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Giuseppe VasiArtificial Fire Machine - Etching by Giuseppe Vasi - 17761776
1776
About the Item
Artificial Fire Machine is original etching realized by Giuseppe Vasi.
Original Title from Italian: Palace with loggia for the drawing of the lottery numbers
Beautiful Artist's Proof, representing the apparatus for firework built in occasion of the Feast of S. Peter and Paul (June 29th 1776) by Paolo Posi. The subject of this wonderful etching and Burin is a Magnificent Palace with a Loggia for a drawing of the lottery numbers. The machine is engraved by Giuseppe Vasi. Signed on plate lower margin. Original Title with a detailed capture under the image. In Very Good condition and aged.
Ref: G. Sassoli, Apparati architettonici per fuochi d'artificio, 1994, p. 158, n. 100.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome. Among his students, there was Giovanni Battista Piranesi. Vasi's goal was to represent the Rome of his time. Vasi studied architecture as well so that he was able to represent the monuments of Rome with precision and in much detail.
- Creator:Giuseppe Vasi (1710 - 1782, Italian)
- Creation Year:1776
- Dimensions:Height: 22.25 in (56.5 cm)Width: 16.54 in (42 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:1770-1779
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Giuseppe Vasi
Giuseppe Vasi (1710-1782) was an Italian engraver and architect, best known for his illustrated 'Vedute Roma Antica' (views of ancient Rome), published from 1746 to 1761. Among his pupils was Giovanni Battista Piranesi. Piranesi worked together with him on the Vedute and some are signed both by Vasi and Piranesi. The two disagreed on the movement during their time to denigrate the work of Baroque architects, such as Bernini and Borromini. Vasi favored the more modern architectural approach approach and Piranesi favored the more classical architecture. They often had extreme disagreements and reportedly Piranesi threatened to kill his teacher.
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