19th Century Art
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Period: 19th Century
Artist: Honoré Daumier
A DIAMOND HYPNOTIST - Le Diamant Magnetiseur
Located in Santa Monica, CA
HONORE DAUMIER (1808 - 1879)
LE DIAMANT MAGNETISEUR.....1859 (DR 3227 iii/iii: LD 3227)
Original lithograph 9 1/2 x 11 incl. text. Published in Le Chariv...
Category
Barbizon School 19th Century Art
Materials
Lithograph
"Caricatura Robert Macaire Negociant, " Lithograph by Honore Daumier
Located in Milwaukee, WI
"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837.
Original Text:
Robert Macaire, Négociant.
Hé bien ! Monsieur Macaire, v...
Category
Victorian 19th Century Art
Materials
Lithograph
"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203, " a Lithograph by Honore Daumier
Located in Milwaukee, WI
"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203" is a 2nd state lithograph by Honore Daumier. Daumier initialed the work in the lower left corner. It depicts a man and a woman sitting at a tabl...
Category
19th Century Art
Materials
Lithograph
Monsieur Par suite De La Fusion... - Lithograph by H. Daumier - 1845
Located in Roma, IT
Image dimensions: 23 x 19 cm.
Monsieur Par suite De La Fusion... - From “Les philanthropes du jour” is an original artwork realized by Honoré Daumier in 1845/46.
Original complete ...
Category
Modern 19th Century Art
Materials
Lithograph
"Le Nouveau Costume Des Cochers-Actualites, " Lithograph by Honore Daumier
Located in Milwaukee, WI
"Le Nouveau Costume Des Cochers-Actualites" is an original lithograph by Honore Daumier, the third of three states. It depicts two carriage drivers passing each other.
Artwork Size: 8 3/4" x 11"
Frame Size: 18" x 20 1/2"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
Victorian 19th Century Art
Materials
Lithograph
"Robert Macaire Commis Voyageur, " Original Lithograph by Honore Daumier
Located in Milwaukee, WI
"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation.
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 3/4" x 18 1/2"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
Victorian 19th Century Art
Materials
Lithograph
Saved from Drowning
Located in New York, NY
Honore Daumier (1808-1879), [Saved from Drowning], lithograph, plate 7 from the series Les Canotiers Parisiens, a sur blanc impression from the album, with...
Category
Realist 19th Century Art
Materials
Lithograph
Hand-colored Lithograph Signed Death Dark Imagery 1800's Historical Old Master
Located in Milwaukee, WI
"Histoire Ancienne (Plate No. 49), La Mort de Sapho 2nd State (rare) Delteil #973" is a hand-colored lithograph by Honore Daumier. The artist signed the image lower right. It depicts...
Category
Romantic 19th Century Art
Materials
Lithograph
The Bluestocking’s Husband
Located in New York, NY
Honore Daumier (1808-79), The Bluestocking’s Husband, plate 46 from the series Moeurs Conjugales, published in 1842 in Le Charivari, and in the Album Moeurs Conjugales in 1843; an im...
Category
Realist 19th Century Art
Materials
Lithograph
Untitled (Study of a Lawyer)
Located in Fairlawn, OH
Unsigned
Provenance:
FAR Gallery, New York, NY
Private Collection, New Jersey
Reference and Notes:
Daumier was a prolific draftsman. This drawing of a lawyer was once part of a...
Category
Impressionist 19th Century Art
Materials
Charcoal
"Deux Ex Capacites de l'Ancien Regime-Profils Contemporains" by Honore Daumier
Located in Milwaukee, WI
"Deux Ex Capacites De L'Ancien Regime-Profils Contemporains #1" is an original lithograph on Sur Blanc (white woven) paper by Honore Daumier. It depicts ...
Category
Victorian 19th Century Art
Materials
Lithograph
"Robert Macaire Banquier et Jure, " Original Lithograph by Honore Daumier
Located in Milwaukee, WI
"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari)
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 5/8" x 19"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
Victorian 19th Century Art
Materials
Lithograph
"Ce Matin Avant l'Aurore, " Original Lithograph Genre Scene by Honore Daumier
Located in Milwaukee, WI
"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three.
Original Text:
Ce matin, avant l'aurore,
Un Dieu vint me réveiller ;
Il me dit : tu dors encore…
Est-il temps de sommeiller ?
De ton Papa c’est la fête,
Fais lui quelque don flatteur
En lui posant sur la tête
Une Couronne de fleurs.
Translation:
This morning before dawn
A God came to wake me up
The curtains they were drawn
And my snoring had to stop
It is your daddy's birthday,
A time for gifts and flowers
To be placed on his head so gray
Instead of his morning showers.
Artwork Size: 9 1/4" x 9 1/4"
Frame Size: 20 1/2" x 17 5/8"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
Old Masters 19th Century Art
Materials
Lithograph
Oursikoff - including a copy of the Journal in which it appeared
Located in New York, NY
Honore Daumier (1808-1879), Oursikoff, lithograph, from Actualities, Plate number 72, published in Charivari, 1854. Reference: Daumier Register 2519, second state of two, a newsprint...
Category
Realist 19th Century Art
Materials
Lithograph
La fortune fait oublier les amis
Located in New York, NY
Honore Daumier (1808-79),La fortune fait oublier les amis,lithograph, plate 31 from the series Caricaturana, published in Le Charivari in 1837; later in Alb...
Category
Realist 19th Century Art
Materials
Lithograph
Monsieur - Here's Your Handkerchief
Located in New York, NY
Honore Daumier (1808-1879), Monsieur – Here’s Your Handkerchief, lithograph, 1842. Daumier Register 670, third state (of 3), sur blanc, plate 47 from the series Moeurs Conjugales, pu...
Category
Realist 19th Century Art
Materials
Lithograph
L'Homme in naturalibus
Located in New York, NY
Honore Daumier (1808-1879), L'Homme in naturalibus, lithograph, from the Robert Macaire 2nd series, plate number 17. Published 1840-41. In generally good condition; a tiny hole lowe...
Category
19th Century Art
Materials
Lithograph
Dup...
Located in New York, NY
Honore Daumier (1808-1879), “Dup…”, lithograph, 1832, from the series Celebrites de la Caricature, plate 171. Reference: Delteil 45, Daumier Register 45, only state. In generally goo...
Category
Realist 19th Century Art
Materials
Lithograph
Les Canotiers Parisiens - Une Rencontre désagréable
Located in Roma, IT
Signed on plate.Original Prints.
From the series “Les canotiers parisiens”, 1843.
Catalogue Delteil N°1034.
Image Dimensions : 20.5 x 27 cm
This artwork i...
Category
Realist 19th Century Art
Materials
Lithograph
Une Navigation Difficile
Located in New York, NY
Honore Daumier (1808-1879), Une Navigation Difficile, lithograph, 1843, plate 6 from the series Les Canotiers Parisiens [with the addresses, text, and Daumier’s initials in the plate...
Category
Realist 19th Century Art
Materials
Lithograph
The Grand Celebrites of France
Located in New York, NY
Honore Daumier (1808-1879), Les Grandes Celebrites de la France, lithograph, 1939, plate 2 from the series Les Saltimbanques, from La Caricature Provisoire (also published later in Le Charivari, 1843). Reference: Daumier Register 620, second state (of 5). With lettering, and the initials (in the plate lower left). Printed on a wove paper. In good condition (formerly folded across the middle, now flattened) , 11 1/2 x 8 7/8, the sheet 13 1/8 x 10 inches.
A very good impression.
An impression of Les Grande Celebrites de la France was shown in the Metropolitan Museum's show Seurat's Circus Sideshow...
Category
Realist 19th Century Art
Materials
Lithograph
Un Homme a La Mer
Located in New York, NY
Honore Daumier (1808-1879), Un Homme a La Mer lithograph, 1843, [with initials in the plate]. Reference: Daumier Register 1036, plate number 14 from the series Les Canotiers...
Category
Realist 19th Century Art
Materials
Lithograph
La Fortune Fait Oblier Les Amis
Located in New York, NY
Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...
Category
Realist 19th Century Art
Materials
Color, Lithograph
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