18th Century and Earlier Art
to
2
2
2
Overall Height
to
Overall Width
to
3,087
1,203
61
22
18
17
5
3
2
2
2
1
1
1
1
1
2
16
1,928
476
7
41
461
580
103
59
19
51
164
66
1
1
1
1
1
1
Style: Art Deco
Period: 18th Century and Earlier
Untitled (Standing Female Nude)
Located in Fairlawn, OH
Untitled (Standing Female Nude)
Graphite on paper, c. 1930
Signed bottom right: Lorski (see photo)
Sheet size: 9 5/16 x 5 13/16 inches
From a sketchbook created while the artist was working in Paris
Condition: Good
Thin spots verso from previous mounting
Soft vertical fold running across image
Barely visible on recto
Provenance: Estate of the Artist
Dawson's Auctioneers and Appraisers, 2001
Amity Art Foundation
Boris Lovet-Lorski
Lithuanian/Russian/American
1894-1973
Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade.
Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists.
He died in Los Angeles in 1973.
Regarding his iconic Art Deco sculptures of Cretan Dancers:
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Lovet-Lorski created sculptures of the following major figures
I.J. Paderewski, Prime Minister of Poland
Arturo Toscanini, Italian Conductor
Lilian Gish, Actress
President Franklin D. Roosevelt
Mrs. M. C. Niarchos, wife of Stavros Niarchos
President Abraham Lincoln
James Forrestal, Secretary of the Navy, First Secretary of Defense
Pope Pius XII
Dr. Albert Einstein, theoretical physicist
President Dwight D. Eisenhower
Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician
General Charles De Gaulle, President of the Fourth and Fifth Republic, France
John Foster Dulles, Secretary of State, 1953-1959
President John F. Kennedy
Works by Lover Lorski are in the following public collections:
Albright-Knox Art Gallery, Buffalo
Art Institute of Chicago
Bibliotheque Nationale, Paris
Brandeis University, Waltham, MA
British Museum, London
Boston University
Brooklyn Museum
California Palace of the Legion of Honor, Sam Francisco...
Category
Art Deco 18th Century and Earlier Art
Materials
Graphite
Arabian nights The Thousand and One Nights Gustaf Tenggren attrib. Scheherazade
By Gustaf Tenggren
Located in Miami, FL
This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. ( Gustaf Tenggren At...
Category
Art Deco 18th Century and Earlier Art
Materials
Gouache
Related Items
"Paris Promenade" - Framed 20th-Century Impressionist City Painting
By Paul Renard
Located in New Orleans, LA
A charming, beautifully framed and ready to hang gouache on panel by highly-listed Parisian artist Paul Renard. One of two Paris scenes I currently have on offer by Renard. Actual go...
Category
Post-Impressionist 18th Century and Earlier Art
Materials
Gouache
The Gateway
Located in New York, NY
Signed (lower right): ELEANOR PARKE CUSTIS
Category
American Realist 18th Century and Earlier Art
Materials
Paper, Gouache
Charles Richards (New Orleans) "Crouching Woman"
Located in New Orleans, LA
A truly lovely nude by noted 20th-century New Orleans artist and extraordinary draftsman Charles Richards, whose work does not come up for sale often enough here in New Orleans. Sorr...
Category
18th Century and Earlier Art
Materials
Pastel, Graphite
Untitled
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
Category
Contemporary 18th Century and Earlier Art
Materials
Paper, Conté, Graphite
Jo Haran, Tropical Haven, Original floral painting
By Jo Haran
Located in Deddington, GB
Tropical Haven by Jo Haran [2021]
original
Watercolour, gouache and gesso
Image size: H:49 cm x W:66 cm
Complete Size of Unframed Work: H:52.5 cm x W:69.5 ...
Category
Contemporary 18th Century and Earlier Art
Materials
Gesso, Watercolor, Gouache
Study for "Lucifer"
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
Category
Contemporary 18th Century and Earlier Art
Materials
Paper, Charcoal, Graphite
Simka Simkhovitch WPA Artist Oil Painting Gouache American Modernist Powerline
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintings.
Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes.
Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine.
In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi.
Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...
Category
American Modern 18th Century and Earlier Art
Materials
Gouache, Oil, Board
The biggest house in town - Figurative Gouache Painting, Landscape, Architecture
Located in Warsaw, PL
PIOTR FĄFROWICZ (born in 1958). He studied art history at the Catholic University of Lublin. He deals with painting and graphic design. Winner of numerous awards for illustrations, i...
Category
Other Art Style 18th Century and Earlier Art
Materials
Paper, Tempera, Gouache
Place de la Bastille
Located in Belgravia, London, London
Gouache on paper
Paper size: 14.25 x 8.75 inches
Framed size: 20 x 14.25 inches
Signed lower left
Category
Impressionist 18th Century and Earlier Art
Materials
Paper, Gouache
Study for "Lucifer"
Located in New York, NY
This work on paper by James Childs is offered by CLAMP in New York City.
Category
Contemporary 18th Century and Earlier Art
Materials
Paper, Charcoal, Graphite
Venice Italy Landscape Gouache Painting Canal with Gondolier Bridge of Sighs
Located in Surfside, FL
Vita P. Solomon Born December 16, 1916 in Philadelphia, PA to Harry Petrosky and Rose Bobrow, Vita graduated from Overbrook High School in 1933 and earned her diploma in Illustration and won the Lewis European Fellowship in 1937 from Moore College of Art. While raising a family she earned a Bachelor of Fine Arts, with Honors, as well as a Bachelor of Science in Education, with Honors, from Temple University Tyler School of Fine Art in 1958, and a Master of Fine Arts from Tyler in 1960. She was commissioned to paint official oil portraits of such notable Pennsylvanians as George Leader, Governor of Pennsylvania (1955-1959); Alfred Williams, Dean of the Wharton School...
Category
Expressionist 18th Century and Earlier Art
Materials
Gouache
Study of a Woman Sitting, Graphite Drawing, 19th Century French School
Located in London, GB
Graphite on paper
Image size: 13 x 10 1/2 inches (33 x 27 cm)
Mounted
This is a delicate 19th century academic graphite drawing of a seated female nude in the neoclassical style.
A...
Category
French School 18th Century and Earlier Art
Materials
Paper, Graphite
Previously Available Items
Jazz Night
Located in Los Angeles, CA
JEFFERSON TESTER
"JAZZ NIGHT"
OIL ON CANVAS, SIGNED
AMERICAN, C.1940s
20 X 16 INCHES
Jefferson Tester
1900-1972
Jefferson Tester grew up in Roseburg, Oregon with his sister Am...
Category
Art Deco 18th Century and Earlier Art
Materials
Canvas, Oil