Glove Still-life Paintings

Irene Georgopoulou's "Vintage Catch" (2024) is an original soft pastels on paper artwork, measuring 8.50 x 11.50 inches. Part of her solo exhibition "Nostalgic Treasures: A Journey Through Time," this intricate still life features a lovingly detailed vintage baseball glove...

My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more t...

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

"Fear 1" Figurative Painting 15" x 15" inch by Ahmed Saber Color Pencil and Acrylic on Paper. AHMED SABER - BIO Ahmed Saber is an Egyptian artist bas...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of gr...

June Arthur is a Scottish artist based in Houston Texas . She studied fine art at Duncan of Jordanstone College of Art and Design in Dundee, Scotland .Jun...

Sophie Dumont is a French artist whose work is recognized internationally. She works on several themes such as books here or landscapes and artists' studios Table of red, black, whit...

Heather Neill's (US based) "Last of the Season" is an original, handmade oil painting that depicts a suspended tomato with the hand of a gardener with glove. A yellow bird is hovering nearby. Artist Autobiography: Born in Honolulu, Hawaii, 1958, my family moved every two years thereafter from California to NJ to PA, and back and forth in-between coming to rest for a while in Swarthmore, PA for the high school years then off to Connecticut College as an art major. The only formal training I have is from my college years, when I focused mainly on black and white, finding refuge in the pencil and printmaking process. I went to Boston after college. Worked in the Harvard Sq. Coop as a picture framer and ended up managing their custom-framing department for most of the 80’s. I left there to move to Muddy Creek Forks, a tiny self-contained village in a remote holler of Pennsylvania where I lived in the abandoned general store (post office, train station and hotel all in one building) and spent the next 5 or 6 years as a traditional chairmaker. Sitting on my shaving horse with my drawknife (using only hand tools) I made Shaker style ladder-back chairs and made the rounds of juried craft shows and museums. I can’t count the number of odd jobs that have put bread on the table since then, but they include farm hand, carpenter, bookbinder, vest maker, stripper at a three woman printing company and picture framer off and on for 25 years. My easel has been set up in every one of the 26 places I have lived so far. As of 2001 I now paint full time and divide my time between my log cabin and adjoining studio along the Little Conewago Creek in Manchester, PA and the open studio of Martha’s Vineyard, MA. By the time I decided to give painting my full time efforts I was well into my early forties. My partner of twenty years is a hospice nurse and living with her has taught me that life is short...

Aaron Bohrod The Magnificent Seven, 1990 Signed lower right Oil on gesso panel 11 x 14 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

acrylic and oil paint on board