Porcelain Still-life Paintings

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

"Ocean Canyon" is a saggar-fired porcelain sculpture by Alison Brannen. It measures 13" high by 9" wide by 9" deep, however the sculpture can be arrange...

This contemporary ceramic vessel is moss green in color. Inspired by the organic forms and patterns found in nature, Paula Murray creates uniquely beautiful porcelain artwork. Her h...

This contemporary sculptural indoor porcelain vessel was made by Susan Collett. The exquisite hand-built porcelain vessels of Susan Collett have garnered her international praise an...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

Bright and colorful Jeff Koons "Play-Doh" porcelain plate produced by Bernadaud, Made in Limoges, France. Limited Edition #115/2500, numbered on back of plate. Sold with its original...

Wall Object #3 is a unique wall paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 23 × 26 × 9 cm (9.1 × 10.2 × 3.5 in). The sculpture is signed and c...

"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...

Wall Object #1 is a unique wall paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 32 × 17 × 10.5 cm (12.6 × 6.7 × 4.1 in). The sculpture is signed an...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Delicate wave-like patterns swirl around this gorgeous vessel by Paula Murray. Creamy white porcelain—her own recipe for clay and thin ocean-blue veins appear to emulate the natural ...

In her Quebec studio, ceramic artist Paula Murray uses her own recipe for porcelain clay that she hand-shapes into beautiful and intricate pieces. Inspired by forms and patterns found in nature, Murray’s work often reflects the deeply spiritual connection between humans and the natural world. The “Passage” series of vessels are boat-like in form. Murray does own a collection of canoes. “Transition and pods are other titles I used with this series- the idea of leaving one place - for another; the shell that held a life that is no longer of use...” Paula Murray She has received many honours and international awards and was elected into the RCA in 2006. Murray’s work has been gifted by the Canadian government to dignitaries such as US President George W. Bush and UN Secretary Kofi Annan. Murray’s pieces can be found in private and public collections including the Canadian Museum of Civilization, the Banff Centre, the Gardiner Museum, Musée national des beaux-arts du Québec, the Official Residence of the Prime Minister in Canada and Canada House...