Archival Paper Abstract Photography

Mirage (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20428. Not ...

Stillness (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20433. N...

Kaleidescope (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20434....

'Sandstil no.5' 32x40cm limited edition of 20. Photograph is printed on heavyweight German Etching fine art paper. Photograph is signed and stamped by the artist from and back, w...

Life on Mars (My Desert Living Project) - Hatching Edition of 10, 40x30cm, Archival C-Print. Artist inventory E007. Signature label and Certificate. Not mounted. Life on Mars ...

A limited Edition Print by National Geographic Photographer Keith Ladzinski from his series “Rooted: The Importance and Beauty of Trees”. Over the last 10,000 years, the planet has lost over 1/3rd of its forests, some 5 Million square miles, half of that since the 1900’s. Tree’s are responsible for 3 of every 10 breaths of air we inhale, and provide shelter and habitat for countless species. Simply put, a world without trees would be bleak and inhospitable for terrestrial animals in a whole, they bring balance, beauty and stability to life here. Over the last century humans have cut down half of the planets rainforests for lumber and agricultural habitat. As heat index and drought conditions continue to increase, many trees are facing an ever increased threat of wild fire and access to fresh water. This series focuses on the beauty and hardships of trees around the world. Zooming through a moss covered grove of trees along a small cliff line...

Seeside (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20430. Not...

Stillness (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20433. N...

Kaleidescope (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20434....

"Echoes No.07" Abstract Photography 40" x 40" in Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujifl...

Blue Sky (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20432. No...

Mirage (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20428. Not ...

Life on Mars - 2022 - Hatching Edition of 10, 40x30cm, Archival C-Print. Artist inventory E006. Signature label and Certificate. Not mounted. 'Life on Mars' series is part of my Desert Living Project, which encompasses all aspects of organic living including growing your own organic food, self sustainability and regarding the...

Life on Mars (My Desert Living Project) 40x30cm, Edition 2/10. Archival Fine art Print. Artist inventory #E001. Signature label and Certificate. Not mounted. Life on Mars is...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Rectangular symmetry of an ascending stair case, ...

Bling Nature - Limited edition pigment print - Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber based paper (...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Bokeh shaping the lines and structure of the illuminated George Washington ...

Dan 2 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longevi...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Evening traffic streaking over London’s iconic Tower Bridge.

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. This photograph captures the iconic Eiffel Tower shrouded in light mist on ...

'Cicatrices (2)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Scars of birthing in the unfolding leaf pattern of the giant graceful Agav...

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Streaked traffic flowing across London’s Tower Bridge

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. A long exposure of twirled supports along a building in Munich, Germany

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Peering through ripply 19th century glass of Vatican City, Italy

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Rainy day reflections along the back streets of Rome, Italy.

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Gloomy twilight over the Verrazzano-Narrows Bridge, New York City

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Twilight traffic over the Brooklyn Bridge, NYC

An Open Edition Print by National Geographic Photographer Keith Ladzinski from his “Cities” collection. Streaks from cars along a busy street next to the iconic Coliseum, a conver...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Golden Light defines two dogs as they have a head-to-head in a Manhattan park. Color Photographer Mitchell Funk captures the scene with a spontaneity and freshness from a rooftop van...

Flowing 2 - Large scale photograph by Michael Banks -Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editi...

Dogscape New York City. First light skims across an upper East Side playground with fallen autumn foliage. This archival color photograph by fine art photographer Mitchell Funk is s...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Color Photography pioneer Mitchell Funk is famous for blending representation with a broad emphasis on abstract qualities. He is a photographic minimalist cropping out extraneous details. His work focuses on color relationships and interactions between shapes. Funk started shooting in 1969, and today he's still as active as ever and continues to innovate. In "Impressionist Street Scene...

A graffiti street scene in New York City becomes a semi-abstract picture. Signed and dated on lower right, numbered on verso Edition 3 of 15. Unframed. Other size available, Printe...

This contemporary figural limited edition photograph by Alyssa Fortin captures a view from under water, looking at two women from behind wearing long, flowing dresses made of soft, light fabric. They face away, with heads above the water and out of view, embracing one another. The warm tones of the figures and fabrics contrasts with the cool blue and green of the water. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under high quality plexiglass. The print size itself is 40" x 60" with a frame face of 1 1/2". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...

Untitled (Paradise) - 1999 50x50cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 20451. N...

Signed and dated on the lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed later, Printed on Hahnemühle Fine Art paper. Mitchell Funk is a p...

Midnight Sun (Life on Mars) - 2022 Edition of 10, 40x17cm, Archival C-Print. Artist inventory E020. Signature label and Certificate. Not mounted. ...

This limited edition photograph by Alyssa Fortin captures a female figure floating, submerged in water and partially enveloped by soft, light orange fabric. The warm-toned fabric is contrasted by the surrounding deep sea-green and teal water, with yellow refracted light cast on the floor. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under high quality plexiglass. The print size itself is 30" x 34" with a frame face of 1 1/2". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...

"JM Basquiat-GB1" Photography (FRAMED) 50" x 40" inch Ed. of 8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat s...

This contemporary figural limited edition photograph by Alyssa Fortin captures a female figure, enveloped in light, soft fabric, floating under the surfa...

This abstract figural limited edition fine art photograph by Alyssa Fortin captures the female form in a dancer-like pose, submerged in water. Bubbles re...

Into the dark (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 4600. Signat...

Blue Space Dark - Mindscreen 09 (Night on Earth) - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate....

Strangers (Deconstructive) - 2022 Edition of 10, 49x48cm. Archival C-Print, based on the Polaroid. Artist inventory number: 18894. Signature label and certificate. Not mounted. ...

This limited edition photograph by Alyssa Fortin captures a female figure floating, submerged in water and partially enveloped by soft, light orange fabric. The warm-toned fabric is contrasted by the surrounding deep sea-green and teal water, with yellow refracted light cast on the floor. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under UV Tru Vue Museum glass which provides 99% UV protection and excellent clarity. The print size itself is 24" x 27" with a frame face of 1 1/4". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...

"JM Basquiat-GB3" Photography (FRAMED) 48" x 48" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

The Silence (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 1903. Signatur...

This contemporary figural limited edition photograph by Alyssa Fortin captures a female figure, enveloped in light, soft fabric, floating under the surface of blue water in a dancer'...

Rapture (29 Palms, CA) - 2022 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival Print, based on the Polaroid. Artist inventory Number 218829. Signature label and Certificate...

This contemporary figural limited edition photograph by Alyssa Fortin captures a view from under water, looking at two women from behind wearing long, flowing dresses made of soft, l...

This limited edition fine art photograph by Alyssa Fortin captures the arms and legs of female forms from either side of the composition, enveloped by soft tulle fabric as they are submerged in water. The subjects float beneath the water's surface and are captured in almost dancer-like poses. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under high quality plexiglass. The print size itself is 40" x 45" with a frame face of 1 1/2". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel...

"The Veil" Photography 40" x 50" inch Edition 2/12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fashion photographer currently living between Mexico City, Los Angeles and New York City. Rob's surrealistic contemporary style has developed into a dedication for advocacy and making strained voices heard through visual storytelling. Rob has produced projects raising consciousness and conversation around the US foster system and adoption, queer identity, body neutrality, racial diversity and environmental justice. Within any given concept lies not only a captivating visual, but a deep and powerful narrative that inspires the viewer to appreciate and contemplate. Rob creates from a unique perspective, finding hope in the human connection and the will to overcome existing constructs within our complex societies. In 2020 Rob produced and released his first photographic art book “Bodies Of Light”. Rob continues to rise in the global art scene. Selected Exhibitions: 2021 Bodies Of Light (Solo Exhibition), Liquidity Wine Gallery, Okanagan Falls, BC Canada; 2020 Bodies Of Light (Solo Exhibition), Space Place Gallery, Nizhny Tagil, Sverdlovsk Oblast, Russia; 2020 Bodies Of Light (Solo Exhibition), 500px Gallery, Toronto, ON Canada; 2020 Bodies Of Light (Solo Exhibition), Warehouse, Miami, FL USA; 2020 Bodies Of Light (Solo Exhibition), Warehouse, Detroit, MI USA; 2020 Bodies Of Light (Solo Exhibition), Private Residence, New York, NY USA 2020 Bodies Of Light (Solo Exhibition), Warehouse, Portland, OR USA; 2020 Bodies Of Light (Solo Exhibition), Private Residence, Los Angeles, CA USA; 2020 Bodies Of Light (Solo Exhibition), Jardín Juarez, México City, México; 2019 Bodies Of Light (Solo Exhibition), The National Museum of Serbia, Belgrade, Serbia; 2019 ClearChannel France, 800 Screen Public Gallery Display, Paris, France; 2019 Paris Photo...

Adagio 3 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

Dance 2 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

Ink 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ar...

Hallway I (Suburbia) - 2004 40x40cm, Edition of 5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive papter, matte surface, based on the Polaroid. Signature...