Robert Stackhouse

Inner Soundless

1992

Ronald King Trooper II Year: 1970 Color Lithograph Size: 27.5x20.5in Edition: 50 Signed, inscribed and numbered by hand COA provided Ref.: 924802-1359 Bor...

Andrzej Zielinski Screen Saver Year: 2017 Lithograph Edition: 25 Paper: Rives BFK, White Paper Size: 28.25 x 23.5 inches Image Size: Same Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...

Joan Miró Litografia Original I Color Lithograph Year: 1975 Size: 12.5 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Maeght Editeur, Paris...

Grafica '68 (Partial) Portfolio containing 3 (three) lithographs and etchings Originally issued with 10 Lithographs, Silk Screens and Etchings, of which 7 (seven) are missing Year: 1968 Edition: 100 Size: 17.6 x 23.6 in. or 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signatures: Sheets signed and numbered by hand Comes with folio box and individual artists' presentation sheets. --------------------------------- Artists works included: RENZO VESPIGNANI "Report on the artist" Year: 1968 Medium: Lithograph in two colors Edition: 100 Size: 17.6 x 23.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: RVE_1909_01 LUCIANO DE VITA "Le cavalier inconnu" Year: 1968 Medium: Etching Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: LDV_1909_01 PIERO GUCCIONE "Images" Year: 1968 Medium: Lithograph in four colors Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy Signed and numbered Ref: PGU_1909_01 ======================= Renzo Vespignani was an Italian painter, printmaker and illustrator. Vespignani illustrated the works of Boccaccio, Kafka and T. S. Eliot, among others. In 1956, he co-founded the magazine Citta Aperta and in 1963, co-founded the group II Pro e II Contro for neorealism in figure art. ---------------- Luciano De Vita ( Ancona , 1929 - 1992 ) was an Italian painter , engraver , set designer and lecturer . Born in Ancona, De vita arrived in Bologna in the first post-war period, after having actively participated in the Second World War and having suffered the dramatic consequences. He attended the Academy of Fine Arts and was a pupil of Giorgio Morandi. From 1962 he taught in Milan at the Brera Academy , while in 1975 he returned to Bologna where he obtained the same chair of engraving that had been Morandi's from 1930 to 1956 . De Vita also actively dedicated himself to the theater , overseeing sets and costumes for shows that were also staged at La Scala in Milan. An example is the Turandot curated by Raoul Grassilli. ---------------- Emilio Vedova (9 August 1919 – 25 October 2006) was a modern Italian painter...

Joan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...

Andrzej Zielinski Purple Laptop Year: 2016 Color Lithograph/Collage Edition: 7 Papers: Okawara, Indian handmade cloth fiber paper, Rives BFK Paper Size: 30 x 20 inches (irregular) Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...

’St Francis in the Wood’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 740mm x 500mm Date - 1979 Condition - 9 Colour of pr...

’Eugene Onegin’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - 27/60 Size - 515mm x 610mm Date - 1996 Colour of print may not be accurate when...

This piece is from my private collection and is a limited edition numbered and signed by the artist. This artist is also very much known for sculpture, he followed the teachings of A...

Original Lithograph signed by the artist and numbered 156/200, and is a limited edition. Ralston Crawford was born in Saint Catherine's , Ontario in 1906. He came to the U.S. in 1910...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Lithograph on Black Fabriano paper. Signed by the artist and dated 1970 lower right in pencil; numbered 59/68 lower left in pencil. This electric blue image of a neon sculpture was d...