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David YarrowBellissimo2025
2025
About the Item
Bellissimo
NAPLES, ITALY - 2025
Standard
Edition of 12, 3 AP
Unframed 37" x 57"
Framed 52" x 72"
Large
Edition of 12, 3 AP
Unframed 56" x 87"
Framed 71" x 102"
David's Narrative:
Bellissimo
Neapolitans are intensely proud people - “Vedi Napoli e poi muori” goes the local proverb (see Napoli and die). That pride is well deserved given the city’s unique well-worn beauty, the visual splendour of Vesuvius and the Bay of Naples and then the palpable sense of community that has been consistently nurtured generation after generation. Throw in the archaeological treasure trove of Pompeii, culinary preeminence, Diego Maradona and Napoli FC and this is an ancient city that never stops giving.
Like being Texan, being Neapolitan assures a certain state of mind, but unlike Texas, that state of mind may have been on offer for 3000 years. The area has been continuously inhabited since 1000 BC - one of the oldest such cases in the world - and this has probably worked against radical urban redevelopment. I sense that there has never been a real window of opportunity to establish modernity and the reward is what we can now all see.
Undeniably poor in parts, and chaotic almost everywhere, Napoli is raw and untamed, but that is what makes it artistically captivating. What the inner city lacks in serenity, it makes up for in adrenalin. Driving a car here is a combative Olympic sport, not just a means of getting from A to B.
In filtering down to what is truly core to the city, I sense that two constituents simply cannot be removed - food and football. That is not to say that the other associations are emphatically weaker, but these two are surely integral to the fabric of the Paris of the South.
I was fortunate to be working in town last Friday when Napoli FC landed the Serie A title for the 4th time in the club’s history. Forza Napoli and Forza Scott McTominay. And it was also a treat to work with Alessandra Ambrosio, who despite huge fame, has never really changed at all.
There have been many photographs taken in the Bay of Naples of girls eating pasta over the years and I wanted a fresh composition. This image of the celebrated Alessandra Ambrosio eating vongole on the roof of the famous Grand Hotel Parker’s has a definite sense of place for sure.
It’s always the small things and I like the one glass in this shot - the most notorious volcano in the world and we get to see it twice in one frame.
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2025
- Dimensions:Height: 71 in (180.34 cm)Width: 102 in (259.08 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388316405822
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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Located in Chicago, IL
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
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Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
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Jacksonhole, Wyoming - 2025
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
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By David Yarrow
Located in Chicago, IL
The Million Dollar Cowboy Bar (B&W)
Jacksonhole, Wyoming - 2025
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Million Dollar Cowboy Bar (Colour)
By David Yarrow
Located in Chicago, IL
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Jacksonhole, Wyoming - 2025
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 42" Unframed
52" x 57" Framed
Edition of 12
Large
56" x 64" Unframed
71" x 79" Framed
Edition of 12
"Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters.
We would like to acknowledge John Baxter...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
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Located in Chicago, IL
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Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 62" Unframed
52" x 77" Framed
Edition of 12
Large
56" x 94" Unframed
71" x 109" Framed
Edition of 12
"Poker was as integral a part of cowboy life in the long winter nights as it was around a campfire in the summer. It was the most common form of entertainment - especially if those cowboys could neither read nor write. There was also, of course, a transactional element to the activity; money would meaningfully change hands.
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Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
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Price Upon Request
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By David Yarrow
Located in Chicago, IL
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Jacksonhole, Wyoming - 2025
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 62" Unframed
52" x 77" Framed
Edition of 12
Large
56" x 94" Unframed
71" x 109" Framed
Edition of 12
"Poker was as integral a part of cowboy life in the long winter nights as it was around a campfire in the summer. It was the most common form of entertainment - especially if those cowboys could neither read nor write. There was also, of course, a transactional element to the activity; money would meaningfully change hands.
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Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
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Price Upon Request
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