Aaron Siskind

Terracotta (I11) 6,

1961

Great Price. The Art Institue of Chicago Signed, named and dated verso, Chicago 25, 1965, Printed 1965 Archivally Matted but not framed

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

The artist has painted the work in matte black and gloss black. It a sense this is also an optical art “Op Art” in that it changes as the light changes. Jimmy Ernst was a major figure of the New York School of abstract painting and part of The Irascibles, and son of Max Ernst: Provenance: Grace Borgenicht Gallery, New York, New York; Joseph H. Hirshhorn, New York and Washington, D.C. (acquired from the above in 1966); Joseph H. Hirshhorn bequest, Hirshhorn Museum, Washington, D.C., 1981; Sotheby's Arcade, New York, New York, February 24, 1995, lot 331; The Jeanne and Carroll Berry...

This later work by Lyonel Feininger approaches almost full abstraction. It was executed in 1950 at a crucial moment in American art history. Abstract Expressionism and non-representational art were in full gear and taking the world by storm. Yet Feininger who was associated with the German expressionist groups: Die Brücke...

Silver print. Overall sheet dimension is 16" x20". Signed by Siskind in pencil, and with the title and negative date in pencil on back of print. 1949 (Printed in 1980s).

Kentucky 7 by Aaron Siskind is an 11 x 14 inch silver gelatin print. The sheet size of this image is 11 x 14 inches, the image size is 9 5/16 x 12 5/16 inches. This photograph featur...

Morocco 93 by Aaron Siskind presents an abstract image, a close up of a textured rock slab. Small dark square holes scatter across the rock. The subject is cropped, emphasizing the t...

Aaron Siskind (1903-1992) started his career as a documentary photographer and a member of the Photo League. He and his colleagues were interested in photography as a tool to record and address social inequalities of the day. Many of his images from the 1930's for example explored life in Harlem. In the early 1940's Siskind drifted away from social depictions preferring to capture images that focused on textures and shapes. Images of advertising fragments, graffiti and sidewalks become engaging and hypnotic because of their abstract qualities rather than the subject matter. As a result he became one of the first "abstract" photographers. Siskind's aesthetic and sensibility evolved parallel to the Abstract Expressionist movement. As a result he was the only photographer to be included in the groundbreaking 9th Street Art...