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Danny LyonInside Kathy's Apartment1963/2009
1963/2009
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Chicago, 1963 / Printed 2009
Gelatin silver print (Edition of 100 + 5 APs)
Signed and numbered by the artist
11 x 14 inches, sheet size
7.75 x 11.75 inches, image size
This photograph is offered by ClampArt, located in New York City.
In 1963, Danny Lyon spent time in a poor white area of Chicago called Uptown. Nicknamed ‘hillbilly heaven’, it was a very tough and deprived neighborhood. With a borrowed Rolleiflex camera, he followed the inhabitants of Clifton Street, where he befriended the families who lived there, documenting intimate moments both inside their homes and on the street. The scene of “Inside Kathy’s Apartment” is particularly intimate, not only in the tender moment shared between the seated couple but also because we see various private domestic objects and a third person, sat only inches away and yet completely engrossed in her own activities.
Danny Lyon was born in 1942 in Brooklyn, New York, and raised in Kew Gardens, Queens. He studied history at the University of Chicago, and graduated with a B.A. in 1963. Lyon is best-known for his images of the Civil Rights Movement, outlaw motorcyclists, and prisoners in Texas penitentiaries.
Lyon received the Guggenheim Foundation Fellowship for photography in 1969, and for film making in 1979.
- Creator:Danny Lyon (1942, American)
- Creation Year:1963/2009
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93234164451
Danny Lyon
Brooklyn native Danny Lyon received a BA in history in 1963 from the University of Chicago, where he served as staff photographer for the Student Non-Violent Coordinating Committee. A self-taught photographer, he traveled with the Chicago Outlaws motorcycle club in 1965-1966 and published his pictures of the club members as The Bikeriders (1968). Since 1967 he has been an independent photographer and an associate at Magnum, and he has made films since 1969. Lyon has received Guggenheim Fellowships in photography and filmmaking, and his work has been included in many major exhibitions, including Toward a Social Landscape at the George Eastman House. His first solo exhibition was held at the Art Institute of Chicago. In addition to The Bikeriders, Lyon has published a number of photographic books based upon his experiences with a group of people or in a particular place, among them The Movement (1964), about the Civil Rights movement, and Conversations with the Dead (1971), a study of life in Texas prisons. Among the films he has produced are Social Services 127, Los Niños Abandonados, and Little Boy. Personal participation in the lives of his subjects is vital component to Danny Lyon's photography. His subjects often deviate from societal norms, yet he is dedicated to communicating their character and sensibility honestly, sympathetically, and nonjudgmentally; for him this requires firsthand knowledge of their experiences. Whereas in his earlier work he seemed to withhold his own personality from the images in order to emphasize that of his subjects, his recent work includes more of himself. Lyon has consistently produced effective, sincere documents of real people's lives that have inspired many photographers since the 1960s.
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