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David Yarrow
David Yarrow Black & White Photograph "The Thundering Herd" Cattle Drive Texas

2021

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The Sheriff ’s Daughter / Sexy Framed Western Photo Josie Canseco
By David Yarrow
Located in Greenwich, CT
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper The Residents Montana, USA - 2022 The intricate layout for this picture was preconceived before I went to bed the previous night. I knew that as soon as the sun rose above the buildings the light would be too harsh to work and that there could be no time for compositional pondering during the shoot. The camera angle needed flat light not aggressive shadows and the weather forecast suggested that we would need to be finished no later than 8.15 am. So, it was cold conditions when the cast began assembling at 6.15am. Josie...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Photographic Paper, Archival Pigment

Beach Bums / Sexy Pirate Themed Framed Black and White Photo
By David Yarrow
Located in Greenwich, CT
Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Beach Bums Anguilla, Caribbean - 2022 Sizes Large – 56” x 97” Unframed, 71” x 112” Framed – Edition of 12 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper, Archival Pigment

Dead Man's Chest / Josie Canseco Pirate Ship
By David Yarrow
Located in Greenwich, CT
Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 The work has been sourced directly from the artist I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper, Archival Pigment

Dead Man's Chest / Josie Canseco Pirate
By David Yarrow
Located in Greenwich, CT
Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...
Category

2010s Contemporary Black and White Photography

Materials

Photographic Paper, Archival Pigment

Enough is Enough by David Yarrow / Cindy Crawford in the Wild West
By David Yarrow
Located in Greenwich, CT
Enough is Enough Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. This photograph was a spontaneous behind ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment, Photographic Film, Photographic Paper

Living Without Boarders Black and White Cowboy on Horse Photo taken in Mexico
By David Yarrow
Located in Greenwich, CT
Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Mexico / USA, 2020 I took this photograph of the legendary West Texas cowboy - Ty Mitchell - on a sandbank on the Rio Grande. Ty stands 6ft 5” tall and my general assessment is that not much fazes this guy. Meanwhile, the location is about as good as it gets and is rather wonderfully named Contraband Creek. I was standing in Mexico and 20 yards across the river was the US. Every time I walked knee deep across the river to change a lens or camera, I entered America and then on my return I re-entered Mexico. I think I actually entered America four times in a morning - all rather surreal with this talk of a wall. I would like to thank the US Border Patrol...
Category

2010s Contemporary Black and White Photography

Materials

Photographic Film, Photographic Paper, Archival Pigment

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