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Ben ShahnSideshow, county fair, central Ohio1938
1938
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Sideshow, county fair, central Ohio
1938
Stamped, “Reproduced for the Library of Congress,” verso
Gelatin silver print
8 x 10 inches (20.3 x 25.4 cm)
Contact gallery for price.
This work is offered by ClampArt in New York City.
- Creator:Ben Shahn (1898-1969, American)
- Creation Year:1938
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93237555102
Ben Shahn
Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.
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View AllSideshow, county fair, central Ohio
By Ben Shahn
Located in New York, NY
Sideshow, county fair, central Ohio
1938/printed later
Stamped “Reproduced for the Library of Congress,” verso
Gelatin silver print
8 x 10 inches (20.3 x 25.4 cm)
Category
1930s Contemporary Photography
Materials
Silver Gelatin
Price Upon Request
Wife and child of sharecropper, Arkansas
By Ben Shahn
Located in New York, NY
Wife and child of sharecropper, Arkansas
October, 1935
Stamped “Reproduced for the Library of Congress,” verso
Gelatin silver print
8 x 10 inches (20.3 x 25.4 cm)
Contact gallery...
Category
1930s Photography
Materials
Silver Gelatin
Price Upon Request
A destitute family, Ozark Mountains area
By Ben Shahn
Located in New York, NY
A destitute family, Ozark Mountains area
1935
Stamped “Reproduced for the Library of Congress,” verso
Gelatin silver print
8 x 10 inches (20.3 x 25.4 cm)
Contact gallery for pric...
Category
1930s Modern Photography
Materials
Silver Gelatin
Price Upon Request
Untitled (The Noyes School of Rhythm)
By Ben Shahn
Located in New York, NY
Vintage gelatin silver print
6 x 9 inches
This photograph is offered by ClampArt, located in New York City.
Category
1930s Other Art Style Portrait Photography
Materials
Silver Gelatin
Price Upon Request
Tattooed Man at a Carnival
By Diane Arbus
Located in New York, NY
Diane Arbus, Tattooed Man at a Carnival
1970
Estate stamped and signed by Doon Arbus for the Estate of Diane Arbus, verso; Also titled, dated, and numbered, verso
Gelatin silver pr...
Category
1970s Contemporary Photography
Materials
Silver Gelatin
Price Upon Request
Romance of Ambrose Bierce #3 [Romance (N.) from Ambrose Bierce #3]
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7.5 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
“Meatyard took his definition of romance from The Devil’s Dictionary (1911) compiled by American writer Ambrose Bierce from the satirical pieces he published weekly in the late nineteenth century. The American grotesque of Bierce’s tall tales is here combined with Meatyard’s Surrealist inclinations and the European, particularly French, interest in primitive masks, perhaps with the intention of creating a parody of high art. Rather than sports fans, the stadium benches...
Category
Late 20th Century American Modern Portrait Photography
Materials
Silver Gelatin
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