Baby Still-life Paintings

Hand signed. Oil on canvas.

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

'Schlüsselloch' by Fides Becker Acrylic and Eggtempera on Canvas, 33 x 54 cm, 2017 The leading theme of the artist’s interventions is the staging of temporality, transience, and c...

"Elegant Still Life of Two Gold Metal Cups on Patterned Fabric," 24 x 24 Inches. Look carefully and you will see the artist at work in the studio reflected in the sparkling surfaces...

Signed lower right 'L. Laubender' for Lorraine Laubender (American, 1921-2011) and painted circa 1960. Vintage art exhibition label verso. A vibrant Modernist still-life by this lis...

Transparent yellow, pink, green and blue, blow up beach ball from Diana Tremaine, whose dynamic oil paintings reflect a search for truth and meaning through simple human experience. ...

This is a one-of-a-kind original painting. A still life of puppet on stack of soap bars. The piece ships ready to hang and is signed on the mid right side by the artist. This it...

"The Closet" is an original acrylic painting on paper by Karen Hoepting. The artist signed and dated the piece in the lower right and titled the piece upper right. It depicts a few o...

Artist: Pietro Bulloni Title: Unaici e Quarantahue (Clock on Three Books) Year: 2003 Medium: Oil on Canvas, signed ll Size: 12 x 10 inches Frame Size: 17 x 15 inches

Mary Ellen Johnson "Cherry Cheesecake" Oil on Panel 38 x 27 1/2 Inches Note: This painting is framed in dark cherry wood. Mary Ellen Johnson is internationally recognized as one of the top Photo Realist painters working today whose extraordinary area of expertise is images of food. Johnson actually describes herself as a ‘Precision Realist’ whose primary subject is food - cheesecakes, PB & J sandwiches, parfaits, pancakes, banana splits, ice cream, hot dogs, cupcakes, waffles, muscles, sushi, etc.. These brilliantly painted works capture every nuance and are rendered with amazing precision. Stunningly beautiful and incomparably 'real,' her paintings are a delight in terms of subject matter, color, perfect composition, and whimsy, with an approachable quality that elevates them far beyond expertly executed mechanical renderings. Unequaled for their brilliance and dramatic depictions of mundane subjects with their connotations of nostalgia, comfort and tradition, it is also her scale, cropping and extraordinary technical skill that render these works so overwhelmingly appealing. Johnson's paintings are acknowledged by the leading collectors in the country to represent the very best of the Photorealist tradition: “I make the panels large to give a monumental feeling to the painting when viewed. These large images not only confront the viewer with their size but with their tremendous sense of extravagance. My work explores the deep connection that food has with humanity.” Mary Ellen Johnson Included among the many accolades received for Johnson's work is a commission by the Canadian Government to paint 5 of Canada's favorite foods, images which were then translated into stamps, as well as a commission from The Cheesecake Factory's chain of restaurants for a "Strawberry Cheesecake with Whipped Cream" for their corporate headquarters in California. MARY ELLEN JOHNSON Born: 1967, West Long Branch, NJ. Education: Ringling School of Art and Design, Sarasota, FL, 1989. Exhibitions: ONE PERSON EXHIBITIONS: Beth Urdang...

Artist: John Zak Title: Lillium Umbellatum (Candlestick Lily) Year: 1974 Medium: Oil on Canvas, signed l.r. Size 72 x 48 in. (182.88 x 121.92 cm)

Still life painting by French artist Madeleine Scali (1911-2000), circa 1960. Original one-of-a-kind vintage work of art on paper displayed on a white mat with a gold border and fi...

'Schlüsselloch' by Fides Becker Acrylic and Eggtempera on Canvas, 33 x 54 cm, 2017 The leading theme of the artist’s interventions is the staging of temporality, transience, and c...

Whimsical and striking objects ranging from blue and green to red, with reflective silver, make up this patterned and textured still life composition featuring blown glass, ceramics ...

Represented by George Billis Gallery, NYC & LA -- This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and pow...

Artist: Jeanette Pasin Sloan Title: Still Life No. 7 Year: 1979 Medium: Oil on Canvas, signed and dated verso Size: 46 in. x 62 in. (116.84 cm...

Great contemporary Floral work. Anna makes a feast of a Banana Leaf!

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Vase of Flowers Tech...

SEWERYN SZRAJER 1899-1947 Chelm 1899 - 1947 Paris (Polish/French) Title: The Flowers Technique: Original Signed Oil on Canvas size: 65 x 54 cm / 25.6 x 21.2 in Addition...

Alatza paints dynamic and energetic portraits of people, tongue-in-cheek scenes and vibrant still lifes. With forms contorted in a full-tilt, floor-to-ceiling, wall-to-wall assault,...

oil on wood panel 16"x20" Referencing seed pods of a specific Southern Magnolia tree from the artist’s youth in Chapel Hill, this lush, tactile painting exudes the sexuality of t...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

This painting was inspired by the Virginia Woolf quote: "I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in." In her serie...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

‘Cherry Blossom’ by Cecil Kennedy (1905-1997). The painting – which depicts pink and white blossom in a blue Salviati glass vase with peaches and grapes on a mahogany table – is sig...

A still life arrangement with pink roses and blue rubber bait gloves on a white cutting board against a sage green and black background. Signed on recto, signed, dated and titled on verso. Matt Barter...

Still Life by Jacob Markiel (Polish 1911-2008) *See notes signed below oil on board, unframed board: 12 x 19 inches provenance: the artists estate, south...

Still Life by Paul-Louis Bolot (French 1918-2003) signed verso, dated 1973 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a fe...

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Tracy Wall's "3 Strawberry Scoops" is an original, handmade oil painting that depicts a white porcelain bowl with a silver spoon and three scoops of pink strawberry ice cream. About the Artist: As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

A hyper realistic painter, Paola is attracted by used world and abandoned objects that become subjects for her still life paintings. For example, candy cards, crushed cans… or crump...

A hyper realistic painter, Paola is attracted by used world and abandoned objects that become subjects for her still life paintings. For example, candy cards, crushed cans… or crump...

In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesell completed her Master of Fine Arts at t...

An oil painting by Linda Rosenzweig Prince from 1981. A photo-realistic painting of of news stand magazines piles forming a layered landscape. Signed and dated verso, framed in cherr...

The landscapes and figures in Donald Saaf’s paintings are inspired, in many ways, by his own life and family. Working in oil, gouache, and collage, Saaf’s work features vibrant color...