Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

David Yarrow
1953

2024

About the Item

1953 Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men, we found our precise location and went to work. When I arrived on set, it was one of the few times in the last few years when I have been visually arrested by what was in front of me. This was an exceptional setting and an entirely secret one too. Our timing and our planning was on the money. I would like to thank Brooks Nader for being such an excellent 1950s girl and Chip Connor for lending me his prized 250 MM, Ferrari. Meanwhile, locals Stefan Moore and Troy Caldwell were rock stars making the berms high and safe. Every constituent part of this image was first class and in reality, I had the easy job." - David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2024
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 73 in (185.42 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314330522

More From This Seller

View All
The Tetons (B&W)
By David Yarrow
Located in Chicago, IL
The Tetons (B&W) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 39" Unframed 52" x 54" Framed Edit...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Hunter
By David Yarrow
Located in Chicago, IL
South Africa 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Frank Sinatra and Dean Martin - Best of Friends
By Allan Grant
Located in Chicago, IL
Frank and Dean recording. October, 1958. Sleep Warm album recorded by Dean Martin for Capitol Records in three sessions between October 13-15, 1958 with arrangements by Pete King and...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Ink, Rag Paper, Archival Pigment

Innocence, Quebec by Marine Biologist Paul Nicklen
By Paul Nicklen
Located in Chicago, IL
Innocence Quebec, Canada, 2015. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 10 "Baby harp seal pups are born into a cold, windy, icy seascape. They only have two weeks the weight, strength and stamina to survive an uncertain future." - Paul Nicklen...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (B&W)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (B&W) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (Colour) Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

You May Also Like

Natalie Wood in Coat for "The Great Race"
Located in Austin, TX
This stunning black and white portrait features Natalie Wood smiling in a heavy coat for her role in "The Great Race". Natalie Wood was an American-Russian actress. She began her ca...
Category

1960s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Lucille Ball: Glamour in Fur
By Ray Jones
Located in Austin, TX
Stunning and glamorous image of Lucille Ball in fur.Lucille Ball was an American actress, comedian, model, film-studio executive, and producer. She was the star of the self-produced ...
Category

1940s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Grace Kelly, Prince Rainier, and Their Children in the Snow
Located in Austin, TX
Black and white candid capture of Prince Rainer, Grace Kelly, and their children playing in the snow in Switzerland, circa 1959. What's included: - Limited Edition Archival Print - ...
Category

1950s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Bette Davis in "Dark Victory"
By George Hurrell
Located in Austin, TX
Black and white capture of actress Bette Davis in a fur coat for her role in "Dark Victory", circa 1939. What's included: - Limited Edition Archival Print - Numbered Certificate of ...
Category

1930s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Ginger Rogers in Fur Coat
By Bud Fraker
Located in Austin, TX
Black and white studio portrait of Ginger Rogers in a fur coat, circa 1953. Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an A...
Category

1950s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Barbara Stanwyck in Fur Stole
By Ernest Bachrach
Located in Austin, TX
Black and white capture of actress Barbara Stanwyck in fur stole. Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year...
Category

1930s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Recently Viewed

View All