Items Similar to "Untitled #11", France, 2015

Bill Phelps - "Untitled #16", France, 2015

Bill Phelps - "Untitled #3", France, 2015

Bill Phelps - "Untitled #13", France, 2015

Bill Phelps - "Untitled #5", France, 2015

Bill Phelps - "Untitled #9", France, 2015

Bill Phelps - "Untitled #14", France, 2015

Want more images or videos?

Request additional images or videos from the seller

1 of 5

Bill Phelps
"Untitled #11", France, 2015
2015

Name: "Untitled #11", France, 2015
Brand: Bill Phelps
Price: 1565.43 AUD
Availability: InStock
Rating: 5 (5 reviews)

$1,000

£748.45

€866.65

CA$1,389.84

A$1,565.43

CHF 810.68

MX$19,011.47

NOK 10,297.48

SEK 9,768.03

DKK 6,466.43

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Exotic machinery, as Bill Phelps calls it, is the central imagery in his latest exhibition. Captured at the Montlhéry Autodrome, a motor racing circuit in Linas, France, these dynamic and powerful photographs render imagery of 20s era culture. As an avid collector and enthusiast of motorcycles, Phelps features exclusively pre-war automobiles, which begins to evoke this period even further. Both rare and irreplaceable, the subject matter becomes something of ephemerality. The marvel is just this; it’s a moment of temporary transportation to someplace distant yet strangely familiar, the relationship between feeling both power and comfort simultaneously. Phelps’ photographs have a staggering depth and beauty that can be most appreciated in their utter mystique. There is something entirely fantastical about Phelps’ photographical style. In bringing into focus something that is not often seen, as in one of his large still lifes of gears and metallic parts, he offers a vantage point that is both incredibly original and deeply himself. Phelps says he sees these racecars as something of mythological beasts and his vision is entirely apparent. The cars become energetic, rogue, strong beings. In another image, an abstract of steel car machinery, he renders this same personality. Though many of the photos are not moving, they work in a way that conjures pure speed and strong motion. With a humble sense of heroism as well, the end result becomes something utterly cinematic. As Phelps’ first exhibition using color, he is able to convey an additional voice. His palette is primarily dark and muted, which strengthens the feeling of mystery. The imagery we see from the 1920s is typically in black and white, thus we often forget the beautiful colors. In using color photography to capture vintage automobiles, he, overall, depicts the true three-dimensionality of his experience. Phelps adds a new sense life to this antiquated imagery in a very revivalist manner. The deep, yet subtle colors of “AUTODROME” remind us of the roaring poster art of the generation, suggesting the stunning vitality of the age. The invitational image “Fiat” represents just this as well. The deep maroon on the hood of the racecar and the greys of both the helmet and specs create a historical yet youthful feeling. One of warmth and energy that is sincerely nostalgic and dreamlike. A self-taught photographer, Phelps has won numerous awards for his photography, including the World Press Grand Prize for Portraits. His previous clients include Italian Vogue, The New York Times, Harley Davidson, Sony and others. A world traveler, he’s lived in Madrid, Sydney, and Paris, and now calls St. Paul, Minnesota home. Car, Color, Abstract, France, Sport, Road, Driving, Racing, Racecar

Creator:

Bill Phelps

Creation Year:

2015

Dimensions:

Height: 13.75 in (34.93 cm)Width: 10 in (25.4 cm)

Medium:

Archival Pigment

Movement & Style:

Contemporary

Period:

21st Century

Condition:

Gallery Location:

Hudson, NY

Materials

Archival Pigment

Located in Sante Fe, NM

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Category

2010s Abstract Abstract Photography

Materials

Silver Gelatin

Christopher Colville
Untitled (W.O.F 17-16), 2016

$1,650

N°TSSI15, France

Located in München, BY

The production of sea salt is one of the oldest forms of human intervention in natural spaces. Sea salt comes from natural evaporation of seawater out of artificial created ponds. Th...

Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Tom Hegen
N°TSSI15, France, 2018

$3,001

#109, Abstract, Photography, Painting, Expressionism

By Joachim Schmeisser

Located in München, BY

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Category