1980s Art

Modern surrealist landscape drawing by contemporary Houston artist Scott Woodard. The work features an amorphous magenta shape floating in an abstract desert landscape. Signed and da...

Artist: Doug Webb, Turkish (1946 - ) Title: Faucet Year: 1985 Medium: Serigraph, signed and numbered in pencil Edition: AP 75 Size: 29.5 in. x 36 in. (74.93 cm x 91.44 cm) Frame: 31 ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Danse Pantomime 1982 pencil signed, limited edition silkscreen 112/150 Theo Tobiasse was born in Israel in 1927 to Lithuanian parents. Due to financial ...

Poseidon ( Neptune ) is a rare Salvador Dali original lithographic poster published by Arte, Paris 1980 for the exhibition of his suite ” The Mythology ” . This series has 16 i...

LIGHT OF DISCOVERY is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. LIGHT OF DISCOVERY is a surrealist composition portraying a surreal landscape scene featuring a full, dark brownish black leafy tree positioned on stage like floor beside a single concrete sphere...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 6 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 3 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Angel Gabriel) Year: Circa 1980 Medium: Ink on heavy archival paper Size: 18.5 x 22 inches Condi...

Artist: Tito Salomoni (1928 - 1989) Title: Life's Souvenirs Date: 1984 Medium: Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame...

Gauguin David Bumbeck, American (1940) Date: 1983 Etching, signed, numbered, dated, and titled in pencil Edition of 41/100 Image Size: 14.5 x 17.5 inches Size: 19 x 22 in. (48.26 x 5...

Artist: Roberto Matta (Chilean, 1911 - 2002) Title: Untitled 5 Portfolio: Hom'mere V - N'ous Date: 1985 Medium: Etching and aquatint, signed and numbered in pencil Edition: 29/100 Im...

Last News is an original Collage and pen realized in 1981 by Italian Artist Sergio Barletta. Hand-signed on the lower right and dated on the lower left and titled on the lower cent...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Strange Rider from Carnival of St. Petersburg Suite Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 30...

Artist: Clayton Anderson – American (1943- ) Title: Landscape With Two Spheres Year: 1989 Medium: Liquitex with Polymer on 300lbs Arches Sight size: 10.5 x 16.5 inches. Sheet size: 19.5 x 25.5 inches Framed size: 22.5 x 28.5 inches Signature: Signed lower left in image and incised lower left of sheet Condition: Very good Frame: Framed in original maple frame. Frame in fair to good condition The painting is in very god condition. The frame is in fair to good condition with some scratches on the side bars. Clayton Anderson is a surrealist painter and a prominent member of the California Visionary Artists Group. He has been on the spiritual path his entire adult life. The quiet meditative quality that permeates his work is a genuine expression of his transcendental quest. He studied art at the Pennsylvania Academy of Fine Arts and worked with Ben Kimihira, Walter Stuempfig...

Artist: Tito Salomoni (1928 - 1989) Title: Life's Souvenirs Date: circa 1980 Medium: Oil on Canvas, signed lower left Size: 20 x 20 in. (50.8 x 50.8 cm) ...

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Las Victimas Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 50 Paper Size: 52 in. x 35 in. (1...

Artist: Jose Luis Cuevas Title: Justine y el Marquez de Sade from the Intolerance Portfolio Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 50 Paper...

Corneille Japanse Interior, 1988 Original lithograph Handsigned Justified EA On vellum 40 x 28 cm (c. 16 x 11 inch) Excellent condition

Title: Mujer en Azul Date: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 100 Dimensions: 30 x 22 inches

Surrealist landscape of South Texas. The subject matter is a cigar that is suppose to look like a bull with a crop duster in the background. The drawing is done in graphite with brig...

Man Ray Jan Peter Tripp German (1945) Date: 1989 Etching, signed and numbered in pencil Edition 86/95 Image Size: 20.75 x 26.5 inches Size: 28 x 32.5 in. (71.12 x 82.55 cm)

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Derrick Latimer Sayer (British: 1917-1992) Rabbits for Beverly Nichols...

Salvador DALI Tienta en Espana, 1983 Lithograph and embossing after an etching Printed signature in the plate On Arches vellum 30 x 37" (74 x 93 cm) REFERENCES : Field 67-2 (editio...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Untitled Medium: Serigraph on Japon, signed and numbered in pencil Edition: 13/225 Image Size: 20 x 17 inches Size: 30 in. x 21 in...

Woman playing tennis, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of​ the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 she won the first prize of a painting of the City of Castelldefels, and the following year she debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. He won the first prize of the International Painting Competition of Pollença (Mallorca) in 1985, and the following year he took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. Sabala continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 she debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks​, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey...

Corneille Tribute to Mozart : Firebird, 1991 Original lithograph Handsigned Numbered EA /30 On vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey...

Woman in the chair, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 he won the first prize of a painting of the City of Castelldefels, and the following year he debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. Sabala won the first prize in the International Painting Competition of Pollença (Mallorca) in 1985, and the following year she took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. He continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 he debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

Shipping should be around $100 - Signed, dated, numbered 3/15, lower right, unframed, other sizes available, printed later Mitchell Funk is a pioneer of Sci-fi and did a lot of wor...

Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...

Graphisms & 3. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Artist: Chaz Guest, American (1961 - ) Title: Billie's Trio Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 350, AP 35, PP 8 Size: 29 in. x 42.5 in. (73.66...

Shipping should be around $100 - Signed, dated, numbered 3/15, lower right, unframed, other sizes available, printed later Mitchell Funk is a pioneer of Sci-fi and did a lot of wor...

Bizarre scene of Lady in bed dreaming socially diverse erotic activities.

Graphisms & 2. 1980, paper, silk screen, 15x21 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Payaso (Yellow) Year: 1980 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 60, AP Size: 22.5 x 32 in. (57.15 ...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Harlequin Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 68/78 Image Size: 18 x 25 inches Size: 21.5 x...

Artist: Jean Michel Folon, Belgian (1934 - 2005) Title: Editions Lahumiere Year: Circa 1980 Medium: Serigraph on Arches Paper Paper Size: 29.5 in. x 39.5 in. (74.93 cm x 100.33 cm)

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Legacy from Historia de Don Quichotte de la Mancha Year: 1981 Medium: Etching on Arches, signed and numbered in pencil Edition:...

Graphisms & 4. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Artist: Rufino Tamayo (Mexican, 1899-1991) Title: Salome Year: 1983 Medium: Color Lithograph, signed and numbered in pencil Edition: 250, 10 AP, 5 HC Size: 30 x 22 in. (76.2 x...

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

From Historia de Don Quichotte de la Mancha. Edition: 73/300. Authenticated by Albert Field on verso. Sheet size: 29.875 x 22.125 inches. Image Size: 15.75 x 17.5 inches. Frame size...

Théo Tobiasse Title: C'est un train portant un parfum d'odalisque Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : E...

Artist: Jean-Michel Folon, Belgian (1934 - 2005) Title: 1988 Flag Series - United Nations Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 51/750 Size:...

Théo Tobiasse Title: Le Sacrifice d'Abraham Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Artist: Italo Scanga, Italian (1932 - 2001) Title: Gaspara Stampa Year: 1982 Medium: Woodcut on Japon, Signed and numbered in Pencil Edition: 20 Paper Size: 30.5 x 20.5 inches [77.47...

The Journey to India Jan Peter Tripp German (1945) Date: 1986 Etching, signed, numbered, dated, and titled in pencil Edition of 46/300 Image Size: 15 x 18 inches Size: 21.5 x 24.5 in...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Payaso (Red) Year: 1980 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 60, AP Size: 22.5 x 32 in. (57.15 x 8...

A POINT OF HONOR is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. A POINT OF HONOR is a surrealist composition portraying a curious interior scene featuring a full green leafy tree positioned behind a floating concrete sphere...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Payaso (Blue) Year: 1980 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 60, AP Size: 22.5 x 32 in. (57.15 x ...

Titled and described by the artist verso Colored pencil on raw sienna laid rag paper

Great American Landscape I Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 25.5 x 21 inches Size: 29 in. x 24 in. (73...

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...