Baby Still-life Paintings

Carrie Goller's (US based) "Guiness" (2024) is an original, mixed media painting using encaustic on wood panel which features a side portrait still-life of a sheep. Born and raised ...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Vase of Flowers Tech...

Painting for me is about capturing the light and beauty of the day. Usually a landscape will hit me and say, “paint me”. Then I know I must capture it. My reactions and interpretat...

Robert Minervini’s practice encompasses painting, printmaking, mural painting, and site specific public artworks. His work examines an evolving relationship between nature and cult...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1969 En la parte trasera, va nuevamente firmado Se presenta enmarcada El estado de la obra es bueno...

"Potted Cactus" Oil Painting 47" x 55" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he ...

Painting of a Beach Promenade, with Palm Trees, perhaps the City of Nice nearby. The painting is signed and dated 1921. The artist Guido Van Extergem is o...

"Red tomato" is a still-life painting by Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed Weight: Approximately ...

Life Is Wonderful #10 Sarong, batik patterns and butterfly are three main elements to compose Tony Ng’s paintings. Viewers may create initial impressions these three symbols highlig...

48 x 36” inches, Acrylic on Stretched Canvas, Framed - Silver Floater Frame, 2017 in Los Angeles FLORAL ART Irena Orlov's floral art collection is oversized, vibrant and guaranteed ...

A wonderful still life of tulips and cherries by contemporary artist Carolyn Tyrer. Presented in a large white frame. Signed to the lower right. On canvas on stretchers.

This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds. Samantha Van Heest...

Artist Commentary: My original direction with this image was along the lines of A Wizard of Oz theme, but then I decided to change the direction of the image by placing the toys on top of a mattress... Keywords: toy, kids, girls, boys, courage, still life, dorothy, dream, twister, america, color, film, sleep, technicolor, scarecrow Artist Biography: Ben Ferry is a former high school and college all-American soccer player who grew up in Washington, D.C.. After being drafted by "D.C. United", he played professionally for three years before a major spinal injury forced him to retire. In his work, Ben focuses on the human figure, landscapes, cityscapes, and animals in a variety of media and styles. His paintings are vibrant, playful and unconventional, often featuring bright, saturated color and imaginative subject matter. Ben received both his B.A. and M.F.A. in painting and drawing from George...

"The Three Graces" features hues of blue, pink, yellow, orange, green, and black. Guy Robinson is inspired by the work of Paul Klee, Albrecht Durer and Giuseppe Arcimboldo. Atlanta ...

Lilies. 2004, oil on cardboard, 49,5x70 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. S...

Kate Brinkworth (b.1977) The Watcher (Black and White No. 2) 2013 oil on canvas 90 x 135 cm Price: £8,400 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: The Watcher, Kate Brinkworth, photorealist, dice, gambling, casino...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Represented by the seller, NY & LA --

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is stretched. Certificate of authenticity included. All rea...

Well what can one say about a Still Life painting, it is what it is. This particular painting is a warm evocation of stuff that has been hanging around in my studio. Obviously the fr...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique pol...

The painting is being offered with a work and authenticity certificate

Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...

This is a one-of-a-kind original painting. A still life of puppet on stack of soap bars. The piece ships ready to hang and is signed on the mid right side by the artist. This it...

"Sueńos Chicos" (FRAMED) Painting 21" x 20.5" inch by Antonio Pelayo Medium: Pencil on Paper. Acrylic Ink & Paint on Animation Acetate Image size: 15...

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

A painting by Xiaoze Xie. "June 2001, J.T." is a contemporary painting, oil on canvas by Chinese photorealist Xiaoze Xie. The artwork is signed on the verso, "June 2001 Xie Xiaoze...

SEWERYN SZRAJER 1899-1947 Chelm 1899 - 1947 Paris (Polish/French) Title: The Flowers Technique: Original Signed Oil on Canvas size: 65 x 54 cm / 25.6 x 21.2 in Addition...

After a long, successful career with the Eastman Kodak Company as a photojournalist and editorial photographer, Emile Dillon returned to painting in 1998. As a photographer he traveled the United States, Mexico, the Caribbean, and Europe. While he’d chosen the camera for his profession, he’d grown up with oil on canvas. His grandfather was the Harlem Renaissance painter Frank Joseph Dillon and a favorite uncle was the Latin American artist Felix Vargas. Dillon’s years behind the camera and days in Soho galleries inspired him to pursue Photorealism as a style. But instead of the landscape of the exotic which he’d experienced in his Kodak travels, he was fascinated by the humble diners, motels, and vintage signs which were vanishing from American towns and cities. To perfect his craft, he studied at the School of Visual Arts and the Art Students League in New York. In an article on his work in the July 2019 issue of American Art Collector magazine, Dillon comments on his subject matter. “Somebody’s got to save these things…These places may not exist anymore in the next 100 years.” Dillon’s favorite painting in this exhibition is Dunkin Donuts...

Represented by George Billis Gallery. ARTIST STATEMENT: My work delicately renders familiar domestic comforts that we use to feel secure. Examining the identities of heirloom textiles and childhood nostalgia summons conflicting feelings of comfort and insecurity, shelter and confinement, and love and loss. I aim to expose the contradictions within the subjects- to honor their purpose with an honest portrayal, while simultaneously questioning whether the material comforts keep us safe or more vulnerable. ​ Native to Maine, Cindy Rizza...

Alatza paints dynamic and energetic portraits of people, tongue-in-cheek scenes and vibrant still lifes. With forms contorted in a full-tilt, floor-to-ceiling, wall-to-wall assault,...

Still life with Fruit and Flowers, Oil on Canvas by Matthew Smith, 1950s Circa Additional information: Medium: Oil on Canvas 25.5 x 31 cm 10 1/8 x 1...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

A hyper realistic painter, Paola is attracted by used world and abandoned objects that become subjects for her still life paintings. For example, candy cards, crushed cans… or crump...

A hyper realistic painter, Paola is attracted by used world and abandoned objects that become subjects for her still life paintings. For example, candy cards, crushed cans… or crump...

An oil painting by Linda Rosenzweig Prince from 1981. A photo-realistic painting of of news stand magazines piles forming a layered landscape. Signed and dated verso, framed in cherr...

The landscapes and figures in Donald Saaf’s paintings are inspired, in many ways, by his own life and family. Working in oil, gouache, and collage, Saaf’s work features vibrant color...