1990s Art

Silkscreen. Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.

Eric Rhein “Viral Structure” 1999 Accompanied by a certificate of authenticity Wire, paper, and found objects 18 x 34 x 14 inches (45.7 x 86.4 x 35.6 cm) 61 x 38 x 18 inches (154...

Landscape is a very colorful artwork realized by Martine Goyens in the late 20th Century. Digigraph print, retouched and colored by hand. Hand-signed. Good conditions. The artwor...

Paper Size: 11 x 7.5 inches ( 27.94 x 19.05 cm ) Image Size: 11 x 7.5 inches ( 27.94 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Silkscreen printed on heavy ...

Buckingham Palace Garden Party England 1985 by Homer Sykes oversize 40 x 30 inches / 101 x 76 cm paper size signed limited edition print edition of 5 on...

Restaurateur Sirio Maccioni at his villa in Montecatini, Italy, July 1991. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons ...

Delicate drawing of a woman by Palo Alto artist Marilyn Thompson (American, 1927-2015). A woman wearing a pink vest and her hair pulled back sits looking to the viewer's right. She is rendered in loving detail, with smooth shading and glowing highlights. Of particular note are the details in her hair, jewelry, and folds of her skirt. Signed and dated in the lower right corner. Acquired with a collection of her work. Presented in a new white mat with foam-core backing. Mat size: 26"H x 24"W Paper size: 23.75"Hx 19.75"W Marilyn Thompson (American, 1927-2015) was born in Santa Paula. California. She received an art degree from San Jose State in 1950, after which she worked for H. M. Gousha, for whom she drew many illustrations of missions and other California sites. From the mid-1970s on, she did freelance drawing and painting, with lots of commercial work (pamphlet illustrations, posters, custom birthday cards...

31" in height roughly 12-15" wide Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Adigio Benitez (Cuba, 1924-2013) 'Cara de Luna', 1996 lithograph on paper 26.4 x 20.1 in. (67 x 51 cm.) Edition of 19 ID: BEN-201 Unframed

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mou...

Silkscreen. Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.

A Very Short Version of his Story 1999 Signed, titled, dated twice, and inscribed in black ink, recto; Also signed, dated, and inscribed in black ink, verso Gelatin silver print 1...

Colored ink marker on paper

Greetings, 1992 Photograph 10.25 h × 7.5 w in (26 × 19 cm), Frame 11 x 8 inches Photo mounted to foamcore and framed behind acrylic Hand signed and dated 'Rimma and Valeriy 1992'; Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Corneille Little Clown in Red and Yellow Original lithograph Handsigned Justified EA On vellum 40 x 31.5 cm (c. 16 x 12.5 inch) Excellent condition

Art Sz: 6 1/4"H x 22 3/4"W Frame Sz: 17"H x 39"W Watercolour depicting a Glitter Bay beach house on Barbados by Clairmonte Mapp '92 custom framed wit...

Silkscreen. Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006

By the lake. 1992. Paper/watercolor. 84x59.5 cm. Malda Muizule Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957)....

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Millennium is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors. Is an interpretation of the world approac...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Eric Rhein “Leaf Winged Male” 1999 Signed, verso Wire, paper, and found objects 26.25 x 21 x 3.25 inches (53.3 x 8.3 cm), framed This work is offered by CLAMP in New York City.

Original vintage London Underground poster for Highgate Cemetery Swains Lane N6 nearest station Archway. Stunning artwork depicting a peaceful heads...

Eric Rhein “Fig. 9.4” 1998 Signed, verso Wire, paper, and found objects 19 x 17.5 x 3 inches (48.3 x 44.5 x 7.6 cm), framed This work is offered by CLAMP in New York City.

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Elaine Kaufman Feiner (1922-2018) "February" 1999 Oil pastel on paper 40"x30" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse

Ann Miller in Follies Broadway Musical Contemporary Drawing Illustration Eloise Ann Miller in Stephen Sondheim's "Follies." The 1998 production, played at the Papermill Playhouse. Affixed to the back of the drawing is a brochure promoting the show. Mixed media on paper. Signed lower left. Inscribed lower right: "Ann Miller at 75 'I'm Still Here' in Stephen Sondheim's 'Follies' 1998." Framed. 17 x 12 in. (sight). 22 1/2 x 17 1/2 in. (frame) 'Tops in Taps' Ann Miller was still going strong at 75 years old when she made her last appearance in the musical, "Follies." She was one of M.G.M's most prolific dancers and considered by many to be the greatest female tap dancer of all time. Hilary, a friend of many years, is still going strong at 96. We saw this production at the Papermill Playhouse. Years ago, I was a press agent working in Henry Luhrman's office where we represented "Sugar Babies" with Ann Miller and Mickey Rooney. Bio Hilary Knight (born November 1, 1926) is an American writer-artist who is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series. Knight has illustrated for a wide variety of clients, creating artwork for magazines, children's fashion advertisements, greeting cards, record albums and posters for Broadway musicals, including Gypsy, Irene, Half A Sixpence, Hallelujah Baby! and No, No Nanette. The son of artist-writers Clayton Knight...

Aluminum

Artist: After Pablo Picasso (1881-1973) Title: Marie-Thérèse considérant son Effigie surréaliste sculptée (after Bloch 187) Year: 1992 Medium: Reproduced from the original edition us...

Steel and acrylic lacquer paint. Joseph Slusky's painted steel sculpture "Zongo" prominently features a circle and exuberant wave form among the angles, but look closer and you'll a...

Aluminum

Robert Stackhouse Inner Soundless Lithograph on grey Rives BFK Year: 1992 Size: 20.25 x 26 in Edition: 75 Signed and dated in pencil R Stackhouse 92, lower middle Blind stamp and Veda Ozelle's blind stamp, lower right Printer: Tamarind Institute Ref.#: #92-315 Internal Ref.#: 924802-912 ------------------------------------- Robert Stackhouse (born 1942 in Bronxville, New York, United States) is an American artist and sculptor Stackhouse graduated with a bachelor's degree from the University of South Florida in 1965. He later earned a master's degree at the University of Maryland, College Park in studio art. USF's Contemporary Art Museum contains an archive of his work, with copies of all of his prints over the course of his career. A-frames are a frequent theme in the artist's paintings and sculpture. Ruby's Heart, in the collection of the Honolulu Museum of Art, is an example of this recurring minimalist subject. Stackhouse's work has been featured in one-man exhibitions in museums such as the Corcoran Gallery of Art in Washington, D.C., and his work has been compared to that of Harriet Feigenbaum. The artist Mary Beth Edelson...

Acrylic on paper, Framed 42 x 42 x 3 cm Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

Sergii Druziaka and Sergii Litvinov. ART tandem "Still life. Pans."

OIl on paper mounted on canvas

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: PP 14/30 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: ...

Acrylic on paper, Framed 42 x 42 x 3 cm Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

Sergii Druziaka and Sergii Litvinov. ART tandem "Spring"

"Untitled" is an abstract steel sculpture on a wood base by New York based contemporary artist John-Paul Philippe. The artist was born in 1955 and began his career as a painter.Due t...

Foro Italico 1995 Signed, titled, and dated in blue ink, verso Gelatin silver print 13.5 x 8.875 inches (34.3 x 22.5 cm), image 14 x 10.875 inches (35.6 x 27.6 cm), sheet This wo...

Rufino Tamayo (Mexico, 1899-1991) 'Luna Llena', 1990 lithograph on paper 37.6 x 31.5 in. (95.5 x 80 cm.) Edition of 45 Unframed

Etching

Sergii Druziaka and Sergii Litvinov. ART tandem "March"

Sergii Druziaka and Sergii Litvinov. ART tandem "Field of cropped sunflowers."

"My paintings have a very simple vocabulary: I call the rectangles either prisons or cells, and they’re connected by lines that I call conduits. For whatever reason, ever since I was...

Flowers is a very colorful artwork realized by Martine Goyens in the late 20th Century. Digigraph print. Hand-signed. Good conditions. The artwork id depicted through confident s...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Corvette in the desert - Signed limited edition archival pigment print - Edition of 5 Arizona 1998 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted) : 35 x 52 cm / 13,78 x 20,74 in. - Edition of 5 50 x 75 cm / 19,68 x 29,53 in. - Edition of 5 67.5 x 101.6 cm / 26,37 x 40 in. - Edition of 5 Geoff Halpin...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Landscape is a very colorful artwork realized by Martine Goyens in the late 20th Century. Digigraph print. Hand-signed. Good conditions. The artwork id depicted through confident...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Dale Eldred River Vectors Hand-colored photo mechanical print Year: 1991 Size: 31.75 x 24.25 inches Edition: Unique Framed; classic silver Signed, dated an...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure, Buveur et Femmes (after Bloch 200) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone...

Canyon Country by Lu Haskew Pastel 16x20" image size Landscape view of the Grand Canyon ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Wonderful woodblock print titled "Weaving" by Aptos, California artist Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004), circa 1990. Signed "Virginia" bottom rig...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Cirque du Soleil n.27 is a contemporary artwork realized by Sergio Barletta in 1995. Hand Signed on the lower margin. Mixed technique and collage on...