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Zhang Wei GuangCherries on the Table - Oil Painting by Zhang Wei Guang - 20072007
2007
About the Item
Cherries on the Table is an oil painting realized by Zhang Wei Guang (Mirror) in 2007.
Includes frame.
Hand signed and dated on the lower margin
Very Good conditions.
Zhang Wei Guang , also called ‘mirror' was born in Helong Jang, China in 1968. Having made a deep formative research about the cromatism of the oil painting technique, the artist interprets the objects of the tradition through a ‘photographic' pictorial yield. His works are often still-life representations, like scenographic sets of flowers, painted potsherds and glass bowls, fruits. His small and medium size canvases show daily life objects, lying on tables of modern houses. The choice of diffuse and soft lights, with delicate and bright chromatic solutions, provides an atmosphere of silent and intimate harmony. Recovering the guohua Chinese tradition of the representation of landscape and the typical sino-intimateness of the pictorial floral decorations, his works celebrate the beauty of his culture. The art of composing is another typical element of the Chinese aesthetic heritage that mirror, as shown by his artistic name, knows well and re-creates on canvas. The choice of still-life subjects let him perform a poetical research about the relations between the forms of daily life objects and their evocative colour tones. His works are exhibited at the China transfer. Mirror is working and living in Beijing and in the Heilongjiang province.
- Creator:Zhang Wei Guang (1968, Chinese)
- Creation Year:2007
- Dimensions:Height: 15.75 in (40 cm)Width: 23.63 in (60 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-722971stDibs: LU650310648672
Zhang Wei Guang
Zhang Wei Guang, also called "Mirror," was born in Heilongjiang, China, in 1968. He studied at the Harbin Teacher University and at the Ruxin Art University. He exhibited his first solo shows in 1995 in Heilongjiang province. His first international solo show was in Boston in 2000. Having conducted deep formative research about the chromatism of the oil painting technique, he interprets the objects of the tradition through a "photographic" pictorial yield. His works are often still-life representations, like scenographic sets of flowers, painted potsherds and glass bowls, and fruits.
Guang’s small- and medium-sized canvases show daily life objects, resting on tables of modern houses. The choice of diffused and soft lights, with delicate and bright chromatic solutions, provides an atmosphere of silent and intimate harmony. In continuing the guóhuà Chinese tradition of the representation of landscape and the typical sino-intimateness of the pictorial floral decorations, his works celebrate the beauty of his culture. The art of composing is another typical element of the Chinese esthetic heritage that Mirror, as shown by his artistic name, knows well and recreates on canvas. The choice of still-life painting subjects lets him perform poetical research about the relations between the forms of daily life objects and their evocative color tones.
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