20th Century Art

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

This painting is signed and dated by Barnabè in the lower right. Barnabè's still-lives of simple everyday objects such as water pitchers, coffee cups, vases and bowls are painted in ...

Rembrandt - Etching - Artist's Mother with her Hand on her Chest: Small Bust . In good condition measures 22x21

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

Portrait of a Seated Lady signed by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 32 x 24 inches provenance: the artists estate, south of France condit...

Leonor FINI (1908-1996) Romeo and Juliet, 1980 Lithograph Printed signature in the plate On Vellum 43 x 36 cm (c. 16.92 x 14.1 in) Excellent condition

Andy Warhol (American, 1928 – 1987) Pecans, circa 1956 Ink offset drawing with some pencil detail Inscribed in the reverse ‘Pecan varieties’ (mirror image) Unsigned. Estate of Andy ...

Original small format poster Affiches Paul Mohr, 1932. Archival linen backed in excellent condition, ready to frame. The rare Paul Mohr posters are incredibly elusive; many have had only one remaining known copy survive. Printing method: Helio-Typo or Typelo. Before television, beautiful lithographs adorn the streets and walls of Paris and other European cities. Art for the street, art for the public. Weather and rain would destroy these works of art by renowned artists, only to be replaced. The artist: Paul Gustave Mohr, a French Avant-garde poster designer from the Art Deco period was born Sept. 4, 1890 in Ham, France and died on April 13, 1959 in Paris. He lived most of his life in Paris, and then settled in the small town of Asnieres, France, just outside of Paris. He attended the Sorbonne University, as well as several art schools. During World War I, he was a pilot in the French Army from 1914-1917. Paul Mohr married Jeanne Levy in 1917 and they had three daughters: Helene, Genevieve, and Jacqueline. As an artist, he designed advertising posters from 1920 to 1940. His posters advertised Wonder cycles, Dainty cycles, Lustucru pasta, Banania sugar, Bremsit brakes, Champigneulles beer, L'Union beer, Dubonnet wine, as well as shoes and ham. This information was provided to me by my mother, Helene Mohr Breitenbucher, who was his eldest daughter. Carol Schuler (granddaughter) Advertising posters, the affiches of Paul Mohr. This is an original advertising poster for the affiches (posters) created by the master artist Paul Mohr (1890-1959). Archival linen backed in very good condition. No stains, no tears, no paper loss. Grade A condition. Ready to frame. Compagnie Nationale des Papier, Paris. The crowd on the street looks up in amazement at the art deco-style images that the artist created. Images on the wall feature incredible image that this artist created such as Lustucru, Amer...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Work on canvas Golden wooden frame 64 x 55 x 5.5 cm

Selected from the Drew Carolan monograph MATINEE All Ages On The Bowery. Shot against a white seamless on the corner of Bleecker St. and Bowery in New York city in 1984 with a Rollei...

Barnstable Bay by Charles Dunlop Tracey (British, 1870-1948) signed oil on canvas, framed framed: 18 x 24 inches canvas: 12 x 18 inches provenance: private collection, UK condition: ...

Paris Ostrich from the Paris In Colour Series 1956-61 By Peter Cornelius 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options avai...

This serene oil painting captures a group of white geese gathered at the edge of a tranquil pond. The artist's use of soft, impressionistic brushwork creates a harmonious blend of wa...

Screenprint Printer's proof aside from main edition of 150 45.5 x 38.2 cm (17.9 x 15 in) Signed, numbered, titled and dated on the front Excellent condition for its age, with vivid c...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 234/275 Publisher : Maeght (Paris) Catalog : [Maeght 1036] 20.00 cm. x 30.50 cm. 7.87 in. x 12.01 in. (paper) 10.00 ...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1918) oil painting on canvas: 20 x 30 inches original antique gilt frame: 23 x 33 inches condition: overall very g...

Appears to be unsigned. Untitled, circa 1970s Oil on Canvas 50" x 40 1/4" In very good original condition. A nice, large, vintage abstract painting full of color.

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Original James Dean, Rebel without a Cause vintage Swiss movie poster. Linen backed ready to frame. Grade A excellent condition. Size: 50" tall by 36" wide. Own a piece of mo...

Portrait of an Elegant Lady in a Red Gown David Junes (French 1874-1938) signed oil on canvas, unframed Canvas : 25 x 14 inches Provenance: private collection, the South of France C...

Francesc Ferret Farreras ”Bruno” (1921-2000) - Sitges Beach - charcoal Measurements drawing 44x59 cm. Frame measures 65x79 cm.

Parrot basket, Wounaan Tribe Darien Rainforest Panama, red, yellow, black, white

Title: French Street Scene with Windmill and Figures in Impressionist Style by Fanch Lel (French b. 1930) Size: 10.5 inches (height) x 8.75 inches (width) Gouache painting on board, ...

Beauty Contest, Harlem, 1963 by Leonard Freed is a 16" x 20" gelatin silver print, signed verso (on back) by the Freed estate. The image appears in Amer...

Rare Limited Edition Serigraph of John Lennon's "Family Tree" drawing, which is peaceful image of John & Yoko at rest. Originally drawn in 1976, this limited edition was released by...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Erwin Blumenfeld, Electa Editrice Portfolios, 1...

"Venezia" Lovely Impressionist oil painting on canvas, depicting this elegant young lady standing on a balcony overlooking the beautiful city of Venice. The painting is signed by it...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 16 x 12 inches Frame measures ...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

Limited edition of 10 Signed by Ian Sanderson lower right and numbered lower left, delivered with certificates of authenticity, Unframed. An original signed archival pigment print on...

Salvador DALI (1904-1969) (after) France : Auvergne, 1969 Lithograph and Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1...

Lithograph realized by Jean Cocteau in 1957. Hand signed and dated in pencil. Out of commerce proof, out of an edition of 90. Includes a wooden frame cm 34.5x26

An image of a young woman on an amusement park ride shot on film by Roberta Fineberg, the portrait was made in New York in the late 1980s a time of innocence and edginess, tenderness...

Impressionist landscape by George Renouard. Beautiful blues and mauves. Oil on academy board. Unsigned. George Renouard, was born in Rochester, New York and lived much of his life ...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

A serene moorland scene with rich hues, misty hills, and a reflective waterway by 20th Century British Artist. Impasto, abstract landscape. Art measures 32 x 12 inches Frame measures 39 x 19 inches This landscape painting depicts a serene, atmospheric scene of a moorland with a reflective body of water winding through vibrant fields. The composition features a soft, diffused light illuminating the middle ground, where golden and green hues contrast with the rich purples and deep earthy tones of the surrounding vegetation. The distant mountains are enveloped in misty blues and grays, adding depth and a sense of vastness to the piece. The artist’s expressive, textured brushstrokes create movement, enhancing the raw beauty of the natural setting. Framed in a neutral, elegant frame, the painting exudes tranquility and captures the essence of the rugged landscape. Born in Birmingham in 1948, Rex Preston...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

The Hilltop Village signed initials by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back gouache painting on artist paper, unframed measures: 8.25 high b...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted on card size: 18.75 x 24 inches condition: very good and ready to be enjoyed provenance...

Barbara Shermund (1899-1978). The Soda Fountain, ca. 1950s. Watercolor and ink on paper, 9 x 12 inches; 13 x 16 inches framed. Signed lower right. Exc...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

Charcoal and watercolor drawing on paper realized by Mino Maccari in the mid-20th Century. Hand signed in pencil. Some minor signs of the time on edgex.

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Summer Meadow Scene with Wildflowers & Trees in a serene English Countryside by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18.5 x 13.5 inches Vintage British 20th Century Oil Signed, unique original, entitled "Heaven in a Wild Flower" Presented in the original vintage frame This original painting by Pamela Derry beautifully captures the serenity of a summer meadow in bloom...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: 'Mediterranee' Medium: ...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph. From the series "Voyeurism " realized by Newton for Playboy magazine.

Lithograph, 1979 Handsigned by the artist in pencil and annotated HC VIII/XIII Publisher : Maeght Éditeur (Paris) Printer : Arte Adrien Maeght (Paris) Catalog : [Mourlot 1180 p. 10...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 2/100 Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : RMM 98 65.50 cm. x 50.00 cm. 25.79 in. ...

Woman Laying, circa 1930-1940, Giorgio Rossi (1894-1981), Tuscan sculptor Period: Circa 1930-1940 Artist: Giorgio Rossi (1894-1981) Material: Terracotta Dimensions: Height 39 cm Scho...

"Couple II" Mid 20th Century Modern Abstract Figurative 1940s European Sculpture Jacques Lipchitz (1891-1973) "Couple II" Bronze signed on the base The sculpture was conceived in 19...

Marie LAURENCIN Rider and dancer, 1949 Color etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11in) INFORMATION : Created by Laurencin and engraved by Lo...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

A beautiful 1930's impressionist oil on board depicting roses and wildflowers in a vase by Italian painter Carlo Marzorati. Excellent quality work which is in very good original con...

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.