1970s Art

Pencil signed on recto and verso. Excellent shape.

mixed media on paper

’Waterfall’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 8 out of 10. Colour of print may not be accurate when vi...

Warhol superstar Joe Dallesandro photographed nude for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x 14 inch silver gelatin exhibition phot...

Chiapas I. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who ...

Texas Swing Luis Alfonso Jimenez 1940-2006 Stone Lithograph Edition of 50 Artist Proof 24 x 18 inches Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Victor Vasarely Kinetics 3 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

Fashion Forecast: The beautiful hippies—Pilar Crespi in fringe; Marisa Berenson and the one-strap shoulder bag . . . The new fur-lined coat- double-faced mink, printed on the hide side. The London Bit—clothes from England's bright young designers worn by Natalie Wood; Lesley Paterson; Jane Birkin; Virginia Grose: Mrs. Peter Blond . . . The great wrap-ups in printed silk with fringe; fur with tails . . . New snake looks, real or printed . . . Fez embroideries; Gypsy flounces; Crocheted-looking crochet . . . Indian jodhpurs and midi pants. Suedes and Spanish leathers . . . Fringe on everything . . . Mini, midi, and maxi looks--plus boots for every length. ~ 40 pages of fashion editorials featuring models and actresses Pilar Crespi, Marisa Berenson, Lynn Sutherland, Cynthia Korman, Ann Turkel, Marisa Berenson, Natalie Wood, Lesley Patterson, Elizabeth, Princess of Toro, Benedetta Barzini, Charly Stember, Mouche, Editha Dussler, Birgitta af Klercker, Françoise Rubartelli, Marsha Hunt...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...

Slim Aarons Snorkeling Holiday (Turks and Caicos), 1975 Chromogenic lambda print A snorkeling holiday in the Turks and Caicos Islands in the Caribbean, circa 1975. Estate stam...

Jack Mitchell mid-20th Century beautiful nude photograph of ballet and Broadway dancer Jeremy Blanton in 1972. Blanton was a spectacular dancer in numerous international ballet compa...

“Spring In The Canyon” oil on linen canvas, signed and dated 1970 lower right corner. Hans Burkhardt (1904-1994) Canvas: 32”H x 42”W. Artist f...

Backyard II Lithograph, 1972 Signed lower right Signed lower right Annotated: Printer's Proof Reference: Karl Lunde 58 An impression is in the collection of the Art Institute of Chic...

Vola is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida (1992 - 2017). Original Etching and Drypoint. Hand-signed, dated, numbered on the lower ma...

Antonio Sala Herrero (1927-2012) - Sant Feliu de Guixols - Oil on canvas Oil measures 50x61 cm. Frame measures 61x72 cm. Sala Herrero, Antoni, Barcelona-...

Joan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...

Large, signed, oil-on-canvas, still life by celebrated, internationally exhibited French artist, Roger Muhl (1929-2008). His first showing was in 1960 at la “Galerie de Paris”, Franc...

Artist: Jacqueline Debutler, French (1928 - ) Title: untitled Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition...

Elisabeth Frink's work is held in numerous museum collections including The Tate Modern (London) and The National Portrait Gallery (London). The artist's contribution to public art i...

Roberto Matta Title: DROITES LIBÉRÉES, 1971 Aquatint on Japan paper Signed and numbered in pencil, edition 13/100 43 x 32 cm Published by : Editions Georges Visat Printed by : Atelie...

The Solitude is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Signed in pencil on lower right margin, as the pencil inscription reports on the lower left margin "E.A 7 /5". From an edition of 10 prints. In good condition. Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990). Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Hand-Signed in pencil on the lower right margin, artist's proof, as the pencil inscription reports on the lower left margin "E.A. In good condition Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990) Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Hand-Signed in pencil on the lower right margin, artist's proof, as the pencil inscription reports on the lower left margin "E.A, 2/5 edition. In good condition Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990) Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

André MASSON (1896-1987) The enigma, 1975 ink drawing Dimensions: 47.8 x 35cm Signed lower right Provenance: Louise Leiris Gallery, Paris Paper in perfect condition. FREE period ...

Signed lower right, 'Jasper Jackson' (American, 20th century) and painted circa 1975. Titled, verso, 'Opus 8'. A substantial and period, American mid-c...

Bernard Buffet -- Le Grand Canal de Venice ( The Grand Canal, Venice ), 1979 Screen print on Tapestry Signed on the back, dated 1979 Edition 137/200 Signed, titled, dated and number...

Coral 27 is an original hand drawn lithograph by the NY woman artist, Joan Melnick. Inspired by the fragile beauty of reefs with their exotic forms and vibrant colors, Coral 27 is an...

Spoleto is an Original Lithograph realized by Fritz Baumgartner in 1972. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower margin. Limi...

The Popess is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. H...

Paper Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Image Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Very large advertisement poster created by Mobil for the promotion of the exhibit 'Greek Art...

Slim Aarons Capote's House Slim Aarons Estate Edition American writer Truman Capote's house in Palm Springs, California, January 1970. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer shipping to your framer, worldwide. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic Lambda print from the original transparency Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Internal: Vintage Literary photography, vintage writers, vintage glamour, vintage breakfast...

Nude is a Hand-colored etching artwork, realized in 1974 by Sergio Barletta. Hand-signed on the lower right in pencil. numbered in Roman numerals on the lower left, from the editi...

At the beach is an artwork realized by Aldo Riso. Mixed colored tempera and watercolor painting. Titled on lower left. Frame included: 70.5 x 91.5 cm This beautiful mixed media...

Trampled is an original artwork realized in the half of 20th century by Mino Maccari. Pen drawing on paper. Hand signed on the lower right margin. Included an elegant gilded frame....

Le Monde is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. Han...

Graham Sutherland (1903-1980) Due Acqueforti 1973 Etching: H/C Image: 28.0 x 23.0cm Hors d'Commerce or HC, it means this print was destined for promotional use, most commonly as a s...

Josef Albers (1888-1976) born in Bottrop, Germany, enrolled at the Bauhaus - the recently founded school of art, architecture, and design in Weimar, Germany - in 1920. Placing equal ...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Lithograph Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Dedicated proof LCD5989

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 18/50. Numbered and firmed by the artist in the lower margin. Good condition...

Clarté by Mark Tobey is a characteristically delicate, abstract composition of swirling green and black curls. The gentle movement of his mark-making suggests a natural form such as ...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 25/50. Numbered and firmed by the artist in the lower margin. Good condition...

Navona Square - Rome is an artwork realized by Giuseppe Malandrino . Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered on the lo...

Jack Mitchell vintage mid-20th Century nude photograph of Dutch dancer Steven Jan Hoff. Copyright Stamped 1972. Photo taken for the iconic 1970's entertainment publication After Dark...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...

Karl Korab Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924...

Engraving Handsigned by the artist in pencil and numbered 22/25 86.50 cm. x 38.00 cm. 34.06 in. x 14.96 in. (paper) 56.50 cm. x 20.50 cm. 22.24 in. x 8.07 in. (image) Arches Paper ...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm, no frame. Edition 26/50. Numbered and firmed by the artist in the lower margin. Good conditions...

Woman is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is...

Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 17.25 x 12 inches An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...

The Stars is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. Ha...

Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 13.25 x 19.75 inches A atmospheric, sugar-...

Artist: Dali, Salvador Title: Rosa et Morte Flariscens (Roses of Memory) Series: Florals - Surrealist Flowers Date: 1972 Medium: Lithograph Framed Dimensions: 37" x 29" Signatu...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 23/50. Numbered and firmed by the artist in the lower margin. Good condition...

Petite Spirale, 1976 Lithograph in colors, on wove paper, the full sheet Published by Maeght Editeur, Paris 21 7/10 × 30 3/5 inches (55.2 × 77.8 cm) Signed and numbered in pencil...

Oil paint on canvas Hand-signed lower right by the artist