Horizontal Abstract Photography

C-print on metallic Fuji Crystal Archive paper (Edition of 5 + 1 AP) Signed and numbered, verso $5000.00 + framing This artwork is offered by ClampArt, located in New York City. A...

The work is signed dated and numbered 3/15 lower right recto, with other sizes available, and it's unframed and printed later. Printed on Hahnemühle Fine Art paper Photographer Mitc...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This is an exclusive handprinted limited edition cyanotype. This beautiful diptych is titled "Tranquil Water Patterns", and depicts calming ocean ripples at low tide. Details: + ...

Most cities have a chaotic visual schema. However, through the lens of veteran Street Photographer Mitchell Funk, anarchy becomes order. In the present work, "Statue of Liberty on a...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, an...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, and a versatile photograph...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

On the edge of nothingness / n°5 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 40 x 60” External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:...

Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996 Attributed to Abelardo Morell- unsigned. This is a black-white image marked " F...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

Blood and Seed (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 5 + 2 AP - Edition 2/5 This new series titled Neurosis brings togethe...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Synesthesia - FA-639HZ #2 Archival pigment print on Aluminum 16 x 24 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing...

Deep Mirroring Forest 011 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 5 dimens...

Untitled (artichokes) by Ida G. Lansky features a detail shot of whole and cut up artichokes. The tones of this photograph are reversed, creating an abstract image from a common object. The produce is lit dramatically from the side, emphasizing it's intricate details. Untitled (artichokes) by Ida G. Lansky is an 8 x 10 inch vintage silver gelatin print. This photograph includes the artist's stamp in black ink on print verso. Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Nor- man, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron...

Bubbles 02 - Limited edition pigment print - Limited Editions of 25 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and...

In Fidel Santos' work, La Alegre, a sense of pure exuberance is captured through the depiction of a saint in a state of joyous celebration. The horizontal composition focuses exclusi...

Abstract landscape sepia toned photograph of clouds on a sky horizon Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inc...

The photographer preserves this fleeting and idyllic marine scene with a simple and graphic composition. This image is signed, dated and numbered 3/15 lower right recto. Other size...

'Red boat' Printed on archival paper with museum-grade precision, this limited edition work balances mystery and simplicity. A photograph is carefully placed in a secure cardboard ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Edition: 1/3 Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above. Paul Snell is an Australian ar...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Monkey Laughing' is a stunning C-Type print by contemporary British photograp...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Seashore, Abstract Black & White Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"Georgia Pacific Building, Atlanta, GA X54" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in addit...

Finger Drum and Spice Bowl, Diptych, 2017 by Shine Huang From the Series “Carry the Ocean” Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 40 in. H x 64 in. W Indi...

In Alex Sher’s “Salsa” we are entranced in the spiraling movements of the topless dancer encased in vibrant reds and electric blues. The nude woman clutches the fabric to her body as...

A naked woman floats in space illuminated with shimmering stars and saturated swirling gasses of solar systems. Similar to the geometric eroticism of Picasso, with color fields and b...

Edward Burtynsky is one of Canada’s most acclaimed photographers. He is well-known for his captivating large-scale photographs documenting the ramifications of industrial production...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Edition 25 Framed Chromaluxe In this image we can see a classic 1955 Mercedes 300 SL Gull-Wing. A man with x-ray vision, NICK VEASEY creates art that ...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Theodore, Nina and Jack, France, 2016 by Julia Gat is a 13" x 19" photograph, a black-and-white archival pigment print, in an edition of 5. The work ed 1/5 is titled, dated, signed on photo verso, and printed by the artist. Julia Gat enjoys observing everyday life and documenting photographically what she refers to as chaotic harmony. Often using her large family and circle of friends as models in her work, Julia is drawn simultaneously to heart-warming intimacy and provocative freedom. Julia Gat, based in France, was home-schooled as a child. Alternative education has played a significant role in her work. Julia is immersed in an artistic milieu in both her native Israel and adopted home in Marseille, France where she has grown up in a family of 6. Provenance: Gat Studio *** Artist’s Bio: Born in Israel in 1997 Julia Gat won the European Prize ISEM Young Photographers in 2020 and 1st Prize at the Portrait Festival 2016 (Vichy, France). In 2017 her photography was exhibited at the Maison Européenne de la Photographie (Paris), and then at the Netherlands photo museum (2021-2022). In 2022 she exhibited at Arles Photo Festival. Her first photo book with French publisher Actes Sud was released in 2022 during the annual summer photography...

Edition 9 Framed Chromaluxe X-Ray of a 1959 Porsche 365B Coupe. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiogra...

Fernanda Naman Metamorphosis (Triptych) 94 x 55 inches (each) 94 x 165 (total) Edition of 9 Plexiglas Mounting Also available in: 50 x 30 inches (each) 50 x 90 inches (total) Edit...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

GL 07-23 is a limited-edition photograph by Italian contemporary artist Riccardo Varini. This photograph is sold unframed. Prints are available in one size only: 30 × 45 cm (11.8 × ...

Jose Bassit Chapada Diamantina Waterfall, Brazil Kepha series 40 x 60 inches Edition of 7 Archival Pigment Print Framed

'That Was Just A Dream Some Of Us Had' Original Artwork From a body of work titled 'Elemental', in which Sophia employs her unique method of working using the four elements of eart...

Archival Pigment Print Photograph

Edition 15, framed Chromaluxe Surfer driving Land Rover, hanging wetsuit in the back & Dog. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like insid...

Driving night rain fashions a network of translucent pointelist dots in front of a glowing Chrysler Building Crown. The work is signed dated and numbered 3/15 lower right recto, with...