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David Yarrow
The Last Supper In Fort Worth, Texas by David Yarrow

2024

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

The Last Supper in Fort Worth Fort Worth, Texas - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 59" Unframed 52" x 74" Framed Edition of 12 Large 56" x 89" Unframed 71" x 104" Framed Edition of 12 "For a stretch of road to own a place in the visual jigsaw of Americana, it must have history as well as aesthetic power. The road to the stockyards in Fort Worth scores high in both categories, which is why 8 million visitors make the trip to cowtown every year. Judging by the explosion of high-end hotel developments within a mile or two of the old cattle market, there is no destination in America that is currently hotter than Forth Worth. Photographing this road presented a creative dilemma not only because we wanted to tell a fresh story, but also because we needed to clear it of people and traffic and that clearly required the full support of the local police and indeed the wider community. Once this second issue was navigated (and we thank all those involved), the next issue was what to do with the blank canvas that we secured. The idea of doing a Last Supper shot came to me late, but we executed well and the introduction of Tomahawk steaks was a cute additive. Sometimes in these photographs there can be a weak link but everyone in that picture followed my directives and did a grand job. None have been schooled in acting, so I congratulate them all for helping me break some fresh ground. I would imagine that if this crew were about to break bread, I would have all the ingredients of an interesting dinner party” - DAVID YARROW
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2024
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 74 in (187.96 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388315383352

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Marfa, Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 65 inches 67 x 93 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The outdoor bar at The Lost Horse Saloon in Marfa, West Texas, is just how I hoped an outdoor bar, in traditional cowboy country, would look like - a mishmash of wood, corrugated iron, weaponry, stuffed animals and beer merchandise. My preference is that these bars should be cluttered and deeply individualistic - there are no formulas in West Texas other than in the Crystal Meth motorhomes. On our scouting, I was immediately drawn to the sign on the front of the bar which located the destination in the most authoritative of ways. Marfa may only have a modest population of 2,121, but almost everyone in Texas has heard of Marfa. It is the art outpost where “Burning Man” meets “No Country for Old Men”. Absolutely nothing about the place - which sits three hours from the nearest commercial airport - is in any way normal. My creative prompts in using the facade of the bar were led by two dominating objectives - firstly, to make sure that everything and everyone in the picture earned their space and secondly, I wanted the lighting to remain fairly dim so that the character of the joint was retained. To flood the narrative with light would give me greater depth of focus, but it could turn the bar into a sitcom studio. We needed to hold back. The magnificent seven...
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