded with white, green, ...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

"Above the Junction, Canyon de Chelly" (2023) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. Artist Biography and Statement: "I am focused on the vis...

Artist Bio Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award...

A plein-air painting of a bright spring day in the Tuscan countryside.

Pears, Grapes and Crystal Egg Tempera, Realism It is painted in egg tempera which goes back centuries in the art world. Notice the reflections in the painting. It appears to be 3...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Sharon Hockfield – "Heirloom II" (2025) Contemporary Oil Painting on Wood Discover the timeless beauty of Heirloom II, an original oil painting on wood by celebrated contemporary a...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...