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David YarrowGet The F*** Off My Boat (Color), Jordan Belfort by David Yarrow2021
2021
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Get The F*** Off My Boat (Color), with Jordan Belfort
Marina del Rey, LA, California - 2021
Large (Color) - Edition of 12
Unframed 56” x 79”
Framed 71” x 94"
Standard (Color) - Edition of 12
Unframed 37” x 52”
Framed 52” x 67”
Artist Statement:
"My first collaboration with the real Wolf of Wall Street - Jordan Belfort - in the autumn of 2019, resulted in the coveted image -The Wolves of Wall Street. That photograph has now sold out and I was honoured that both Leonardo DiCaprio and Martin Scorsese signed a copy which sold for $200,000 at Art Miami at the end of that year.
It was always our intention to do a sequel, but Covid put paid to that in 2020.
However, the delay gave me time to consider various options for the story line and fine tune logistics. The unanimous choice for round two was to shoot the boat scene with the FBI agents. For many it is the most memorable scene in the whole movie and of course there is intense competition for that top spot.
In May of this year we had an opportunity to shoot our sequel off the coast of Marina del Rey in Los Angeles. I had so much more light to play with than in the dealing room shot and my instinct was to be bold in the amount of content I could include in one frame. Indeed, I had to work on the basis that the one frame had to tell the full story, otherwise the job would not have been done properly. This is one of the challenges of still photography.
Once we sourced our necessarily large yacht, I pondered intensely over the make up of the content and the composition of that content. The wolf would always be the centre stage, but the layered nature of the front of the boat offered my best chance of an expansive narrative around and behind the wolf. My favoured shooting time was an hour before sunset and from mid afternoon I had built up an intricate story board in my mind.
About 6.45pm out on the open sea, all the constituent parts came together and I think everyone involved should be proud of the role they played in creating the parody. I would contend that if any one of the constituents of the photograph was removed, the picture would be materially lessened. It needed the giant lobsters; the spray of the champagne; the FBI; the helicopter; both wolves and even the girl on the top deck. Luckily they were all on board - this was not a day to have after thoughts.
They say that the best pictures can be looked at for a long time. Well here we go.
My thanks to everyone involved but especially Jordan Belfort, Kate Bock, Josie Canseco and FBI agents Bradley Thomas and Kether Parker. In addition, we would like to be clear that the “wolf ” in the scene is actually a Tamaskan dog - which is 98% wolf. The lobsters are all cooked lobsters bought from a restaurant."
- David Yarrow
Bio:
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2021
- Dimensions:Height: 71 in (180.34 cm)Width: 94 in (238.76 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:52" x 67", Edition of 12Price: $30,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388314606652
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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By David Yarrow
Located in Chicago, IL
Get The F*** Off My Boat II (B&W), with Jordan Belfort
Marina del Rey, LA, California - 2021
Sizes:
Large (B&W) - Edition of 12
Unframed 56” x 82”
Framed 71” x 97"
Standard (B&W) - Edition of 12
Unframed 37” x 54”
Framed 52” x 69”
Artist Statement:
"My first collaboration with the real Wolf of Wall Street - Jordan Belfort - in the autumn of 2019, resulted in the coveted image -The Wolves of Wall Street. That photograph has now sold out and I was honoured that both Leonardo DiCaprio and Martin Scorsese signed a copy which sold for $200,000 at Art Miami at the end of that year.
It was always our intention to do a sequel, but Covid put paid to that in 2020. However, the delay gave me time to consider various options for the story line and fine tune logistics. The unanimous choice for round two was to shoot the boat scene with the FBI agents. For many it is the most memorable scene in the whole movie and of course there is intense competition for that top spot.
In May of this year we had an opportunity to shoot our sequel off the coast of Marina del Rey in Los Angeles. I had so much more light to play with than in the dealing room shot and my instinct was to be bold in the amount of content I could include in one frame. Indeed, I had to work on the basis that the one frame had to tell the full story, otherwise the job would not have been done properly. This is one of the challenges of still photography...
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Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
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Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
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Located in Chicago, IL
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Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
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Framed 48" x 84"
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