Items Similar to Americana Landscape Oil on Canvas Painting Signed P. Paul, Framed
Want more images or videos?
Request additional images or videos from the seller
1 of 14
P.PaulAmericana Landscape Oil on Canvas Painting Signed P. Paul, Framed1980s
1980s
About the Item
An elegant oil on canvas landscape painting featuring a lake view in a paradisiac environment. The painting is finely framed in custom giltwood frame. A wonderful addition to any living space or office. The painting is signed by artist, P. Paul (American).
Dimensions: 29.25" H x 41.25" W x 2" D
Without Frame: 23.25" H x 35.25" W
- Creator:P.Paul (American)
- Creation Year:1980s
- Dimensions:Height: 29.25 in (74.3 cm)Width: 41.25 in (104.78 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Plainview, NY
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
7 sales on 1stDibs
Typical response time: 5 hours
- ShippingRetrieving quote...Ships From: Plainview, NY
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Landscape Beach Town Oil on Canvas Painting Signed by Artist AustinLocated in Plainview, NYA stunning oil on canvas painting portraying a panoramic view of a town by the beach. The painting is finely framed in a decorative gilt frame and is signed by the artist Austin. D...Category
1980s American Modern Landscape Paintings
MaterialsCanvas, Oil
- Parisian Street Scenes Oil on Canvas Painting Signed R. Roywilsens, a PairLocated in Plainview, NYA classy pair of oil on canvas Parisian street scenes paintings signed by the artist R. Roywilsens. ( American, 1940's) The paintings fe...Category
20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
- Large Marine Landscape Oil on Canvas Painting with Boats at a Dock, SignedBy James L. ThomasLocated in Plainview, NYA late 20th century oil on canvas of a marine landscape depicting boats at a dock featuring a blue tone. The painting, an exemplary work of the American landscape art work of the 20t...Category
20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
- Vintage Impressionist Oil on Canvas Painting, SignedLocated in Plainview, NYAn elegant vintage impressionist oil on canvas painting signed by artist Tasica -1977. The painting features a street scene in the...Category
Late 20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
- Impressionistic Seascape Oil on Canvas Painting of a Lady and SeagullsLocated in Plainview, NYA beautiful oil on canvas impressionistic painting featuring a young lady dressed in white and holding a white umbrella while watching the sea and seagulls. The sky shows rainbow col...Category
1950s Modern Landscape Paintings
MaterialsCanvas, Oil
- Impressionist City Scene Painting in the Manner of Fernando BoteroLocated in Plainview, NYA lovely small oil on canvas painting in the style of the legendary artist Fernando Botero ( Columbian, 1932) showing people in large figures, "Boterismo...Category
Mid-20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Six O'ClockLocated in Los Angeles, CASix O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...Category
1940s American Modern Landscape Paintings
MaterialsCanvas, Oil
- LandscapeBy Marcel Emile CaillietLocated in Los Angeles, CALandscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
- Gracie MansionBy Isabella Banks MarkellLocated in Los Angeles, CAThis painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Gracie Mansion, c. 1944, oil on canvas, signed lower right, 25 x 30 inches, presented in a ne...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
- Gold Mine, Central City, ColoradoBy Joseph MeertLocated in Los Angeles, CAThis painting is part of our exhibition America Coast to Coast: Artists of the 1930s Goldmine, Central City, Colorado, oil on canvas, 36 x 28 inches, c. 1936, signed lower right, ex collection of Platt Fine Art, Chicago, Illinois (label verso). About the Painting Joseph Meert’s painting, Goldmine, Central City, Colorado, depicts the short-lived resurrection of a once prominent city just outside Denver. Central City was founded in 1859 soon after John Gregory struck gold in the area. As word spread, thousands of miners converged into “Gregory’s Gulch” and its surroundings became known as the “richest square mile on earth.” Mining production quickly increased resulting in Central City to becoming Colorado’s largest city in the early 1860s. Despite some technical difficulties transitioning to lode mining and the rise of competition from Leadville, Central City remained an economic boom town through the turn of the century. But, with every boom, there is a bust. World War I marked the end of Central City’s prominence as ore production ground to a halt and by 1925, the town’s population shrank to only 400 people. The desperation of the Great Depression and a nearly 100% increase in the price of gold lured labor and capital back to Central City. Meert painted in Colorado during the mid-1930s, a time when he created his most desirable works. It is during this period of renaissance that Meert captures one of Central City's outlying dirt streets bordered by 19th century wooden houses from the town's heyday and the more recently installed electric lines leading to a distant gold mine. A lone figure trudges up the hill, a mother with a baby in her arms, putting us in mind of the rebirth of the town itself. Meert had solo exhibitions at the Colorado Springs Fine Arts Center in 1936 and the Denver Art Museum. Although it is not known whether Goldmine, Central City was included in either of these exhibitions, it seems likely. Moreover, the painting is closely related to Meert’s painting, The Old Road, which was painted in 1936 and exhibited at the Corcoran Gallery of Art in Washington, DC and at the Dallas Museum of Art. About the Artist Joseph Meert was a well-regarded painter and muralist, who initially made a name for himself in the American Scene and later as an abstract expressionist. Although initially successful, Meert struggled financially and with mental illness later in life. He was born in Brussels, Belgium, but moved with his family to Kansas City, Missouri. As a child, a chance encounter at the Union Pacific Railyard changed his life. Meert happened upon a worker repainting and stenciling a design on a railroad car. Meert later recalled that this experience introduced him to the idea of being a painter. Without support from his father, Meert obtained a working scholarship to the Kansas City Art Institute. After four years at the Kansas City Art Institute, Meert studied seven years at the Art Students League and in Europe and Los Angeles. At the Art Students League, Meert fell under the spell of Thomas Hart Benton and Stanton MacDonald-Wright. In 1931, he befriended Jackson Pollock. By 1934, Meert was part of the Public Works of Art Project when he met his wife, Margaret Mullin...Category
1930s American Modern Landscape Paintings
MaterialsCanvas, Oil
- Untitled (Collapsed Shacks)By Karl FortressLocated in Los Angeles, CAUntitled (Collapsed Shacks), c. 1940s, oil on canvas, signed lower left, 20 ½ x 26 ½ inches, presented in a period frame This work is part of our exhibition America Coast to Coast: ...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
- Church in TreesLocated in Los Angeles, CAThis painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 13 x 9 inches, Signed lower leftCategory
1940s American Modern Landscape Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Sean Oil Painting
Romantic Resin
The British Royal Family
George West
Renoir Watering Can
Carol Butler Brown
Corral Ranch
Flower Field Art
Kevin Riley
Andre And Lakes
1950s Pool
O Mosaic
Ermilkina Skyscrapers
Central Park Landscape Oil
Modern Art Panoramic
Adobe Art Painting
Indian Painting American Antique
American Oil Paintings Cityscape