American Modern Paintings
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Style: American Modern
Returnable Items Only
Tonal Lillies - Landscape Painting - American Modern Art By Marc Zimmerman
Located in Carmel, CA
Sepia and black base color with off white and yellow flowers makes a high contrast statement. The florals have a fluid flowing design. Perfect for a minimalist decor.
Tonal Lillies ...
Category
2010s American Modern Paintings
Materials
Oil
Harvest, Abstract and Contemporary Wildlife Painting by Female Modernist
Located in Doylestown, PA
"Harvest" is a 30 x 25 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant reds and orange, and estate s...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
Untitled Abstract in Yellow and Blue by Female, American Modernist
Located in Doylestown, PA
"Untitled - Yellow and Blue" is a 46 x 34.25 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. This abstract work is painted in a vibra...
Category
1960s American Modern Paintings
Materials
Canvas, Oil
Orbs, Spiritual and Abstract Landscape
Located in Doylestown, PA
"Orbs" is a 38 x 50 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is estate stamped 202141 on verso. The painting has been...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
Feathers, Mystical and Spiritual Commentary by Female Modernist
Located in Doylestown, PA
"Feathers" is a 30 x 40 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette. The work is s...
Category
1970s American Modern Paintings
Materials
Canvas, Oil
Moon Glow by Robert Terry
Located in Brookville, NY
Born 1955 in Broken Bow, Nebraska. Lives and works in New York.
AWARDS
National Endowment for the Arts, Major Grant
Robert Terry was best noted in his depictions of romantic moons...
Category
1990s American Modern Paintings
Materials
Oil
Tools, Symbolism and Abstract by American Female Modernist Peter Miller
Located in Doylestown, PA
"Tools" is a 25 x 30 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a earth-tone color palette. The work is e...
Category
1960s American Modern Paintings
Materials
Canvas, Oil
Dance Wands, Modernist Southwestern Still Life and Cultural Commentary
Located in Doylestown, PA
"Dance Wands" is a 36 x 24 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette, signed and...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
Portland's Finest: Viva la Fem - Figurative Painting By Marc Zimmerman
Located in Carmel, CA
A cubistic, playful cityscape of Portland, with its famous bridges crossing the river is a backdrop for this female biker, clad in vintage wear and a red hat.
Portland's Finest: Vi...
Category
2010s American Modern Paintings
Materials
Oil
Red Floral - Oil Paint By Marc Zimmerman
Located in Carmel, CA
Right as red, this painting is delicious with color. And that accent of the blue/green leaf is just the perfect accent.
Red Floral - Oil Paint By Marc Zimmerman
This masterpiece is...
Category
2010s American Modern Paintings
Materials
Canvas, Oil
Striped Cat In Wonderland - Animal Paintings - Oil on Canvas By Marc Zimmerman
Located in Carmel, CA
Jungle with creative license of tangled growth and bright flowers and peaking out from the foliage is a strange hybrid of jungle cat. Playful and somewhat surreal.
Jungle Creature -...
Category
2010s American Modern Paintings
Materials
Oil
Antique Shop - Interior Painting - American Modern Art By Marc Zimmerman
Located in Carmel, CA
Eclectic objects, oddly juxtaposed, found in antique shops creates opportunities for the artist. This shop was directly across from my gallery so I set up my easel just out front .
...
Category
2010s American Modern Paintings
Materials
Canvas, Oil
Jungle Fantasy #2 - Landscape Painting - Oil on Canvas By Marc Zimmerman
Located in Carmel, CA
The flow of botanical splendor bursts in lavish color in the foreground while the palms and trees open the view to distant mountains in this tropical painting.
Jungle Fantasy #2 - ...
Category
2010s American Modern Paintings
Materials
Canvas, Oil
The Market #2 - by Marc Zimmerman
Located in Carmel, CA
The universal farmers market is bustling with action. Geometric stalls with intense color coupled with contrasting blue arches creates the dynamism in this work of art.
The Market #...
Category
2010s American Modern Paintings
Materials
Oil, Canvas
Mid Century Modern Abstracted Landscape, Big Sur Coast Cliffs
Located in Soquel, CA
Mid Century Modern Abstracted Landscape, Big Sur Coast Cliffs
Colorful mid-century landscape of jagged cliffs along the dramatic Big Sur coastline by an unknown artist. Unsigned. P...
Category
1950s American Modern Paintings
Materials
Canvas, Oil, Cardboard
Mr. and Mrs. Charles and Allison Coolidge (Belmont)
Located in Boston, MA
Dated and titled on stretcher: "'37/ Mr + Mrs Chas. Coolidge/ Allison/ -Belmont".
In 1929 Molly Luce and her husband, Alan Burroughs, moved from Garden Street on Beacon Hill in Bos...
Category
1930s American Modern Paintings
Materials
Canvas, Oil
Over and Above: No. 6, Surreal Cat w/ Fish Bones, 20th Century Cleveland School
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904–2000)
Over and Above: No. 6, 1963
Oil, sand & fish bones on canvas
Signed and dated upper left
53 x 31 inches
Clarence Holbrook Carter achie...
Category
1960s American Modern Paintings
Materials
Oil
Early Modern American Portrait, Pennsylvania/Massachusetts, Frank Anderson Trapp
Located in Baltimore, MD
This is a very stylized and powerful portrait by the noted artist Frank Anderson Trapp. It is dated 1940, and is very much in the modern style of French painters Ferdinand Leger and...
Category
1940s American Modern Paintings
Materials
Oil
Hillside and Stream, early 20th century modernist Cleveland School painting
Located in Beachwood, OH
Clara Deike (American, 1881-1964)
Hillside and Stream, 1916
Gouache on paper
Signed and dated lower right
22 x 18 inches
25.5 x 21.5 inches, framed
A graduate of the Cleveland Schoo...
Category
1910s American Modern Paintings
Materials
Gouache
Over and Above Surprise (Serpent), 1960s snake painting, Cleveland School
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Over and Above Surprise (Serpent), 1967
Casein on board
Signed lower right
7.75 x 5.5 inches
Clarence Holbrook Carter achieved a lev...
Category
1960s American Modern Paintings
Materials
Casein
Modernist Judaica Jewish Ink Drawing Painting "New Immigrant" Off the Boat WPA
Located in Surfside, FL
An ink drawing Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait of an old Jewish man. Coming over from Europe on a ship crossing. The work is signed "Ben-Zion".
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.”
An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. In 1920 he settled in America, where he found little interest in his writing. He began teaching Hebrew to support himself and then in the early 1930s returned to painting. He used his art to comment on the rise of fascism in Europe, events he felt could not be adequately explored with words. Largely self-taught, Ben-Zion visited the museums of New York City to learn his new trade. His first painting on a large scale, Friday Evening (1933, Jewish Museum, New York), depicts a Sabbath dinner table as recalled from his family home. Ben-Zion supported himself by working odd jobs until the establishment of the Works Progress Administration's Federal Art Project. Under the auspices of the wpa, Ben-Zion thrived and galleries began to show his work. In 1936, after his first one-man show at the Artists' Gallery in New York
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s...
Category
1940s American Modern Paintings
Materials
Watercolor, Gouache
Surrealist Still Life with Apples, Mid 20th Century Cleveland School Artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Still Life with Apples, 1940
Oil on canvas
Signed and dated upper right
18 x 24 inches
Clarence Holbrook Carter achieved a level of na...
Category
1940s American Modern Paintings
Materials
Oil
Conjuring Spirits (Jungle Drums)
Located in Wilton Manors, FL
Dynamic jungle drummer scene by unknown NYC American artist. Oil on canvas measuring 20 x 26 inches. Signed "T 42" in ink on verso. Anco stretchers and Grumbacher NYC store stamp con...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
Vintage Rockwell Kent Copy of "Vermont Winter 1921" Oil on Canvas Painting, 1960
Located in Baltimore, MD
This large painting is a ca. 1960 copy of a famous Rockwell Kent painting that was executed in Vermont in 1921. The work is oil on canvas and well represents the original image, tho...
Category
1960s American Modern Paintings
Materials
Oil
Christopher Street (abstract Greenwich Village cityscape)
Located in Wilton Manors, FL
De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet.
Provenance: Babcock Galleries, NYC
Exhibited: The American Federation of Arts Traveling Exhibition.
From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings.
De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium"
Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village.
Early Life
De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website.
At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers.
As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later.
In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno).
Artistic career
In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting.
Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe.
Jane Heap, left, with Mina Loy and Ezra Pound
During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter.
In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa.
Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that:
the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment.
Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow."
It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day.
In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel.
Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings.
While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends."
Alfred Stieglitz
Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York.
With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting.
In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works.
In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation.
"The Baron of Greenwich Village"[edit]
Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond.
To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness."
He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller.
Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance.
The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation.
The writer and television personality Alexander King said
I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean.
King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets."
Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler.
Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...
Category
1930s American Modern Paintings
Materials
Watercolor, Rag Paper
STILL LIFE OF A CAT, BASKET FLOWERS AND SCISSORS Nantucket Artist Reggie Levine
Located in Brookville, NY
Nantucket artist Reggie Levine, evolved from his figurative work in the 40's-50's to abstract in the 1960's and later to found object art. Interestingly I see his interest in found...
Category
1950s American Modern Paintings
Materials
Oil
Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism
By Maurice Kish
Located in New York, NY
Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left.
...
Category
1930s American Modern Paintings
Materials
Oil, Board
Mid Century Figurative Study of Pair
By Joseph Capozio
Located in Soquel, CA
Compelling figurative study in gouache and pencil by Joesph Capozio (American, 1928-2016). Estate stamp lower right corner with bio on verso. Presented in mahogany wood frame. Framed size: 19"H x 17"W.
Capozio was born in Philadelphia, Pennsylvania in 1927. After serving in World War II, he attended art school in Philadelphia, Pennsylvania. He lived and worked in San Francisco, California; New Orleans, Louisiana; Siesta Key...
Category
1960s American Modern Paintings
Materials
Gouache, Pencil
Woman with Arms Crossed
By Byron Browne
Located in Fairlawn, OH
Woman with Arms Crossed
Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955
Signed and dated lower center
Image size: 1...
Category
1950s American Modern Paintings
Materials
Other Medium
Bear Mountain Thawing
Located in West Palm Beach, FL
Framed drawing with a choice of black or white frame (please write a message to seller of your preferred frame color). Mat opening, width: 11 1/2 " - Mat opening, height: 15 ¼ "
Fram...
Category
1990s American Modern Paintings
Materials
Charcoal, Laid Paper
“Abstract Sailboats”
By William Katz
Located in Southampton, NY
Fabulous original mid century modern oil on canvas painting by the well known New York artist, William Katz. The painting is done in a colorful abstraction of sailboats and is signed by the artist lower left. The artist has mixed sand into the oil paint to give the painting a highly textured look. Condition is excellent. Circa 1955. The frame is original with a studded gold edge detailing and with natural wood sides. Frame is in fine original condition. Overall framed measurements are 17 by 29.25 inches. Provenance: A Saint Petersburg, Florida collector.
William P. Katz (1926-2003) American
William Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. His works are in many private collections in the United States, Norway, England, Canada and Greece.
Best known for sculptures, he also created paintings and designed textiles and jewelry. Alexander Kirkland called him an abstract "figurist-fantasist."
He has had one-man exhibits at many galleries including: 1964, Miami Museum of Modern Art, Miami, FL; 1965, Fordham University...
Category
1950s American Modern Paintings
Materials
Oil, Canvas
Woman at Basin, Picasso Style Portrait of a Female Nude, American Modernist
By Leon Kelly
Located in Doylestown, PA
"Woman by Basin" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed and matted portrait of a female nude.
The 22.5" x 17.75" mixed media on artist board i...
Category
1920s American Modern Paintings
Materials
Mixed Media
Colorful Modernist Duck/Geese Hunting Oil Painting, dated 1966 - Hudson Bay Area
Located in Baltimore, MD
This colorful painting of two duck hunters on a trip to the eastern side of the Hudson Bay in Canada is done in a modernist style. Unsigned, the work includes an abstracted rocky co...
Category
1960s American Modern Paintings
Materials
Oil
Roof Top, Oil Painting by Ben Benn
By Ben Benn
Located in Long Island City, NY
Artist: Ben Benn, Polish/American (1884 - 1983)
Title: Roof Top
Year: circa 1920
Medium: Oil on Canvas, signed l.r.
Size: 24 x 18 in. (60.96 x 45.72 cm)
Frame Size: 33.5 x 27.5 inche...
Category
1920s American Modern Paintings
Materials
Oil
Valentine Couple older tattooed man and woman valentine love theme warm color
Located in Brooklyn, NY
This is a recently completed oil painting created for valentines day. It is painted on linen canvas mounted on a cradled wood panel. Framing suggested but not required. It is signed...
Category
2010s American Modern Paintings
Materials
Wood, Oil, Linen
Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism
Located in New York, NY
Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism
Henry Schnakenberg (1982 - 1970)
Boys Swimming Industrial Landscape
11 1/2 x 15 1/2 sight
Oil on Canvas
Signed lower left
14 1/2 x 18 1/2 inches, Framed
Bio
In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...
Category
1940s American Modern Paintings
Materials
Oil, Canvas
Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa
Located in Soquel, CA
Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa
Modern textural still-life by California artist Anthony Rappa (America...
Category
1980s American Modern Paintings
Materials
Canvas, Oil, Cardboard
Ovoid, geometrical figural surrealist acrylic painting, Cleveland School artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Ovoid, 1992
Acrylic on canvas
Signed and dated lower right
7.75 x 7.75 inches
9 x 9 inches, framed
Clarence Holbrook Carter achieved a...
Category
1990s American Modern Paintings
Materials
Acrylic
Milk Weed, Flowers Mixed Media Collage Monotype Floral Painting
Located in Surfside, FL
Mixed Media collage Assemblage painting and or monoprint or monotype on BFK Rives French art paper. It depicts a wild profusion of bold colored flowers
Education
1976 Stanley Hayter Atelier 17 Workshop, Paris, France
1975 Hugh Stoneman Workshop, London, England
1974-85 Bob Blackburn Printmaking Workshop, NYC
1972-74 Certificate of Completion in Fine Arts Graphics, The Art Students League of New York, New York, NY
1971-72 The Art Institute of Boston, Boston, MA
1970-71 Green Mountain College, Poultney, VT
it was the League where Martha Bloom...
Category
1980s American Modern Paintings
Materials
Mixed Media
Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism
Located in New York, NY
Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism
Arthur Rosenman Ross (1913 - 1981)
Bell YFM-1 Airacuda Fighter Planes
17 1/2 x 26 1/2 inches
Gouache, Airbrush and Ink on Illustration Board, 1938
Signed A. Ross lower right
Provenance: Estate of the artist.
BIO
Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s.
He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure.
In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood
and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935.
He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2.
It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war.
Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959.
He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job.
Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955.
They talked about art, cars and girls late into the evening, according to his son, Carter Ross.
He had a gift in rendering the erotic arts...
Category
1930s American Modern Paintings
Materials
Ink, Gouache, Board
Burning Through
Located in East Hampton, NY
Distressed Abstract Painting
Artist Statement:
Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, hope, remain calm in the m...
Category
2010s American Modern Paintings
Materials
Canvas, Acrylic
Americana Landscape Oil on Canvas Painting Signed P. Paul, Framed
Located in Plainview, NY
An elegant oil on canvas landscape painting featuring a lake view in a paradisiac environment. The painting is finely framed in custom giltwood frame. A wonderful addition to any liv...
Category
1980s American Modern Paintings
Materials
Canvas, Oil
Beautiful Chaos
Located in East Hampton, NY
Distressed Abstract Painting
Artist Statement:
Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, hope, remain calm in the m...
Category
2010s American Modern Paintings
Materials
Canvas, Acrylic
Early 20th Century Summer Landscape, Cleveland School Artist
Located in Beachwood, OH
George Gustav Adomeit (American, 1879-1967)
Summer Landscape
Oil on canvas board
Signed lower right
13 x 14.25 inches
18.25 x 19.5 inches, framed
A major painter of American scene s...
Category
Early 20th Century American Modern Paintings
Materials
Oil
Days Like This
Located in Cliffside Park, NJ
David Sherwin Parker is an American artist who showed his artistic talent in childhood. He is known for creating classic paintings and prints with various subjects like western lands...
Category
Late 20th Century American Modern Paintings
Materials
Oil
Mixed Media Modernist Painting Collage Nantucket Whirligig Americana Folk Art
Located in Surfside, FL
Mary Ingebrand-Pohlad (American, b. 1953).
Graphite, pastel, and paper collage painting
"Still Life with Quilt and Nantucket Whirligig"
depicting a mixed media still life collage ...
Category
1990s American Modern Paintings
Materials
Paper, Pastel, Graphite
"The Glorious Flight - Across the Channel with Louis Bleriot" - Children's Book
Located in Miami, FL
Study for "The Glorious Flight - Across the Channel with Louis Bleriot"; 1983; Gouache on Illustration Board; 14.5" x 13.75"; Signed Lower Right; Unframed.
From Wikipedia, the free encyclopedia
Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen...
Category
1980s American Modern Paintings
Materials
Board, Gouache
Stylish Hawaiian Luau Oil Painting by Listed artist Mario Larrinaga (1895-1979)
Located in Baltimore, MD
Mario Larrinaga was born in Baja California in 1895 and moved with his brother to Los Angeles in 1909. He had no formal training in art, but had natural talent that was noticed by local movie studios. He was hired by Universal Studios as a designer, art director and creator of background scenes. He produced some of the background effects for King Kong in 1933. After a career in set design and illustration he focused on painting for pleasure in California, Mexico and Hawaii. He belonged to local art clubs and exhibited his works often.
This stylized modernist work was likely created around 1960. It is oil on wood panel and of a horizontal format, 18” x 36”. It portrays a procession of seemingly Hawaiian natives...
Category
Mid-20th Century American Modern Paintings
Materials
Oil
Boothbay Harbor, Maine Dock Seascape, Early 20th Century, Cleveland School
Located in Beachwood, OH
George Gustav Adomeit (American, 1879-1967)
Boothbay Harbor, 1924
Oil on canvas
Signed lower right
15 x 17 inches
20.25 x 22.25 inches, framed
A major painter of American scene subj...
Category
1920s American Modern Paintings
Materials
Oil
Mixed Media Modernist Painting Collage Nantucket Whirligig Americana Folk Art
Located in Surfside, FL
Mary Ingebrand-Pohlad (American, b. 1953).
Graphite, pastel, and paper collage painting
"Nantucket Still Life with Whirligig and Hydrangea"
depicting a mixed media still life colla...
Category
1990s American Modern Paintings
Materials
Paper, Pastel, Graphite
Schooner, Boothbay Harbor, Maine, Early 20th Century Seascape Watercolor
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Schooner, Boothbay Harbor, Maine, c. 1924
Gouache and watercolor on paper
Signed lower right
14 x 20 inches
19.5 x 25.5 inches, as framed
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...
Category
1920s American Modern Paintings
Materials
Gouache, Watercolor
Bold Graphic Illustration Pop Art Image of Large Truck, Orignal Alkyd Painting
Located in Surfside, FL
Doug Fraser Graphic design illustration artist. Doug was born in Lethbridge, Alberta, Canada. He attended the Alberta College of Art & Design in Calgary where he studied graphic design and illustration. After four years at ACAD he went to New York for graduate school, attaining a masters degree, MFA, from the School of Visual Arts. Without missing a beat, Doug became an award winning illustrator, (in a cartoon, bold comic book sort of style) having executed commissioned works for an array of international clients including The New York Times, the Washington Post, TIME, Newsweek, BusinessWeek, Wirtschafts Woche (Germany), Rolling Stone, Mother Jones, Motor Trend, NHL, IBM, and Levis.
His technique originally involved traditional media of oils on canvas and evolved over the years to incorporate digital aspects both exclusive and combined with paint. During the early 90's, he was approached by the ACAD(Alberta College of Art & Design in Calgary) to teach and accepted a part-time position. Doug has sat on several juries and spoken in numerous cities including New York and Los Angeles.
His illustration work has been exhibited in the US, England, Japan and Canada. Memberships have included the prestigious Society of Illustrators(NY) for eighteen years, the advisory panel of ICON5, the American Illustrator Partnership (founding member status), CAPIC and the Graphic Artists Guild of New York. 2004 recipient of the Alberta College of Art & Design Board of Governors Alumni Award of Excellence.
His style is similar to the graphic novel style of Art Spiegelman, Shepard Fairey, Ben Katchor or Robert Crumb in its graphic expressiveness
After a long successful career as an illustrator, the desire to create works of a different nature and purpose began to surface. Building on the technical knowledge developed professionally as a visual communicator in the graphics world for 30 years, he began to experiment once again, without the burden of client and other constraints. This freedom enabled Doug to move beyond his past and develop a body of work which is more personal in subject. This new body of paintings strongly links artistic influences with personal observations. Influences affecting structure include graphic design, abstract and figurative art. A two dimensional quality is embraced and the construction becomes as important as the subject. The subject, which is somewhat banal in tone, is derived from his own first hand experience. Exploring subject that which is usually only seen in passing, but is now observed more closely. Intense visual study precedes a process of disassembling and then reconstruction. Throughout, there's an internal dialogue between the objective and the subjective. The experiential challenge of this process has Douglas tracing the edges of where the figurative meets abstraction.
EDUCATION; Alberta College of Art & Design, Calgary, Alberta, Canada. Visual Communication Arts. School of Visual Arts, New York, New York, M.F.A. degree.
ILLUSTRATION CLIENTS; Editorial: Boston Globe, Business Week, BUZZ, Esquire, Forbes, Globe & Mail, GQ, L.A. Times, Mademoiselle, Manhattan Inc, Mother Jones, Newsweek, New York Times, New York Woman,Omni, Penthouse, FORTUNE, TIME, Washington, Self, Sports Illustrated, Texas Monthly, Washington Post, Rolling Stone Book: David R. Godine, Houghton-Mufflin, Knopf, Macmillan, Rabbit Ears Video & Book, Simon Schuster, The Progressive, Turner Publishing (CNN), BLAB!, Telstar Comic compilation Corporate: Air Canada, Allen-Bradley [a Division of Rockwell International],Citibank, Coca-Cola, Danzas (Europe), IBM, Kingston Electronics, Kohler, Levis, Lowenbrau Beer, Concept-1 Calgary, Memorex, Oakland A's Baseball Team, National Football League, National Hockey League, Nike, Northern Telecom, Nynex NY, Pfizer, RCA, Roundtree U.K., Samsung Electronics, Sony, Suzuki Motorcycles, Tamko, USF&G [financial investment group]. Graphic Novel, Comic Book: Adhouse Press, story titles; "Electric Sheep...
Category
20th Century American Modern Paintings
Materials
Alkyd, Illustration Board
Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School
Located in Soquel, CA
Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School
Modern painting of a nude woman with the Sausalito landscape in the background by American painter, P...
Category
1980s American Modern Paintings
Materials
Oil, Canvas
Fresno Amarillo - Vibrant Red Yellow Southwest Inspired Pop Art Food Painting
By Will Beger
Located in Los Angeles, CA
Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...
Category
21st Century and Contemporary American Modern Paintings
Materials
Acrylic, Mixed Media, Wood Panel
The world is falling apart
Located in Ridgewood, NY
Most mornings we wake up to a physical reality of sharp contrast and clear-cut edges. Defined outlines help us navigate everyday life and the world around us. But the blurry fringes ...
Category
2010s American Modern Paintings
Materials
Oil
Seated Figure
Located in Rockland, ME
Sally Michel Biography
American, 1902-2003
Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...
Category
1980s American Modern Paintings
Materials
Oil
Ahead of the Game - 14"x 16" oil on canvas painting
Located in Lafayette, LA
This is an original oral painting by Francis X Pavy. Oil on canvas, 1996, 14" x 16" signed on the reverse. The painting depicts, two silhouettes of guitar shapes with a male and a fe...
Category
1990s American Modern Paintings
Materials
Oil
Vintage Winter Snowy River Mountain Landscape of Canada by 20th Century Artist
Located in Preston, GB
Vintage Winter Snowy Mountain River Landscape Oil Painting of La Rivière du Nord in Canada, by 20th Century Canadian Artist, Sydney Berne (1921-2013)
Art measures 20 x 16 inches
F...
Category
1970s American Modern Paintings
Materials
Canvas, Oil
American Modern paintings for sale on 1stDibs.
Find a wide variety of authentic American Modern paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Clarence Holbrook Carter, Donald Stacy, Patricia Gren Hayes, and Jack Hooper. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern paintings, so small editions measuring 2 inches across are also available.
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