Items Similar to Untitled from the Dysmorphologies Series Abstract Large Color Photograph
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Ken Gonzales-DayUntitled from the Dysmorphologies Series Abstract Large Color Photograph
$1,600
£1,209.07
€1,396.18
CA$2,235.76
A$2,480.76
CHF 1,299.48
MX$30,420.81
NOK 16,528.90
SEK 15,602.57
DKK 10,412.16
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered.
Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College.
Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups".
Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman mainly, among other sculpture artists. His main intent was to address the distinction between portraiture and caricature. His monograph, Lynching in the West, compares historical images with contemporary images of lynching sites in the state of California from 1850-1935. It emphasizes hate crimes committed against Latinos, Native Americans, and Asian Americans.
Fellowships and Grants
Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International.
Select Solo Exhibitions
Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, Muse X, among others.
Select Group Exhibitions
Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery, London; An Image Bank for Everyday Revolutionary Life, REDCAT, L.A.; Log Cabin, Artist's Space, NYC; Made in California, LACMA, L.A.; Reimaging the West, SF Camerawork, S. F.; FotoLatina, Museo de las Artes, Guadalajara, Five Continents and One City, Mexico City; and the Art Mall at the New Museum, NYC; among others.
- Creator:Ken Gonzales-Day (1964, American)
- Dimensions:Height: 28 in (71.12 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear to edges. margin is larger on one side.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213201752
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,780 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUntitled, #94 from the Dysmorphologies Series Abstract Large Color Photograph
By Ken Gonzales-Day
Located in Surfside, FL
This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Photo paper mounted to aluminum.
Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College.
Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups".
Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman...
Category
20th Century Contemporary Abstract Photography
Materials
Metal
Abstract Portrait Chromogenic Color Print
By Sandra Haber
Located in Surfside, FL
American artist and photographer, Sandra Haber, born 1956
Exhibited at MoMA, 1984
Category
1980s Contemporary Abstract Photography
Materials
Photographic Paper, Color
Large Mounted Abstract Color Photograph Sculpture Detail
Located in Surfside, FL
from a Miami art collective. this piece was an experimental collaboration.
Category
21st Century and Contemporary Modern Color Photography
Materials
Board, Photographic Paper
Vintage Large Scale C Print Untitled Abstract Photograph
By Ken Matsubara
Located in Surfside, FL
The size is as indicated here. the size on sticker is off.
1948 Born in Toyama Prefecture
1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum
Record of Awards
1977 Dai-ichi Bijyutsu Award at the Dai-ichi Bijyutsu Exhibition,
Tokyo Metropolitan Art Museum in Tokyo
1979 Prefectural Assembly Chairman Award at Kanagawa Prefectural Art
Exhibition, Kanagawa Prefectural Gallery in Kanagawa
1987 Special Honorable Prize at Ueno Royal Museum Grand Prize Exhibition,
Ueno Royal Museum in Tokyo
Silver Award at INF International Art Exhibition in Kobe, Japan and China
1988 Ceramic Art Award at the Contemporary Ceramic Art...
Category
1980s Conceptual Color Photography
Materials
C Print
Untitled DYSMORPHOLOGIES SERIES (hair magnification in grid) Mounted to Aluminum
By Ken Gonzales-Day
Located in Surfside, FL
Genre: Contemporary
Subject: People
Medium: Digital, Print
Surface: Metal
Country: United States
This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series.
Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College.
Fellowships and Grants
Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International.
Select Solo Exhibitions
Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others.
Select Group Exhibitions
Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...
Category
1990s Abstract Geometric Abstract Photography
Materials
Digital
"Untitled"
By Dan Reisinger
Located in Surfside, FL
Reisinger was born in Kanjiža, Serbia, into a family of painters and decorators active in Austria-Hungary and the Balkans. Most family members died in the Holocaust, including his father. As a teenager, he became active in the Partisan Pioneer Brigade and, with his mother and stepfather, immigrated to Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. In 1950 at age 16, he was accepted as a student—its youngest up to the time—at the Bezalel Academy of Art and Design in Jerusalem, there to 1954.
During mandatory service in the Israeli Air Force from 1954, he was the art director of its books and other publications. While there, he attended a class on postage-stamp design taught by Abram Games, who became his mentor and friend. Subsequently, he traveled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, 1964–66, studied stage and three-dimensional design at the Central School of Art and Design, designed posters for Britain's Royal Mail, and worked for other clients while making intermittent visits to Israel. Then in 1966, he returned permanently to Israel and established a studio in Tel Aviv and today in Giv'atayim.
His work has been included in numerous international group and one-person exhibitions. A large number of social-, political-, and cultural-theme posters and other graphic design, such as calendars, packaging, and more than 150 logos are superior to much of his fine art. He designed a new logo for El Al airlines (1972), and the 50-meter-long aluminum-cast relief (1978) of a biblical quotation in Hebrew on the exterior of the Yad Vashem, Israel's official museum/memorial to Holocaust victims, in Jerusalem. He has also designed logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima Theater (הבימה - התיאטרון הלאומי) and the symbol and posters of the 9th-15th Maccabiah Games (מַכַּבִּיָּה).
His widely published self-produced “Again?” poster (1993) features a Nazi swastika (which Reisinger incorrectly made to face left) breaks apart to 5 pointed red Star of soviet union in reference to the possible dreaded repeat of the Holocaust. The influences on his work—itself more widely focused than solely on social and political issues—have come from colorists, Minimalists, Constructivists, and humorists. He claims one of his more significant contributions has been to stretch the visual and communicative possibilities of Hebrew letters through his symbols and logos. Reisinger is one of Israel's most-accomplished graphic designers; the others include Franz Kraus...
Category
20th Century Contemporary Abstract Prints
Materials
Screen
You May Also Like
Untitled (Partial Appearances #1726)
By Bill Armstrong
Located in New York, NY
Archival inkjet print
Signed, titled, dated, and numbered, verso
18 x 24 inches
(Edition of 10)
30 x 40 inches
(Edition of 5)
40 x 54 inches
(Edition of 5)
This artwork is offere...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
III. Deceit of language (Abstract Photography)
By Gianfranco Pezzot
Located in London, GB
Archival Pigment Print on Ilford Smooth Pearl paper. Unframed.
This abstract work is part of the series titled Dichotomy of a Human Brain.
It was created by combining fragments o...
Category
2010s Conceptual Abstract Photography
Materials
Archival Pigment, Paper
III. Deceit of language (Abstract Photography)
By Gianfranco Pezzot
Located in London, GB
III. Deceit of language (Abstract Photography)
Archival Pigment Print on Ilford Smooth Pearl paper. Unframed.
This abstract work is part of the series titled Dichotomy of a Human ...
Category
2010s Conceptual Abstract Photography
Materials
Archival Pigment, Paper
$14,979 Sale Price
20% Off
III. Deceit of language (Abstract Photography)
By Gianfranco Pezzot
Located in London, GB
III. Deceit of language (Abstract Photography)
Archival Pigment Print on Ilford Smooth Pearl paper. Unframed.
This abstract work is part of the series titled Dichotomy of a Human ...
Category
2010s Conceptual Abstract Photography
Materials
Archival Pigment, Paper
Refined Chaos, Photograph, Archival Ink Jet
By Toby Oggenfuss
Located in Yardley, PA
Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...
Category
2010s Other Art Style Color Photography
Materials
Archival Ink
Prefaced Uma
By Andrew Schwartz
Located in New York, NY
Uma Thurman - Collaged image from artist's TORN series. Archival pigment piece with plexiglass mount.
About the Artist:
Andrew Schwartz is an internationally published, award winning photographer. Based in NYC, he is an alumni of The Rhode Island School of Design, and a veteran member of both The International Cinematographers Guild/ICG and The Society of Motion Picture Still Photographers/SMPSP. His work is on permanent collection at The Margret Herrick Gallery at The Academy of Motion Picture Arts and Sciences, and he has served as Unit Still Photographer on more than 75 films including School of Rock, Men In Black, Fatal Attraction, When Harry Met Sally...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment