Unknown

'Still Life, Rust and Jade', American School Spring Flowers Post-Impressionist

Circa 1960

Oil still-life of a bouquet of ocher, rose, cobalt, lavender, and ivory wildflowers, informally arranged in a goblet against a background of rust and periwinkle. Signed lower right...

Signed upper left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A vibrant Post-Impressionist still-life showing a view of a farmhouse interior with a...

Signed upper right, "Joffrin" for Guily-Jeanne Joffrin (French, 1909-2007) and painted circa 1965. Photo of the artist in her studio, 1995. Courtesy of Wikipedia. Born in Paris, Joffrin first attended the École Supérieure Sophie-Germain before, in 1928, studying at the École des Beaux-Arts, initially in the studio of Lucien Simon. She continued her studies there for several years in the studios of Jacques Despierre and Lucien Fontanarosa. After receiving her diploma, Joffrin was appointed Professor of Drawing and taught in Paris until 1945, when she began to devote herself exclusively to her career as a fine artist. Over the course of a long career, she exhibited internationally with success including at more than forty exhibitions in France (Paris, Aurillac, Rennes, Strasbourg, Reims, Rodez, Toulouse, Barbizon, Saint-Paul-de-Vence, Cannes) as well as in Geneva, Vevey, San Francisco and Tokyo among other cities. The human face was of particular interest to Joffrin and she created many portraits of academic notables including Paul Guth...

An exuberant Post-Impressionist still life of spring flowers shown informally arranged in a creamware vase against a variegated ivory background. Signed Lower Right 'H. Frank' and painted circa 1975. After initially studying in Paris, Harold Frank attended the New York Art Students League, the National Academy of Design, Pratt Institute, Chouinard Art Institute and UCLA where he was a colleague of Richard Diebenkorn, who had a lasting influence on his work. Other artists who deeply affected his creative philosophy included Matisse, Rouault, Picasso and De Kooning. His one-man and group exhibition record is extensive and he was shown internationally in London, Paris, Amsterdam and Aubonne, Switzerland, as well as throughout the United States from the 1960's through the 80's. Though he did not seek recognition as his reason to create, major awards also came his way (among them the Adolph and Clara Obrig Award and the Sudam Silver Medal from the National Academy of Design; the National Watercolor Society's Grumbacher Award; the John Marin Memorial Award in the Watercolor U.S.A. Show and a First Prize from the Laguna Beach Museum of Art. His subject matter included pure abstracts, landscapes, still lifes and the male and female head and figure. As many artists have done before and after him, he explored variations of each subject, experimenting with changes in medium, technique, light and color. His remarkable paintings of the female head and form quickly developed into a vehicle for his abstract interpretations. Though his brushwork is quick and sure, he often labored over several pieces at the same time. This piece is accompanied with a first edition copy of 'Harold Frank: Abstract Expressionist 1921-1995' by Sandie Stern and published by Millenium Twelve Two (2001). Education: National Academy of Design, New York, 1936; Art Students League, New York, 1937; Pratt Institute, Brooklyn, New York; Chouinard Art Institute, Los Angeles; University of California, Los Angeles. Selected One-Man Exhibitions: Savage Gallery, London, England, 1960; Galerij Werking, Amsterdam, Netherlands, 1960; Ardail-Castro Gallery, Paris, France, 1960; Pasadena Art Musuem, Pasadena, California, 1962; Ryder Gallery, Los Angeles, California, 1964; Ankrum Gallery, Los Angeles, California, 1964; Gallerie Chantepierre, Aubonne, Switzerland, 1966; Haggenmmaker Gallery, Beverly Hills, California, 1966; Irene Neuman Galleries (with Ernest Halpern), Los Angeles, California, 1968; Emerson Gallery, Encino, California, 1973; Otis Art Institute, Los Angeles, California, 1977; Chester House Gallery, Chester, Vermont, 1977; L'Atelier Gallerie, Carmel, California, 1978; Upstairs Downstairs...

Wonderful post impressionistic still life of autumn yellow chrysanthemums with boughs of bronze maple leaves in a vase. Painted in style of Albert Andre (French, 1869 - 1954). Circa ...

Provenance Mr. and Mrs. Miles Valentine; Estate of above; Sale, Christie’s, New York, New York, June 13, 2001, lot 206, from above; John Davis collection, Falls Church, Virginia; Sal...

French painter post-impressionist still life with flowers, oil on canvas 120x90 cm. Provenance: Parisian private collection The proposed painting represents a proud example of Fren...

Vintage modernist still life painting. Oil on canvas. Image size, 18L x 24H.