Enamel Abstract Photography

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Concrete by Frank Schott monochromatic details of architecture 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival fine ...

Fern No.2 London, United Kingdom 2024. Created using a large format camera and traditional black-and-white film, this photograph exemplifies Ugne’s skill in capturing the beauty of...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

These images, created by the collaborative duo of Ellen Martin and Kevin Hinkle, are part of a larger series exploring the relationship between decay and renewal in the natural envir...

Man painting vintage motel sign in Las Vegas, Nevada. Signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed...

'Bay boys' Dubrovnik, Croatia 2014 Limited edition of 20.

Rodolfo Choperena Chacras 13, 2016 Digital print on metal 6 x 96 in (15.24h x 243.84w cm) 1/3

These images, created by the collaborative duo of Ellen Martin and Kevin Hinkle, are part of a larger series exploring the relationship between decay and renewal in the natural envir...

These images, created by the collaborative duo of Ellen Martin and Kevin Hinkle, are part of a larger series exploring the relationship between decay and renewal in the natural envir...

Modern Photography Cover , August 1978 ( Editors flipped the image. The correct way is yellow arrows on bottom Signed and dated on lower right, numbered on verso Edition 3 of 15, Unf...

Subligraphy (CHROMALUX) on aluminium Ed.1/15 Possibility of frame with additional costs