C-Mine
View Similar Items
1 of 6
Alexia StruyeC-Mine2020
2020
About the Item
- Creator:Alexia Struye (1977)
- Creation Year:2020
- Dimensions:Height: 23.63 in (60 cm)Width: 31.5 in (80 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Antwerpen, BE
- Reference Number:Seller: AS20/031stDibs: LU134016505342
You May Also Like
- Thomas Demand, Five Drafts (Simulator): Suite of 5 Photographs, Signed PrintsBy Thomas DemandLocated in Hamburg, DEThomas Demand (German, born 1964) Five Drafts (Simulator), 2004 Medium: Suite of 5 digital pigment prints on photo rag paper (each framed) Dimensions: each 28 x 28 cm Framed dimensio...Category
21st Century and Contemporary Contemporary Abstract Photography
MaterialsDigital Pigment
- 《西塞山前》Sone of FishermanBy Fu WenjunLocated in Palm Beach, FLFu Wenjun, 1955, is a famous Chinese contemporary artist. He creates principally through the art media of photography, installation, sculpture and oil painting, and has put forward t...Category
2010s Abstract Abstract Prints
MaterialsDigital Pigment
- Phosphene #20, 2022, digitally handmade print, edition of 3, signedBy Gary CruzLocated in New York, NYPhosphene #20, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28.75" ...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment
- Pupil #1, 2022, digitally made print, edition of 3, signedBy Gary CruzLocated in New York, NYPupil #1, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Edition 2 and 3 are unfra...Category
2010s Contemporary Abstract Prints
MaterialsArchival Pigment
- Curvy Curves, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsWood, Archival Pigment
- Clematis, Contemporary Digital, Abstract Wood FrameBy Kalee Appleton (American)Located in Austin, TXKalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...Category
2010s Contemporary Abstract Prints
MaterialsWood, Archival Pigment