Items Similar to Eroded Rock, Point Lobos
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Edward WestonEroded Rock, Point Lobos1929
1929
About the Item
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Edition: 5 or 6 prints (see ttext below)
Weston negative Numbered verso: "1357"
photographer's estate stamp, verso
LITERATURE: A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 576.
Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder.
Edward Weston description of printing in 1953-54
In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print five sets that he hoped would be purchased by institutions. By January 1953, Brett was busy working in the darkroom, making 5 or 6 prints each from about six negatives a week. According to Brett and Cole Weston, although Edward's health was in decline, he carefully supervised each print's quality. In the end, Brett printed 832 negatives with only one complete set known in the collection of the University of California at Santa Cruz.
In 1945 Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print five sets that he hoped would be purchased by institutions. "Perfectionists will howl that no one person could make 1000 photographs, worth saving, in a lifetime- and I might agree! But I do think 999 of them are of interest and quality worth saving, and who is to take out that one extra."
An anonymous donation of $6000 got the project started, and by January 1953, Brett was busy working in the darkroom making 5 or 6 prints each from about six negatives a week. According to Brett and Cole Weston, although Edward's health was in decline, he carefully supervised each print's quality. In 1954, sample books were assembled, but it is not known how many photographs were actually sold. In the end, Brett printed 832 negatives with only one complete set acquired by Dick McGraw and donated to the University of California at Santa Cruz.
Several hundred unspotted and unmounted Project Prints were part of the Weston estate sold to the Center of Creative Photography, Arizona, in 1981. It is unclear how many of each negative was printed. The labels on the Project Prints that were mounted and sold in the 1950s state that they are from editions of six. The reproduction labels made for the prints deaccessioned by the CCP state an edition of 10 per negative.
Robert B. Egelston (1930-2016) graduated from U.S. Military Academy at West Point in 1954 and went on to graduate the first of his class at the Warton School, University of Pennsylvania. The Capital Group, a Los Angeles based investment management firm, was Egelston's first and only employer. He started at the bottom, but by the time he retired some 40 years later, he was chairman of the board of an organization managing $1.3 trillion. He began displaying his personal art collection on the walls of the Capital Group's offices. This led to his efforts to found and fund the Capital Group Foundation, which supported the arts and community ventures aside from collecting.
In 1989, the Capitol Group Foundation acquired around 500 Edward Weston Project Prints, of which 110 were transferred to Egleston's personal collection and are offered here. The Foundation's remaining Project Prints and more than 600 other photographs by Ansel Adams, Edward Curtis, John Gutman, Gordon Parks, and others were donated in 2019 to the Cantor Arts Center at Stanford University.
- Creator:Edward Weston (1886-1958, American)
- Creation Year:1929
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA122351stDibs: LU14015192362
Edward Weston
Edward Weston was an American photographer and cofounder of Group f/64. Most of his work was done using an 8-by-10-inch view camera.
In 1902, Weston received his first camera for his 16th birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life — his shells and vegetable studies were especially important — and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke and others. Weston became the first photographer ever to be selected for the Guggenheim Fellowship in 1937.
Stricken with Parkinson's disease, Weston made his last photographs at Point Lobos, California, in 1948. A 50th-anniversary portfolio of his work, printed by his son Brett, was published in 1952. Edward Weston died in his house on Wildcat Hill in Carmel, California, on January 1, 1958.
Find original Edward Weston photography on 1stDibs.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
791 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Akron, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllEroded Rock, Point Lobos
By Edward Weston
Located in Fairlawn, OH
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Editi...
Category
1920s Abstract Abstract Photography
Materials
Silver Gelatin
untitled (Photographic Collage)
By Peter Marks
Located in Fairlawn, OH
Unsigned
Provenance:
Estate of the artist
Peter Marks (1935 -2010)
Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, M...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Photographic Paper
$350 Sale Price
50% Off
Untitled (Visual Candy)
By Peter Marks
Located in Fairlawn, OH
Untitled (Visual Candy)
Photo collage, c. 2008
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 8 1/8 x 5 7/8 inches
Support Sheet size: 17 x 14 inches
Pet...
Category
Early 2000s Abstract Abstract Photography
Materials
Photographic Paper
Untitled Photograph Collage
By Peter Marks
Located in Fairlawn, OH
Untitled Photograph Collage
Collage with 5 photographic elements, 2007
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image Size: 5 7/8 x 10 7/8 inches
Support Sheet:...
Category
Early 2000s Abstract Abstract Photography
Materials
Photographic Paper
Untitled (Subway Turnstiles)
By Peter Marks
Located in Fairlawn, OH
untitled (Subway Turnstiles)
Collage with 6 photograph elements
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image Size: 5 7/8 x 8 inches
Support Sheet: 14 x 17 inc...
Category
Early 2000s Abstract Abstract Photography
Materials
Photographic Paper
Coolidge Dam, Arizona, printed later
By Edward Weston
Located in Fairlawn, OH
Coolidge Dam, Arizona
Gelatin silver print, (1938), printed later, circa 1980
Unsigned
A lifetime printing by Brett Weston, supervised by his father Edward
Edition of 5 or 6 examples...
Category
1980s American Modern Abstract Photography
Materials
Silver Gelatin
You May Also Like
Neuroqueer 01
Located in BARCELONA, ES
Neuroqueer - Series
These photographs portray neurodivergent people and their daily lives. Like them, these images were born outside of what’s considered “normal.”
The film roll was...
Category
2010s Abstract Abstract Photography
Materials
Glass, Silver Gelatin, Photographic Film
Backlit Image - Fashion Week Paris 2016
By Kristy Sparrow
Located in Soquel, CA
Spectators in silhouette viewing an immense display of vintage camera flash accessories. By Kristy Sparrow, an American, Paris-based photographer. Signed and numbered by the artist. Presented in a black wood frame. Image, 20"H x 30"W.
Kristy Sparow has had a lifelong love affair with photography. After many years developing her career in Los Angeles, she made the move to Paris in 2009 where she has been consistently working at the top of her trade in fashion, music, and entertainment, with images regularly seen in major media around the world. She has worked the runway for most major designer brands, including the CBS live Victoria’s Secret Fashion Show, and on behalf of the Arab Fashion Council, she was the solo photographer at the end of Saudi Arabia’s first-ever 2018 fashion show in Riyadh. Chanel, Estée Lauder, Justin Timberlake and The Leonardo DiCaprio Foundation are among those on her client list. Kristy has received many Best Of acknowledgements for her work, and feels fortunate for the opportunities to travel and to be a part of many memorable moments—including a weekend in Switzerland photographing...
Category
2010s Abstract Abstract Photography
Materials
Photographic Paper, Silver Gelatin
$2,280 Sale Price
20% Off
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Abstract Prints
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
The Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Abstract Photography
Materials
Black and White, Photogram, Silver Gelatin, Glass, Oak, Archival Paper
Desert Plant, Badlands, South Dakota
By Paul Caponigro
Located in Pacific Grove, CA
This silver gelatin print is signed in pencil on the front of the mount. Likely printed in the 1980s.
Category
1950s Abstract Black and White Photography
Materials
Silver Gelatin
Tree Trunk
By Wynn Bullock
Located in Pacific Grove, CA
This vintage print is signed in pencil on the front of the mount with a title and negative number in pencil on the back of the mount.
What is likely Wynn Bullock's most renowned neg...
Category
1970s Abstract Black and White Photography
Materials
Silver Gelatin
