19th Century Still-life Paintings

This stunning British Victorian floral still life is by 19th century born artist Henry John Livens. Painted in 1880, the setting for this colourful floral arrangement is the forest f...

Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...

A pair of still lifes: Sarah Miriam Peale Cherries, circa 1860 Oil on canvas 12 x 10 inches Provenance: Kennedy Galleries, New York Private Collection (acquired from the above in 1966) Exhibited: Baltimore, Maryland, Peale Museum, Miss Sarah Miriam Peale: 1800-1885, Portraits and Still Life, 1967, no. 42, p. 17, illustrated. Philadelphia, Philadelphia Museum of Art, The Peale Family: Creation of an American Legacy, 1770-1870, 1996-97, pl. 61, p. 97, illustrated; this exhibition later traveled to Washington, D.C., National Portrait Gallery; Washington, D.C., Corcoran Gallery of Art; San Francisco, M.H. de Young Memorial Memorial Museum. Sarah Miriam Peale Basket with Berries, circa 1860 Oil on canvas 12 x 10 inches Provenance: Kennedy Galleries, New York Private Collection (acquired from the above in 1966) Exhibited: Baltimore, Maryland, Miss Sarah Miriam Peale: 1800-1885, Portraits and Still Life, 1967, no. 43, p. 34, illustrated. Philadelphia, Philadelphia Museum of Art, The Peale Family: Creation of an American Legacy, 1770-1870, 1996-97, pl. 125, pp. 245-46, illustrated; this exhibition later traveled to Washington, D.C., National Portrait Gallery; Washington, D.C., Corcoran Gallery of Art; San Francisco, M.H. de Young Memorial Memorial Museum. One of the many artist descendants of Charles Willson...

Still life of grapes, peaches and red currants on a stone ledge. Well presented in a gilt-effect frame with a crisp white mount. Signed 'E. Stanfield' to the lower right and dated 18...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Gustave DURAND (1863 – 1938), Still life with a pearl necklace, late 19th century – early 20th century, oil on canvas, signed upper right, 60 x 73 cm Good general condition of the c...

Antique large American impressionist oil painting by John Joseph Enneking (1841 - 1916). Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a gi...

Conditions : Excellent overall with a genuine oil on board with original period frame. Minor 3 mm retouching under UV light. (As seen on picture) A student of Narcisse Diaz de la P...

Edward LADELL Picture Size: 20 x 16" (50 x 40cm) Outside Frame Size: 26 x 22" (65 x 55cm) An exquisite example of Ladell's painting. Signed with his traditional stylistic monogram,...

Anticipation, dated 1907 by Margaret H. COLLYER (1872-1945) sales to $30,000 Large 1907 scene of the Great Dane & Black Terrier sat on an outside step, oil on canvas by Margaret Co...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

A charming still life of various fruits displayed together, in it we can see a pineapple which has been viewed as a sign of wealth during these times. Although unsigned the work has ...

It would be hard to surpass the luscious allure of this 19th-century still life. Although unsigned, the vibrant colors and exquisite detailing reveal the hand of a master. That maste...

This charming British 19th century oil painting is by Victorian artist Richard Willes Maddox. Painted circa 1880 it is a glorious mixture of colours, patterns and textures. Arranged ...

Still Life Of Foxgloves (Digitalis) & Ferns, 19th Century by MARTHA DARLEY MUTRIE (1824-1885) sales to $75,000 Large 19th Century English Still Life study of Foxgloves and frets by...

Jean Baptiste Olive This premiere piece shows his work and influence which he had with Antoine Vollon. It is in its museum quality gold leaf frame. The piece has been exhibited in many shows with the exhibition labels on the reverse testimony. Artwork Size: 22 x 18" (56 x 46cm) Artwork Size with Frame: 31 x 27" (79 x 69cm) Free Shipping French, 1848-1936 Jean-Baptiste Olive was undoubtedly one of the greatest masters of the Marseille school at the end of the 19th century, along with Paul Guigou...

Here for your consideration is an outstanding still life painting of plums and assorted fruits by the master English artist, Oliver Clare. Signed lower right. Circa 1890. In very g...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. 18 x 13 cm. Good conditions

Hal Alexander Courtney Morrison was born in the Canadian province of Prince Edward Island in 1852. Part of British North America at the time, PEI was quite rural and in order to pu...

Marc Joseph Octave Théodule BOISSIN (Bénévent-l’Abbaye, 1839 - Paris, 1891) Allegory of Geography Oil on canvas Signed lower right 75 x 125 cm without frame 100 x 150 cm with frame...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

Hen and Chicks in Basket is a 12.5 x 15, oil on canvas still life and animal scene by female, American painter, Mary Russell Smith. The painting is framed and signed en verso. Mary ...

Oil on canvas

This beautiful mid-19th-century Austrian oil painting depicts a still life with a decorous abundance of alpine flora and lively blooms. It’s sign...

The Kitchen Interior French Impressionist: late 19th century/ early 20th century signed with initials oil painting on Sennelier board, unframed board: 8.5 x 5.5 inches condition: som...

Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

This is a rare example of mid 19th century painting by a budding Pennsylvania artist associated with a local school. The work is a floral still life by listed artist Lucinda Carver ...

This superb Victorian oil painting is by French artist Jules Etienne Carot. Painted in 1884 it is a mixed floral of mainly white flowers, including lilac and roses, which stand out b...

Fabulous post impressionist oil on board of pears. This painting is most likely Late 19th century or early 20th century. The incredibly hand carved frame is most likely original to t...

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

Antique American still life oil painting of hanging fruit and grapes. Oil on board. Framed

Annie L. Morgan Still Life with Cherries, Grapes, and Pomegranate, circa 1880 Signed lower left Oil on canvas 20 x 16 inches

Floral painting in the Renaissance Dutch style, the dark room behind contrasts with the illuminated flowers and vase. A riot of color with a Georgian six over six window to the right...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

Edward L. Custer (1837–1881) was an American painter known for his landscape paintings, genre scenes, and still lifes often imbued with a romantic and idyllic quality. Custer's paint...

A Still Life with Sparrow and Grapes Artist 19th century European School Signature: Verso signed and dated 1883 Medium: Oil on panel Dimensions: Image size 23 x 18 cm, frame size 3...

Walter Gay (1856 - 1937) Cardinal Flowers Still Life, June, 1875 Signed lower left; dated on the reverse Oil on board 24 3/4 x 7 1/8 inches Provenance: Private Collection, Brunswick, Maine Born in Hingham, Massachusetts, Walter Gay became a painter who specialized in interiors, particularly those of eighteenth-century French buildings. His style was traditional, and he ignored the influences of modernist paintings he saw while studying in Paris beginning 1876. He remained in Europe the rest of his life. In his compositions, the rooms are nearly always devoid of human presence but suggest that someone has been there. Many of his interiors are museum settings, and although he was not an impressionist, his work often had atmospheric effects. When Gay died in 1937, he was described in The New York Times as the "Dean of American Painters in France," where he and his Matilda moved in 1876. His first paintings there were genre subjects and realistic views of peasant life in Britanny, but he tired of these works, which he called "pot boilers." In the 1890s, he began his signature interiors, mostly rooms in fashionable houses of the Gays and their friends. Reproductions of many of these paintings were published in 1920 by Albert Gallatin, also a painter. The Gays, with a retinue of about twenty servants, loved old houses, and lived in an eighteenth-century apartment on the Left Bank in Paris from January through April and beginning 1904, in a chateau in the countryside at le Breau, near Fontainebleau. There they had 300 acres of grounds to roam. In 1907, they purchased this chateau which became quite a showplace and where they entertained extensively. However, during World War II, when Matilda was living there as a widow, German soldiers occupied the chateau, ruining much of the structure and plotting the destruction of the country the Gays loved...

Antique American realist still life of corn and a bottle of corn whiskey. Oil on board. Signed. Framed. Image size, 5L x 7H.

Hubert Bellis 1831 - Brussels - 1902 Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: signed lower right Medium: oil on panel Dimensions: image size 43,50 x 23 cm...

François CARLIER-RUBRECQ (active around 1820-1830) Study of various works of art Oil on canvas H. 50 cm; L. 58.5 cm Signed and dated upper left, countersigned on the stretcher 1825 ...

Oil on canvas 130.5 x 97 cm Signed and dated lower right: A Marinier 1889 Alfred Hippolyte Marinier was born in Orsay in 1833. A student of Jules Noël and Henri Marie Beyle, he ex...

Still Life with Pear and Grapes Quitton Edouard Péruwels 1841 –Brussels 1934 Belgian Painter Signature: Signed top right and dated 1881 Medium: Oil on panel Dimensions: Image size ...

A fine 19th-century study depicting delicate roses and tulips arranged in a ceramic vase against a dark, atmospheric backdrop. Around the vase, a string of forget-me-nots is wrapped ...

Signed and dated (at lower left): W. R. Miller 1891; (at lower right): No. 10

BIVA Paul (1851 – 1900) Flowers Still-Life Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 90 X 117 cm - Dim frame : 117 X 145 cm BIVA Paul (1851 – 1900) Fr...

Charles Thomas Bale (1849 -1925). Popular still-life painter who exhibited at the Royal Academy and Royal Society of British Artists. Signed Oil on Canvas 14 - 18 inches. Frame s...

Oil on canvas Signed lower left Signed, located and dated on reverse side "N.Diaz Barbizon 1857". Provenance: Christie's sale, New York, 10/1990 N°51 Christie's sale, New York, 28...

Still Life with Flowers and Hidden Portrait Dohlmann Augusta Svanenmosegaard 1847 – 1914 Danish Painter Signature: Monogrammed bottom left and dated 83 Medium: Oil on canvas Dimens...

MITTON, Mathilde (1849 - 1919) Roses Arrangement Oil on canvas signed low left Old original frame gilded with leaves Dim canvas : 90 X 113 cm Dim frame : 116 X 140 cm MITTON, Mathilde (1849 - 1919) French painter 19th-20th century - Lyon School Born in Amplepuis in 1849 - Died in Lyon in 1919 She studied with André Perrachon (1828-1909), Charbonnier and Elie Laurent...

One of three still-life paintings by the French flower painter Germain-Theodore Ribot.

Dutch School Dutch Still Life of Hanging Flower Basket Oil on board 14 by 18 in, w/ frame 17 ¾ by 21 ¾ in

Vincent Clare (1855–1930) was a British artist celebrated for his meticulous still-life paintings, particularly those featuring fruits. His works are renowned for their vibrant colou...

Elisa- Antoinette GEORGET (1842-1914) Flowers and Butterfly Oil on canvas signed low left Golden wooden frame stick (new) Dim canvas : 43 X 72 cm Dim Frame : 65 X 94 cm Elisa- Antoi...

La obra no va firmada, es de autor anónimo El estado de conservación es bueno Se presenta enmarcada la obra Medidas de la obra: 77 cm. de altura x 115 cm. de ancho. Medidas del m...

19th Century School, Still Life Scene with Flowers and Ewer, Oil on Canvas, unsigned, giltwood frame. Image: 11.5" H x 15.5" W; frame: 19.25" H x 23" W x 2.75" D. Provenance: From a ...

Vincent Clare (British, 1855–1930) Still Life of Fruit on a Mossy Bank Oil on canvas, signed lower right Circa 1870 Presented in a richly carved and gilded 19th-century style frame ...

Victorian Still Life with Flowers and Fauna a Small Oil Painting, one of a pair. Beautiful and highly detailed small Oil on Canvas, mounted on Stretchers and housed in a period styl...

Still Life Of A Bouquet Of Summer Flowers, 19th Century by Matthijs MARIS (1839-1917) sales records to $160,000 Large 19th Century still life of a bouquet of summer flowers, oil on canvas by Matthjis Maris. Excellent quality and condition, signed and presented in its original antique gilt frame.  Measurements: 20" x 15" framed approx Artist Biography Matthijs Maris was the brother of Jacob and Willem Maris. He was awarded a retainer by the Dutch Crown. He moved to Antwerp around 1855 to be with his brother. There, he studied under Nicaise de Keyser...

English Native School, 19th Century, still life with fish Oil on canvas 54x63 cm frame included. Beautiful native English painting, representing an elegant still life of fish, cabba...