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Stefanie Schneider
Untitled (Traintracks) - based on the Polaroid

2004

$944.84
£711.32
€800
CA$1,301.59
A$1,457.69
CHF 760.60
MX$17,805.11
NOK 9,677.06
SEK 9,121.79
DKK 6,089.71

About the Item

Untitled (Traintracks) - The Last Picture Show - 2004, 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 889. Not mounted. That’s a compelling quote — "If you want to learn what someone fears losing, watch what they photograph." When applied to Stefanie Schneider’s work, it reveals a rich undercurrent of longing, fragility, and the ache of impermanence. Schneider's Polaroids are drenched in the ephemeral: sun-bleached deserts, abandoned motels, half-glimpsed lovers, wistful stares, and dreamlike stillness. These are not just aesthetic choices — they are emotional records. What she photographs — fleeting light, transient beauty, broken timelines — suggests a fear of losing time itself, along with memory, youth, love, and emotional connection. Her use of expired Polaroid film isn’t nostalgic for the sake of style — it’s a deliberate act of preservation in the face of decay. The film is already breaking down, much like the moments she captures. But instead of resisting that, she embraces it. There’s a tender defiance in her images: If I photograph it now — even as it fades — I can keep it alive a little longer. In that sense, Stefanie may fear losing: Authentic emotional connection, seen in her raw, unguarded portraits. The California dream, which in her work is always both seductive and slipping away. The past, not as it was, but as it felt. Intimacy, in all its forms — romantic, familial, or even self-reflective. Each photograph is like a fragile spell cast against forgetting. They’re not about preserving perfection — they’re about holding onto what’s real, even when it’s broken or about to vanish.

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Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004 50x50cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist ...
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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004, 38x37cm. Edition of 5, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Signature label and Certificate. Artist...
Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Arti...
Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004, 38x37cm. Edition of 5, plus 2 Artist Proofs. archival C-Print, based on the Polaroid. Signature label and Certificate. Ar...
Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled (Traintracks) - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Traintracks) - The Last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Arti...
Category

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Materials

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Untitled (Traintracks) - based on a Polaroid
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Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004, 38x37cm. Edition of 5, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Signature label and Certificate. Artist...
Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

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