Airport Still-life Paintings
to
1
3
1
1
Overall Width
to
Overall Height
to
1
4
2
1
2
2
1
776
2,667
2,449
2,428
2,123
1,460
1,356
1,156
1,002
921
901
702
691
586
513
465
433
386
294
285
5
4
4
4
1
2
1
1
1
1
4
1
Art Subject: Airport
Jim's Steaks Philadelphia Iconic Restaurant
By Mark Schiff
Located in Boca Raton, FL
Please see accompanying video.
We are a 1stdibs Platinum Seller with 100% 5-star reviews.
One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways!
A collector should consider several factors when deciding from whom to purchase artwork online.
Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles.
When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees.
Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping.
Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways.
About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica.
Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism.
Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete.
Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad.
Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics.
Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting.
Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack.
Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American.
Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State.
ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas.
He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers.
But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style.
It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint.
Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari.
Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method.
Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful.
Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...
Category
Early 2000s American Realist Still-life Paintings
Materials
Canvas, Oil
Waterloo Station - London
Located in Atlanta, GA
This painting is in excellent condition and has only been shown in a gallery setting.
Jesús Navarro was born in Jerez, (Cadiz), located in southern Spain, in 1952. By the age of tw...
Category
2010s Photorealist Still-life Paintings
Materials
Canvas, Oil
Original Parisian Vintage Jewelry Design Art by Van Cleef & Boucheron Designer
Located in Cirencester, Gloucestershire
Gold Leaf Pendants Duo Jewelry Design
circa mid 20th century
by Paul Touzet (French b. 1917)
original gouache painting, with pencil on tracing paper
unframed
left design overall pape...
Category
Mid-20th Century French School Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Pencil
Night Tripper (Palisades No.2) - Road landscape painting
Located in East Quogue, NY
Night driving road scene by Edie Nadelhaft - oil on canvas, 12 x 12 inches
Edie Nadelhaft's paintings focus on the visual nuances and psychological ambi...
Category
2010s Contemporary Landscape Paintings
Materials
Canvas, Oil
Night Tripper (Palisades No.7) - Road landscape painting
Located in East Quogue, NY
Night driving road landscape scene by Edie Nadelhaft
Oil on canvas, 12 x 12 inches.
Edie Nadelhaft's paintings focus on the visual nuances and psychol...
Category
2010s Contemporary Landscape Paintings
Materials
Canvas, Oil
Related Items
Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 19.5"x19.5"
Unframed: 12"x12"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Still Life with Flowers by Isidor Rosenstock
By Isidore Rosenstock
Located in Pasadena, CA
ISIDOR Rosenstock, born in Strasbourg in 1880, died in 1956. 20th century
painter of landscapes and flowers, watercolor.
He exhibited in Paris at the Salon of French Artists, the...
Category
Late 19th Century Impressionist Still-life Drawings and Watercolors
Materials
Gouache
Photo Realistic Diptych Hand Paintings
By Manon Cleary
Located in Washington, DC
Exceptional pair of paintings by Manon Cleary (1942-1911). Paintings are oil on canvas. Dated 1980 and signed in the front lower right corner and on reverse. Manon Cleary's work is ...
Category
1980s Photorealist Figurative Paintings
Materials
Canvas, Oil
Vintage American School Signed Super Realist Kitchen Still Life Oil Painting
Located in Buffalo, NY
Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.
Category
1980s Photorealist Still-life Paintings
Materials
Canvas, Oil
H 22 in W 22 in D 2 in
French Gouache & Watercolour, Still-Life of Roses in a Confit Jarre.
Located in Cotignac, FR
A beautiful fresh and lively original French gouache and watercolour of a still-life of roses in a Provençal 'confit jarre'. Signed Jocelyn to the lower right. The work is currently ...
Category
Mid-20th Century Still-life Paintings
Materials
Paper, Watercolor, Gouache
Botanical Studies, Watercolours on Silk on Handmade Paper, Set of Three Tulips.
Located in Cotignac, FR
A set of three fine hand painted botanical watercolour studies on silk of tulips by La Roche Laffitte. The works are signed bottom right. Some are titled and numbered (see photos) Th...
Category
Late 20th Century Still-life Paintings
Materials
Watercolor, Gouache, Handmade Paper, Silk
H 21.19 in W 15.16 in D 0.04 in
Original 70's Hand Painted Textile Design Gouache Navy Blue Color on White Paper
Located in ALCOY/ALCOI, ES
Compass Rose and Flower design. Sealed on the back with the design studio name and number 397
We offer a small number of these original illustration designs by this design studio ba...
Category
1970s Modern Still-life Drawings and Watercolors
Materials
Paper, Gouache
H 34.65 in W 18.9 in D 0.12 in
Trailing Pear - Lake Landscape Window Flowers Fruit Botanical Still Life, 2025
Located in Kent, CT
In this contemporary painting in oil on canvas, a cheerful interior scene is bright and inviting with a still life arrangement of coral red flowers in a green glass bottle next to a ...
Category
2010s Contemporary Still-life Paintings
Materials
Canvas, Oil
H 30 in W 32 in D 1.75 in
Lilies In The Valley, Large gold painting with colorful nature, flower palette
Located in Dallas, TX
"Lilies in the Valley" is a stunning, elegant painting depicting a powerful, vibrant flowers in the surrounded by a rich golden background. Artist Anastasia Gklava is an expert at ap...
Category
2010s Contemporary Landscape Paintings
Materials
Gold Leaf
Anastasia GklavaLilies In The Valley, Large gold painting with colorful nature, flower palette, 2020
H 39.38 in W 59.06 in D 1.58 in
"Red Roses", Contemporary, Photorealistic, Oil, Painting, Framed, Flowers
Located in St. Louis, MO
Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...
Category
2010s Contemporary Still-life Paintings
Materials
Canvas, Wood, Oil
Moonlit coast
Located in Burlingame, CA
Moonlit Coast - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Amaryllis. Oil on Linen. Colorful still-life : Flowers, Interior, Plant
Located in AIX-EN-PROVENCE, FR
Subject : Amaryllis (Title - FR) / In this unique work of oil painting, the artist, who is an adept of contemporary realism and fiction, enjoy painting Interiors spaces and still-lif...
Category
21st Century and Contemporary Photorealist Interior Paintings
Materials
Canvas, Linen, Paint, Oil
H 13 in W 10.63 in D 0.79 in
Previously Available Items
Backstreet, San Rafael
Located in Burlingame, CA
Willard Dixon, 'Backstreet, San Rafael' was painted in 2023. The original painting is 35 X 55 inches. Framed in a contemporary minimal hardwood, 35.5 x 55.5 inches. Ready to hang and...
Category
21st Century and Contemporary American Realist Landscape Paintings
Materials
Canvas, Oil
Blue Portrait of Still Life - Small, intimate, post-minimalist acrylic on canvas
Located in Bloomfield, ON
Stacked rectangles in black, light blue, yellow and peach on a cadet blue ground are an elegant representation of a still life by David Cantine. Vergin...
Category
2010s Post-Minimalist Still-life Paintings
Materials
Canvas, Acrylic