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Willard Dixon
Still Life with Feather

2015

$4,500
£3,417.86
€3,931.17
CA$6,287.38
A$7,011.14
CHF 3,658.12
MX$86,029.36
NOK 46,561.98
SEK 44,116.46
DKK 29,339.74
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About the Item

In "Still Life with Feather," a trompe-l'œil oil painting, Willard Dixon realistically recreates images of everyday objects taped to a colored wall, creating a minimalistic impression that the objects exist in three dimensions. As with his other series'—landscape, skyscape and still life—Dixon’s signature calm and humble approach is paramount. This piece exhibits a certain wit, perhaps due to the unassuming objects represented, including old notes, a slide, a feather, and card. The paintings are a study in form and color, with mysteries for the viewer to unravel while enjoying these optical illusions that truly “fool the eye.” Willard Dixon’s art has been shown extensively in San Francisco, Los Angeles, and New York, He has had over 40 one-man shows and numerous group shows. His work is in the collections of The Metropolitan Museum of Art in NY, The SFMOMA, and the Oakland Museum of California Art. He has executed large-scale commissions for The California Supreme Court, The Oakland Museum and The Las Vegas Federal Courthouse. He received an NEA Fellowship Grant in 1989. In 2013, one of his portraits was included in The Outwin Boochever Portrait Competition, at the National Portrait Gallery in Washington, DC. Presented from Andra Norris Gallery in Burlingame, CA.
  • Creator:
    Willard Dixon (1942, American)
  • Creation Year:
    2015
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Burlingame, CA
  • Reference Number:
    Seller: FDDIXW-0631stDibs: LU37531009133

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Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz...
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Still Life with S
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