18th Century Art
Period: 18th Century
Color: Brown
Thomas Beach (1738 - 1806) Two Children Oil on Canvas
By Thomas Beach
Located in Lincoln, GB
THOMAS BEACH (1738-1806)
Two Children
Oil on canvas
Canvas size : 50 x 40 inches (127 x 102 cms) Framed size : 57 x 47 inches (145 x 120 cms)
Frame : Early 20th century carved ...
Category
18th Century Art
Materials
Oil
Just A Little Tipsy (MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
Located in Kansas City, MO
(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Just A Little Tipsy"
Year: 2021
Porcelai...
Category
Rococo 18th Century Art
Materials
Luster, Porcelain, Glaze
Oriental School Late 18th Century Chinoiserie Huge Oil Figures Fishing Pond
Located in Cirencester, Gloucestershire
Artist: Oriental School, 18th century
Title: Chinoiserie scene, figures fishing by a pond
Medium: oil painting on canvas, unframed
canvas: 29.25 x 52.25 inches
Provenance: from a pri...
Category
Old Masters 18th Century Art
Materials
Oil
18th Century European Portrait of a Child Saint John the Baptist
Located in SANTA FE, NM
18th Century European Portrait of a Child Saint John the Baptist
Oil on Canvas
19 x 14 1/4 inches
This lovely and sensitively painting has been examined by a professional restorer w...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
French Art, Rococo, Portrait Queen Marie Antoinette France, Oval, Circle Vivien
Located in Greven, DE
French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...
Category
Rococo 18th Century Art
Materials
Paper, Pastel, Oil
Giovanni Battista Pittoni, Holy Family with Cupids, Venetian Baroque, Christmas
By Giovanni Battista Pittoni
Located in Greven, DE
In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.)
He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770).
Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop.
He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts.
Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes.
Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster.
On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten.
As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
The Battle Of Sluys (1340) - The Hundred Years War (1337-1453)
Located in Blackwater, GB
The Battle Of Sluys (1340), oil on canvas
Rare account of the opening engagement of The Hundred Years War (1337-1453)
Fine huge scene of the Battle Of Sluys between the English and...
Category
18th Century Art
Materials
Canvas, Oil
Landscape Paint Oil on canvas 18th Century Old master Roma Italy River Water Art
By Paolo Anesi (Rome 1697 - 1773)
Located in Riva del Garda, IT
Roman landscape painter of the eighteenth century - Entourage by Paolo Anesi (Rome 1697 - 1773)
River landscape of the Lazio countryside, with the Tiber fl...
Category
Old Masters 18th Century Art
Materials
Oil
View of Piazzo San Marco in Venice
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
18th Century Art
Materials
Paper
Eighteenth century Old Master drawing - St Jerome
Located in London, GB
Pen, ink and wash
Framed dimensions: 9 ½ x 11 ¼ inches
Drawn c. 1763
This small, powerful study shows St Jerome contemplating the bible with a cross and sk...
Category
Old Masters 18th Century Art
Materials
Pen, Ink
Noce de Village - Original Etching by C.-M. Descourtis - 1785
Located in Roma, IT
Noce de Village is an original etching on paper applied on cardboard, realized by Charles-Melchior Descourtis in 1785, at the bottom left is written Tannay. The state of preservation...
Category
18th Century Art
Materials
Etching
Woman Washing Clothes In The River, 17th Century
By Francesco Guardi
Located in Blackwater, GB
Woman Washing Clothes In The River, 17th Century
circle of Francesco GUARDI (1712-1793)
Fine large Italian Old Master landscape view of figures in a ...
Category
18th Century Art
Materials
Oil, Canvas
Costume of a Finnish Girl - Original Watercolor Etching by J.B. Le Prince
Located in Roma, IT
Costume of a Finnish Girl in 1768 is an original hand-watercolored etching on ivory paper realized by Jean-Baptiste Le Prince in the late 18th Century.
In excellent conditions: As ...
Category
18th Century Art
Materials
Etching, Watercolor
Woman - Drawing on Paper - 18th Century
Located in Roma, IT
Woman is an original drawing, realized by Anonymous artists of the XVIII century.
The state of preservation of the artwork is good, but with extensive foxing.
The artwork represent...
Category
18th Century Art
Materials
Pencil
The Parade of Swiss Guards a painting on canvas by Gabriel de Saint-Aubin
Located in PARIS, FR
In this painting, Gabriel de Saint-Aubin, the great chronicler of the reign of Louis XV, takes us to the annual parade of the Swiss Guards at the Plaine de...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
18th Century English Oil Landscape Painting: Elegant Figures alongside River Wye
By Attributed to William Marlow
Located in London, GB
Attributed to William Marlow (English, 1740-1813)
Elegant Figures alongside the River Wye
1790
131 x 152 cm, inc. frame
This quiet bucolic scene shows figur...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
Reclining Youth, 18th Century Nude Graphite on Paper
Located in London, GB
French School
18th Century
Reclining Youth
Graphite and charcoal on paper
Image size: 15 x 23 inches (38 x 58.5 cm)
Wash line mount and gilt frame
Painting in eighteenth-century Fra...
Category
Old Masters 18th Century Art
Materials
Graphite, Charcoal
Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category
Academic 18th Century Art
Materials
Engraving
Print, Handcolored, Copperplate, Engraved, London Bridge, William Maitland, 1739
Located in Eversholt, Bedfordshire
In original condition. Page 33, 'The History of London from its Foundation by the Romans to the Present Time', by William Maitland, published in 1739....
Category
18th Century Art
Materials
Paper
Soldiers by a Tent, Soldiers Camp, Circle Van Huchtenburg, Old Master Painting
Located in Greven, DE
Circle of Jan van Huchtenburg
Landscape Scene with a Soldiers Camp
Oil on Canvas, 41 x 55 cm
Soldier Camp Life Scene
together with a wonderful golden Frame
Category
Baroque 18th Century Art
Materials
Oil, Canvas
"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London'
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category
Naturalistic 18th Century Art
Materials
Engraving
Portrait of Lady Bagot - Niece to the Duke of Wellington
Located in Miami, FL
The sitter is Mary Charlotte Anne Wellesly-Pole, eldest daughter of William, 4th Earl of Mornington and niece to the Duke of Wellington. This is one of Hoppner's best works. The sitt...
Category
Old Masters 18th Century Art
Materials
Oil
18th century portrait of the Royal Academy model George White
By John Russell
Located in London, GB
Collections:
Russell sale, Christie’s, 14 February, 1807: ‘John Russell, Esq., R.A. deceased, crayon painter to His Majesty, the Prince of Wales, and Duke of York; and brought from his late Dwelling in Newman Street’, lot 92, ‘St Peter’, bt. Thompson (£1.13s);
Anonymous sale; Sotheby's, London, 25th September 1980, lot 113;
Private collection, UK, 2016.
Literature:
Martin Postle, 'Patriarchs, prophets and paviours: Reynolds's images of old age', The Burlington Magazine, vol. cxxx, no. 1027, October 1988, pp. 739-40, fig. 9;
Martin Postle, Sir Joshua Reynolds: The Subject Pictures, Cambridge, 1995, p.136, repr.;
Neil Jeffares, Dictionary of pastellists before 1800, online edition, J.64.2928.
Signed and dated: J Russell/ fecit 1772 (lower right)
Framed dimensions: 25 x 31 inches
John Russell was admitted to the Royal Academy in March 1770, at the same time as Daniel Gardner. The nascent Academy Schools were still establishing their teaching structures, but central to the syllabus were the twin components of drawing after the antique and from life models. By 1772 Russell had already been awarded a silver medal and progressed to the life academy, where he produced this remarkable pastel study of George White. White was the most famous model employed by the Royal Academy and prominent artists in the second half of the eighteenth century. A paviour – or street mender –by profession White had been discovered by Joshua Reynolds, who in turn introduced him to the Academy. Russell’s striking head study demonstrates his abilities as a portraitist and pastellist, at the same time showing his interest in the Academy’s preoccupation with promoting history painting.
George White was one of the most celebrated models in eighteenth-century London. According to the painter Joseph Moser:
'Old George…owed the ease in which he passed his latter days, in a great measure to Sir Joshua Reynolds, who found him exerting himself in the laborious employment of thumping down stones in the street; and observing not only the grand and majestic traits of his countenance, but the dignity of his muscular figure, took him out of a situation to which his strength was by no means equal, clothed, fed, and had him, first as a model in his own painting room, then introduced him as a subject for the students of the Royal Academy.'
As Martin Postle has pointed out, whilst characterful studies of old men posed as biblical figures, prophets or saints by Continental old masters were readily available on the art market – Reynolds himself had copied a head of Joab by Federico Bencovich in the collection of his friend and patron, Lord Palmerston - finding a model in Britain from whom to execute a painting was more difficult.
White therefore offered a rare opportunity for artists to combine portraiture and history painting, by painting a model in the guise of an historical or literary character. In 1771 Reynolds showed at the Royal Academy a picture of White entitled Resignation. It was engraved in 1772 and accompanied by a stanza from Oliver Goldsmith’s Deserted Village, implying a literary context to what is essentially a portrait. In his annotated Royal Academy catalogue, Horace Walpole noted: ‘This was an old beggar, who had so fine a head that Sir Joshua chose him for the father in his picture from Dante, and painted him several times, as did others in imitation of Reynolds. There were even cameos and busts of him.’ White sat to, amongst others Johan Zoffany, John Sanders, Nathaniel Hone and the sculptor John Bacon...
Category
Old Masters 18th Century Art
Materials
Pastel
Landscape with Stream - Oil on Canvas - 18th Century
Located in Roma, IT
Original Oil on Canvas, probably of Dutch School, of the mid-18th Century. Wood Lable attributing the work to E. Williams Senior.
Small restoration, otherwise very good condition.
Category
Modern 18th Century Art
Materials
Oil, Canvas
Fine Early 1700's French Oil Elegant Figures Lady being Dressed Rococo Interior
Located in Cirencester, Gloucestershire
French School, circa 1720's
circle of Nicolas Lancret (1690-1743)
oil painting on canvas
15 x 23 inches
provenance: private collection, UK
Fine depic...
Category
Rococo 18th Century Art
Materials
Oil, Canvas
Portrait of a Young Man Original Charcoal and Pastel French 18th Century
Located in London, GB
French School
18th Century
Portrait of a Young Man
Charcoal and pastel on paper
Image size: 11 x 7 inches
Contemporary gilt frame
Category
Rococo 18th Century Art
Materials
Paper, Charcoal, Pastel
An Architectural Capriccio with the Preaching of an Apostle
By Giovanni Paolo Panini
Located in New York, NY
Provenance: Santambrogio Antichità, Milan; sold, 2007 to:
Filippo Pernisa, Milan; by whom sold, 2010, to:
Private Collection, Melide, Switzerland
De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by:
Private Collection, Connecticut (2011-present)
Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini
Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary.
This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor.
The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
Battle of Peterwardein, By Jan van Huchtenburg, Battle Scene, Old Master
Located in Greven, DE
Jan Van Huchtenburg
Battle of Peterwardein, 1716
Oil on canvas, 45 x 64 cm
monogrammed "HB"
n 1670 he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers...
Category
Baroque 18th Century Art
Materials
Canvas
Lily of France - Original Etching by J.-M. Papillon - Late 18th Century
Located in Roma, IT
Lily of France is an original Modern artwork realized in the late 18th Century.
Original B/W etching on paper.
Signed on plate on the lower right corner: Papillon f..
Mint condit...
Category
18th Century Art
Materials
Etching
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
Naturalistic 18th Century Art
Materials
Engraving
Antique Asian Buddhist Monk Wood Sculpture
Located in Delray Beach, FL
Antique Asian Wood Carving of a Buddhist Monk.
Early 18Th Century or older possibly Burmese, Buddhist Monk resting on a lotus blossom on wood base, wea...
Category
18th Century Art
Materials
Paint, Wood
Christ the Savior of the World - Icône 25x32 cm
Located in Geneva, CH
Greek icon
Oil on wood, gold background
18th / 19th century
Category
Other Art Style 18th Century Art
Materials
Oil
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
Naturalistic 18th Century Art
Materials
Engraving
18th century oil sketches for a Baroque interior - a pair
Located in London, GB
A FEAST OF THE GODS WITH VENUS AND BACCHUS
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
John and Eileen Harris, acquired from the above, to 2015.
Literature:
Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre);
Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre);
Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020.
Exhibited:
Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre);
London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre);
London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020.
CUPID AND PSYCHE BEFORE JUPITER
Collections:
With Appleby Brothers, London, June 1957;
Hazlitt, Gooden & Fox, London, 1961;
Anthony Hobson, acquired from the above, to 2015.
These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...
Category
Baroque 18th Century Art
Materials
Oil, Canvas
Tuscan Proverbs - Etching by Carlo Lasinio - 1786
Located in Roma, IT
Tuscan Proverbs is an original etching realized by Carlo Lasinio in 1786.
Etching and watercolour technique, in good conditions, except for some stains on the back of the yellowed p...
Category
Old Masters 18th Century Art
Materials
Etching
Vue d'un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne'
French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illust...
Category
Naturalistic 18th Century Art
Materials
Engraving
French Art, Rococo Portrait, Oval, Pastel, Portrait of a Lady, Circle of Vivien
Located in Greven, DE
French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...
Category
Rococo 18th Century Art
Materials
Paper, Oil Pastel, Gouache
II. e Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'II.e Vue d'un passage du Mont St Gothard'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated'...
Category
Naturalistic 18th Century Art
Materials
Engraving
French 18th Century Pastel Portrait
Located in Cotignac, FR
Late 18th Century French pastel portrait on paper of a young lady in period dress in a 'feigned oval'. In gilt wood frame presented under glass.
Very much of its period and similar ...
Category
French School 18th Century Art
Materials
Pastel, Paper, Crayon
Black Stork, "Ciconia Nigra": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Ciconia Nigra" (Black Stork) by Johann Leonhard Frisch is plate 197 fro...
Category
Naturalistic 18th Century Art
Materials
Engraving
San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Old Masters 18th Century Art
Materials
Engraving
Landscape with figures - Original Oil Paint On Canvas - 18th Century
Located in Roma, IT
Landscape with figures is an original oil on canvas realized in the XVIII Century by a Venetian School Master.
Original oil painting on Canvas.
The painting represents a beautiful...
Category
Modern 18th Century Art
Materials
Oil, Canvas
Portrait of an Old Woman - Pencil Drawing - Late 18th Century
Located in Roma, IT
Portrait of an old woman is an original drawing realized in the late 18th Century.
The artwork is a black and white pencil and pastel drawing depicting an old woman.
Mint condition...
Category
Modern 18th Century Art
Materials
Paper, Pencil
18th Century, Portrait of a Lady in a Tondo, red chalk drawing
Located in Paris, FR
French (?) school circa 1770
Portrait of a Lady in a Tondo,
red chalk on paper
20 x 29 cm
Numbered 25 on the upper left
Little holes in the bottom (intended for binding)
Not framed
...
Category
Baroque 18th Century Art
Materials
Chalk
Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808).
Thisbe, finding the dead body of Pyramus, throws herself on a sword.
Fro...
Category
Naturalistic 18th Century Art
Materials
Engraving
Ancient Roman Riders - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Ancient Roman Riders, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century.
Signed on the plate on the lowe...
Category
Old Masters 18th Century Art
Materials
Etching
Unknown
Located in Mount Vernon, NY
Print by Giovanni Giardini (1646-1721) for Disegni Diversi [Various Designs]. Originally published in 1714 in Prague and later reissued in 1750 in Ro...
Category
18th Century Art
Materials
Etching
Artificial Fire Machine - Etching by Giuseppe Vasi - 1776
Located in Roma, IT
Artificial Fire Machine is original etching realized by Giuseppe Vasi.
Original Title from Italian: Palace with loggia for the drawing of the lottery numbers
Beautiful Artist's Pro...
Category
Old Masters 18th Century Art
Materials
Etching
Traveling animals - Original etching enhanced with watercolor
Located in Paris, FR
George EDWARDS
Traveling animals
Original engraving enhanced with watercolor
Signed in the plate and dated, 1746
28.6 x 23.5 cm
From Volume II of the Natural History of Birds, plat...
Category
Academic 18th Century Art
Materials
Engraving
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Art
Materials
Mezzotint, Watercolor
Old Master portrait of a lady musician by the master or portraiture
Located in Petworth, West Sussex
Attributed to Pierre Paul Prud’hon (French, 1758-1823)
'La belle musicienne'
Oil on canvas, oval
Signed ‘P. P. Prudon’ (lower left)
28.3/4 x 23.1/2 in. (73 x 59.5 cm.)
Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus.
In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent.
A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris.
Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
Rococo Painting, The Brunette Odalisque, Nude Woman, Studio of Francois Boucher
By François Boucher
Located in Greven, DE
A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas.
One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions.
"The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque".
The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher.
The Painting is framed in a golden frame which was built in the Rococo style in c. 1990.
Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
Costume of a Lady from Indostan - Original Etching by J.B. Le Prince
Located in Roma, IT
Costume of a Lady from Indostan is an original hand-watercolored etching on ivory paper realized by Jean-Baptiste Le Prince in the late 18th Century.
In ve...
Category
18th Century Art
Materials
Etching, Watercolor
Battle Scene - Etching by Johan Christian Rugendas - 18th Century
Located in Roma, IT
Battle Scene is an etching artwork realized by Johan Christian Rugendas (1706-1781). Edition d'Apres George Philip Rugendas (1606-1742).
Signed on the plate.
Good conditions and ag...
Category
18th Century Art
Materials
Etching
18th Century, Antique Oil Painting, Old Master. Portrait of Mother with child.
Located in Berlin, DE
18th century, antique painting, oil on canvas, old master. Mother with child.
Relined canvas.
Stretcher frame also renewed.
Artist unknown.
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
Vienna, Austria; Wienn in Osterreich
Located in New York, NY
Published by Probst, Johann Friedrich, 1721-1781 Augsburg.
Copper etching print; hand-colored; - condition: Printed on 2 sheets joined together; size (in cm) 38 x 104; Large and very decorative view of Vienna with numbering of the important houses and buildings.
The Werner / Probst views are distinguished by the their large size that allows considerable architectural and landscape detail, extending to the delineation of farm buildings, boats and individual trees. Each includes a numbered key identifying important sites and buildings.
Friedrich Bernhard Werner was a German printmaker, draftsman and writer of chronicles; Bénézit states he was born in Reichenau, other sources indicate Silesia. As a young man he lived an itinerant and rather bohemian existence as a writer, translator and working in theater. Eventually he settled in Augsburg, where he drew views for the publishing houses of a Martin Engelbrecht...
Category
18th Century Art
Materials
Etching
Attributed to C. W. E. Dietrich, Pendant Window Paintings, Oil on Wood
Located in Greding, DE
Pendant window pictures attributed to Christian Wilhelm Ernst Dietrich, called Dietricy (1712 Weimer - 1774 Dresden).
Typical genre depiction of two pretty young ladies leaning out of arched windows. Both ladies are shown open-hearted with white blouses. One painting shows a lady with a red hair band and red cheeks leaning on a low railing and looking at the observer with a slightly glassy gaze. The window opening is framed with vine tendrils and a Mediterranean potted plant on the left edge of the painting.
The other painting shows a young beauty with flowers in her hair, leaning loosely out of a window opening with a relief depiction of putti and the same green vine leaves. A red velvet...
Category
Baroque 18th Century Art
Materials
Wood, Oil
Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
Category
Academic 18th Century Art
Materials
Engraving